Track Listing

1. In The Flowers
2. My Girls
3. Also Frightened
4. Summertime Clothes
5. Daily Routine
6. Bluish
7. Guys Eyes
8. Taste
9. Lion In A Coma
10. No More Runnin
11. Brother Sport

Product Details

• Amazon Sales Rank: #834 in Music
• Released on: 2009-01-12
• Number of discs: 1

Amazon.co.uk Review
Nine albums into their career, and Animal Collective have finally struck gold. Not that they struggled to turn up riches before: on the contrary, their career has been pretty fruitful. But Merriweather Post Pavilion finds the group--here represented by three of their four members, Avey Tare, Panda Bear, and Geologist--ditching the gloopy guitars of Strawberry Jam, enlisting a new collaborator (Ben Allen, a US hip-hop engineer who worked on Gnarls Barkley’s “Crazy”, who supplies pleasingly thick crests of bass) and embracing a new, sunny dancefloor bounce that owes little to chemical abandon and everything to the warm rush of a natural high. A good share of songwriting duties are handled by Panda Bear, meaning portions of this record--including its two highlights, “Brother Sport” and “My Girls”--recall the Beach Boys-esque vocal harmonies and bubbling electronics of his remarkable 2007 solo album Person Pitch, albeit with a slightly more upbeat spring in its step. Other stand-out moments come with the bubbling, lovestruck “Summertime Clothes” and “In The Flowers”, drifting Pink Floyd whimsy that explodes into a romping, streamer-waving carnival mid-way through. But Merriweather is a treat throughout, essential to fanboys and newcomers alike. –– Louis Pattison

CD Description
Perhaps one of the most talked-about aspects of the eighth Animal Collective album is its optical illusion cover art - oddly acting as a pre-cursor to the sonic invention within. Ever the experimentalists, the New York-based indie troupe decamped to Mississippi for this offering, resulting in the usual vaguely-avant indie pop, but with a definite focus and a more accessible vibe. Production duty comes from friend ofthe band Ben Allen.

Customer Reviews

Set the controls to the heart of the fun! "Pet Sounds" reborn for the noughties
I've read a lot of the reviews on Amazon of Merriweather Post Pavilion and clearly it is polarising opinion which in one sense is the sign of a great album. While I understand the "don't get it" mentality some of the destructive negativity that goes with it is probably undeserved. Although there are some albums (mostly by Razorlight) which I would happily turn a flamethrower full on or attack with a sledgehammer so I do understand the sentiment.

A theory - it seems to me that the roots all modern rock music can be traced back in some form to 3 key sources the Velvet Underground's debut album, Pet Sounds & Smile by the Beach Boys and the wider work of the Beatles. Ok it's a vast over generalisation but stick with me. Animal Collective stand in the line of experimentation started by Brian Wilson that has clearly developed over time with a multitude of influences such as Mercury Rev, Grandaddy, Flaming Lips and Beck. Some including Alan McGee have even cited Hall and Oates. As a comparision "I can't go for that" (sorry) yet when MPP works it is joyful, transcending and breathtaking and I sort of know what he means.

Surely the point is that Animal Collective are a bunch of magpies who are "stealing with pride" and who in addition bring their own high level of originality and dreamy pop to create a new fusion that takes music into new realms. If you don't get it fair enough; but to these ears "My Girls" "Summertime Clothes" and "Lion in a coma" are classic pop songs which are infectious and innovative. "No more runnin" is wonderfully ambient and laidback as "Bluish" is exhilarating.

"My Girls" has already been re-mixed by a huge range of artists (the HATCHMATIX disco mix is especially good so to the Pitch Lab edit) and is vying for the song of the year. It will certainly be the soundtrack to the summer (certain songs seem destined to perform this feat like Supergrass "Alright" a few years back). What is equally healthy is that Animal Collective set a benchmark to which others will try to emulate and rise above. There is already friendly competition with the superb Grizzly Bear and hopefully all those British bands who are all starting to sound like the Editors might want to try a bit harder. Thank god for the Super Furry Animals in this respect who have also taken their freaky enthusiasms in constantly new directions. All in all Animal Collective on MPP are pushing hard at cutting edge of musical experimentation and offering something new (with caveats) and genuinely exciting. Their previous album Strawberry Jam especially the song Fireworks and Panda Bears "Person Pitch" are all massively entertaining.

I fully agree that in some critics eyes they are gathering so much attention it is disastrously unhip not to like or name check them. The album already seems to have already won the 2009 end of year poll only a few months in. Dirty Projectors "Bitte Orca" Phoenix's "Wolfgang Amaedeus" and Grizzly Bear's "Veckatimest" will provide stiff competition on this front. For those of you who dont get it deepest apologies but don't be down about it, just move on. The key test of MPP is very simple. Drive out on a beautiful day, wind the down windows, put your sunglasses on, place MPP in the car CD and play "Brother Sport" very loud and try not to smile. Go on give it another listen.

