Product Details
Touch Of Evil [1958]

Touch Of Evil [1958]
Directed by Orson Welles

List Price: £15.99
Price: £5.98 & eligible for FREE Super Saver Delivery on orders over £15. Details

Availability: Usually dispatched within 24 hours
Dispatched from and sold by Amazon.co.uk

12 new or used available from £4.30

Average customer review:

Product Details

  • Amazon Sales Rank: #11576 in DVD
  • Released on: 2006-04-24
  • Rating: Suitable for 12 years and over
  • Formats: Black & White, PAL
  • Original language: English
  • Number of discs: 1
  • Running time: 105 minutes

Editorial Reviews

Amazon.co.uk Review
Considered by many to be the greatest B movie ever made, the original-release version of Orson Welles's film noir masterpiece Touch of Evil was, ironically, never intended as a B movie at all--it merely suffered that fate after it was taken away from writer-director Welles, then reedited and released in 1958 as the second half of a double feature. Time and critical acclaim would eventually elevate the film to classic status (and Welles's original vision was meticulously followed for the film's 1998 restoration), but for four decades this original version stood as a testament to Welles's directorial genius. From its astonishing, miraculously choreographed opening shot (lasting over three minutes) to Marlene Dietrich's classic final line of dialogue, this sordid tale of murder and police corruption is like a valentine for the cinematic medium, with Welles as its love-struck suitor. As the corpulent cop who may be involved in a border-town murder, Welles faces opposition from a narcotics officer (Charlton Heston) whose wife (Janet Leigh) is abducted and held as the pawn in a struggle between Heston's quest for truth and Welles's control of carefully hidden secrets. The twisting plot is wildly entertaining (even though it's harder to follow in this original version), but even greater pleasure is found in the pulpy dialogue and the sheer exuberance of the dazzling directorial style. --Jeff Shannon

Synopsis
Orson Welles's Touch of Evil is nothing short of a masterpiece. Beginning with a three-minute-plus tracking crane shot, the film explodes onto the screen, literally the marvelously expressive opening shot ends with a car blowing up, and that detonation sets into motion a classic noir tale of betrayal and murder. In a complex exploration of character and morality, Welles plays the racist Captain Hank Quinlan, a grotesque, troubled, and powerful figure who runs his small U.S. border town according to his own version of the law. Quinlan's brutishness and vulgarity contrast starkly with the idealism and playboy good looks of Charlton Heston as Mike Vargas, a Mexican detective trying to put away the leader of a dangerous family of drug dealers the Grandis. In the U.S. with his new bride, Susie (Janet Leigh), Vargas becomes consumed with exposing Quinlan and his highly questionable methods too busy to see that his own beautiful blonde bride is in serious danger from both Quinlan and the Grandis. In 1998, Welles's film was restored closer to its creator's original vision, and it is a joy to behold. Every shot is impeccably crafted, every word of dialogue concise and pointed. The camerawork (by Russell Metty and John Russell) is stunning, particularly in the opening scene and the long single take in which Vargas believes he has caught Quinlan planting evidence. The supporting cast, led by Marlene Dietrich, Dennis Weaver, Akim Tamiroff, and Joseph Calleia, gives exhilarating performances. Touch of Evil, Welles's last studio film, is a near-perfect examination of the dark underbelly of society and the tragic downfall of a once proud man.


Customer Reviews

Not as good as its reputation3
Touch of Evil opens with what must be one of the finest sequences ever but after that I found the film to be slow in places and marred by some overacting. The story is that of a Mexican police officer ( Heston ) and a corrupt US Cop ( Welles ) and how they clash and compete with regards to a murder. Heston does portray a moral upright man very well, it is just a pity that he could not portray a Mexican moral upright man that well - he is not very convincing. Welles completely overacts, as do a lot of his cop cronies who like to pontificate on things every once in a while. It is a shame that Marlene Dietrich appears for only a few minutes as her character is intriguing, but she flits in and out. The story tends to meander a little and could have done with tightening up as the middle does seem to drag before picking up for the finale. All in all I was expecting more from this based on its reputation. I also did have some issues with the quality of the sound of this particular dvd and getting it to synchoronise with the images, having to try it in a number of players.

Grimy and gritty film noir4
Mexican narcotics officer Mike Vargas (Charlton Heston) and his bride (Janet Leigh) have just ended their honeymoon in a border town when they become involved in a murder investigation. Also on the case is a veteran American cop (Orson Wells) who has a habit of winning convictions by planting evidence.

How much you like this movie depends on how much you like the film noir genre. This is a typical hard-bitten crime story filmed mostly at night or in deep shadows in shabby locations with terse dialogue and no-nonsense characters. Heston isn't convincing as a Mexican, but he's dynamic and sincere anyway. Janet Leigh had a broken arm for most of the filming and it's fun to see the ways the cast is hidden. As a star, Wells is bloated and repellant and the villain you love to hate; as the director, he's creative and surprising. Dennis Weaver gives a terrific performance as a very nervous motel employee.

Film noir is not my cup of tea, but I can see that this is a complex and well-made movie that many film-lovers would enjoy.

The Greatest Opening Sequence Ever?4
Dark, entertaining, messy, but very rewarding. My favourite Welles. Dietrich, Leigh & Heston on top form too. Sweaty, steamy, dark view of human falibility and complicity. But if it's not for you, this is a must see simply for the opening sequence: a complex, perfectly timed, almost balletic tracking shot as we follow a car through a mexican border town. Sit back and marvel at the genius who had the vision and the audicity to pull it off. Here's you money's worth already - regardless of the delights to follow. If you ever wondered what all the fuss was about with Welles, just invest your pennies in this and enjoy a mini masterclass.