Sugar Daddy
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| List Price: | £13.99 |
| Price: | £9.98 & eligible for FREE Super Saver Delivery on orders over £5. Details |
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Dispatched from and sold by Amazon.co.uk
6 new or used available from £9.21
Average customer review:Track Listing
- Ritmo Caliente
- Mi Mambo Conga
- Bailare Tu Son
- Azucar
- Tirandote Flores
- Que Suene La Orchestra
- Tema Del Apollo
- No Critiques
- Melao Para El Sapo
- Cafe
- Te Quiero Te Quiero
- Muneca
- Conmigo
- Lo Que Traigo Es Sabroso
- Estamos Chao
- Bomboncito De Pozo
- Manha De Carnival
- En Cadenas
- Campesinos
Product Details
- Amazon Sales Rank: #209321 in Music
- Released on: 2007-04-30
- Number of discs: 1
Customer Reviews
The real deal - authentically hip dancefloor rhythms from 60s Latin big band
In the language of Puerto Rican New Yorker Eddie Palmieri's black audiences, "sugar" was the hot, sticky, sweat-soaked music they loved. Palmieri's big band played that music at regular shows at NYC's Palladium ballroom from '61 to '67, when the band broke up through lack of cash.
Influenced early on by the music of jazz pianists Thelonious Monk and McCoy Tyner, Palmieri formed Conjunto La Perfecta on the back of the early 60s Latin dance craze. Deftly mixing Salsa, Cuban mambo, African and American jazz inflections, the band caught the imagination of New York audiences across cultural and ethnic divides. His innovative trombone led approach, courtesy of Polish Jew Barry Rogers, helped give the band its characteristic style - since referenced and revisited by Jools Holland's big-band trombonist Rico.
This greatest hits collection trawls through the band's best-known 60s, repertoire, taking in albums such as Echando Pa'lante, Mozambique, and Molasses, though the highlight is probably the extraordinary nine-minute hit single Azucar - in which piano improvisation from classically trained Palmieri which takes you on a journey through musical styles before giving way to the cheeky-birdsong of George Castro's flute.
Palmieri is still alive and going strong, and his new music is still influencing all kinds of postmodern borrowings and smug reinventions. Nevertheless, the recordings from this classic era of Latin dance music are the real deal. If you love polyrhythmic percussion, free-spirited improvisation and you just love to dance, check out this wonderful retrospective collection.
- Clare O'Brien, as puhblished at subba-cultcha.com

