Out Of Sight [1998]
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Average customer review:Product Details
- Amazon Sales Rank: #3175 in DVD
- Released on: 2002-09-02
- Rating: Suitable for 15 years and over
- Aspect ratio: 1.85:1
- Number of discs: 1
- Formats: Dubbed, PAL, Widescreen
- Original language: English
- Subtitled in: Danish, Dutch, English, Finnish, French, German, Norwegian, Polish, Portuguese, Swedish
- Dubbed in: Czech, French, German, Italian, Spanish
- Number of discs: 1
- Running time: 118 minutes
Editorial Reviews
Amazon.co.uk Review
Out of Sight was one of the best movies of 1998 but ironically this superior crime comedy was a box-office disappointment. Fortunately the movie can enjoy a long life on home video and DVD, where it can be savoured by anyone who missed its original release. Making one of his strongest films since his 1989 debut Sex, Lies, and Videotape and his recent hit Erin Brockovich, director Steven Soderbergh pays tribute to the signature wit and intricacy of Elmore Leonard's novel, brilliantly adapted by Scott Frank, the gifted screenwriter who previously adapted Leonard's Get Shorty. The movie is primarily a showcase for the talent and chemistry of George Clooney and Jennifer Lopez, respectively playing a career bank robber who has escaped from jail and the federal agent who falls for his charms while tracking him down. Soderbergh directs with confident visual flair, shifting timelines (à la Pulp Fiction) to weave together subplots and maintain vivid focus on Leonard's splendid characters and smooth-as-silk dialogue. While the sexy repartée between Clooney and Lopez recalls the vintage interplay of Humphrey Bogart and Lauren Bacall, Ving Rhames and Steve Zahn add ample comic relief as Clooney's accomplices. Dennis Farina is memorable as Lopez's father and Albert Brooks is almost unrecognisable as a Wall Street crook whose mansion--and a cache of uncut diamonds--provides the setting for the film's climactic caper. As orchestrated by Soderbergh, the film offers a feast of plot twists and surprises but it never loses track of its delightful characters and the clever wit that brings them so vividly to life. --Jeff Shannon
Video Description
DVD Special Features
Feature Commentary with director Steven Soderbergh and screenwriter Scott Frank
Inside Out Of Sight, an original documentary on the making of the film featuring behind-the-scenes footage and interviews, with Steven Soderbergh, George Clooney, Jennifer Lopez, Albert Brooks, Don Cheadle, Ving Rhames, Steve Elmore Leonard and Scott Frank
Deleted Scenes
Theatrical Trailer
Prooduction Notes
Soundtracks
Cast and Filmaker's notes
Synopsis
Based on Elmore Leonard's famous crime novel, OUT OF SIGHT finds director Steven Soderbergh back in Hollywood after a brief return to the independent world with SCHIZOPOLIS and GRAY'S ANATOMY. A funny, hip, and vibrant action-drama, OUT OF SIGHT tells the story of the unlikely relationship that forms between an FBI agent and a career criminal. After Jack Foley (George Clooney) escapes from jail with the help of his partner, Buddy Bragg (Ving Rhames), he takes Karen Sisco (Jennifer Lopez), a sexy federal agent, hostage. Immediately sparks fly between the two. Eventually they let her go and leave Miami behind, heading directly for Detroit, where they plan to rob a former cellmate of theirs, a wealthy, white-collar criminal (Albert Brooks). When Karen finally locates Foley, a passionate encounter unfurls (edited ingeniously by Anne V. Coates, recalling Nicolas Roeg's classic DON'T LOOK NOW). As Foley zeroes in on his target, Karen must decide which side she's on. Soderbergh's film is a raucous ride through the criminal underworld, featuring spot-on performances by Clooney and Lopez. It's the supporting cast that makes OUT OF SIGHT so unforgettable, however; Rhames, Steve Zahn, Luis Guzman, and especially Don Cheadle deliver hysterical turns that keep the laughs coming as the tension continues to mount.
Customer Reviews
Box office flop
George Clooney finally gets a decent movie role in Out of Sight, yet another successful adaptation of Elmore Leonard (author of the source novels for Get Shorty and Jackie Brown). Instead of playing yet another comic book character as he did in From Dusk Till Dawn and Batman & Robin (and let's not forget the immortal Return of the Killer Tomatoes!), Clooney here plays one of those small-time criminals who is savvy enough to reach behind and grab the arm of someone with a gun while he is sitting in a bathtub with his eyes closed but is still incompetent enough to botch a bank robbery by flooding the engine of his car. The joys of this film include a wide array of mostly streetwise characters, refreshingly smart dialog, and a certain chemistry between Clooney and Jennifer Lopez, who discuss cinema and other topics while locked in the trunk of a car. The director is Steven Soderbergh, who cashes in on the promise he showed a decade ago with his legendary debut, Sex, Lies, and Videotape. Wholeheartedly recommended.
Foreplay
The movie isn't that different from any other heist movie, its got robberies, killings and the leading lady. The only difference with this one is that there is real on screen chemistry between Clooney and Lopez which keeps the story line juicy, and makes you want to watch it.
I have watched this movie a number of times, and I still enjoy watching it. Up until the point where the two characters sleep together, is like foreplay. They continue to tease each other and consider what it would have been like if they had met under different circumstances.
A must watch movie, and a great one to have in your collection.
OK Plot, Good Performances
What really made this cool though was the fractured chemistry between Lopez and Clooney. They were a good on-screen duo. What made it good was the he was an escaped con, while she was a U.S. Marshall, I guess the forbidden relationship made it cool. The acting was good, I think George Clooney is a good actor, but I don't care for Jennifer Lopez movies, though she did a good job in this and Selena.
There was also the way the cities were shot, how Lompoc was a yellow shade, Miami was a reddish shade, and Detroit was in blue, I thought that was cool, much like in Traffic. So in conclusion, the acting was good, the plot was o-kay, the setting was good, and the chemistry between the characters was excellent.

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