My twopenneth
Animal Collective are a band who can go into your kitchen and, armed with a collection of glass bowls, saucepans and the contents of your cutlery draw, could produce a masterpiece... or conversely sound like a bunch of kids mucking about in the kitchen. This is because they completely understand the basic beauty and evocative nature of sound, but sometimes get lost between the original idea and the final product.

I can put up with the near misses if they continue to come up with those astonishing moments when, out of a seemingly chaotic mess, everything resolves with a single note or chord change.

This obviously puts a lot of people off, and tries their patience. 12 minutes of "Visiting friends" is not for everyone, but I completely understand and love that track. All 12 minutes of it.

However with the first few tracks of Strawberry Jam I thought they were getting stale and were repeating themselves. I thought Panda Bear had outgrown them with Person Pitch and the end was nigh. But then with "For Reverand Green" and "Fireworks" all was right with the world.

MPP picks up from those tracks, weaves in the splendid ideas from Person Pitch and on we go. MPP isn't a perfect album. "Also Frightened" is dreary and is best skipped and "Lion in a coma" (a play on words) doesn't quite work for me. But the majority of it is so sumptuous, warm, and life affirming that it would be bonkers to give it less than 5 stars.

If you're new to Animal Collective then this is the album to start with. "Daily Routine" gives you an idea of their earlier work. The way the extended voice is harmonised with those shining bell sounds towards the end of the track is classic AC and may invite you to buy "Feels" and "Sung Tongs".

If you're already a fan you've already got this.

From not liking at all to adoring; it only took five months
I've liked the idea of Animal Collective since I first heard of them many years ago. I've been trying to like the reality since Sung Tongs, the first album of theirs that I heard. I've listened to every record since, including Panda Bear's second solo album, the much-acclaimed Person Pitch. But I don't like them. In fact, I pretty much hate their music.

Some context. I wrote about music for a few websites and some magazines for several years; I gave rave reviews to people like Caribou (when he was still Manitoba), Bark Psychosis, Fennesz, The Necks, Acoustic Ladyland, and Patrick Wolf. I've got a big record collection. I like a lot of 60s psych music, Tropicalia, 70s fusion jazz, My Bloody Valentine, Orbital, Aphex Twin, Talk Talk, Can, Long Fin Killie, Battles, blah blah blah etc. I'm not at all adverse to "experimental" music; I earned money writing about it! I also like pop music, Beatles, Bacharach, great melodies, timeless songs, gorgeous harmonies etc etc.

So why don't I like Animal Collective, seemingly one of the most consistently acclaimed alternative bands of the 2000s, who are meant to be both mind-wideningly experimental and exultantly pop? The thing is that I don't really know. I can't touch their music. I can't recall any of it. It gives me a headache, makes me lose concentration. I can't focus on their records like I can on, say, a Super Furry Animals record, or a Califone record, or a Kitchens Of Distinction record, or whatever.

I was actually REALLY looking forward to MPP because early talk about it from people I know seemed to say they'd made a much more danceable record than they had previously; Screamadelica was mentioned as a comparison point, which would make me feel a little sick if it was Keane we were talking about, but with Animal Collective it actually made me hopeful; maybe finally it would click for me?

Well I've spent many hours over the last three months or so with MPP, and it hasn't clicked. I still don't get it. I get no emotion from this record, no excitement, no visceral or sensual or intellectual thrill. It's like a giant, beautiful butterfly, flapping its wings right in my face; occasionally I get a sense of something wonderful and strange, but it's too close to focus on, too distracting to get involved with, and so I am left annoyed. It's all distracted, shrill treble, messily mixed and indistinct. None of the sounds on this record seem real to me, seem like actual sound, actual music, however abstract; it's not even "noise" - I like "noise"! It's something else.

I don't understand. So many people whose opinion I respect like this band, this record. People express surprise when I say I can't stand them. I like Grizzly Bear and Koushik, so why not this? I keep trying. I will keep trying. Maybe one day it'll click. Nothing annoys me more than not getting joy out of music that other people say they get joy from. But I get nothing from this other than a headache.

EDIT: I've been listening to this a lot lately, in one last attempt to "get it", and I think I finally have - the moment of truth came when I played it on my proper big hi-fi, which has been blocked by an old sofa I've been waiting to get rid of, and I was actually properly swept away for a good while; bits of it are now lodged pretty solidly in my head (passages of My Girl, Summertime Clothes, Also Frightened, Brother Sport, No More Running). This has, improbably, after months of disillusion, grown on me. If I still feel the same in a week, I'll bump this up from 2 to 4 stars. But not 5. Because Lion In A Coma is still horrible.

ANOTHER EDIT: Tail-between-legs time; I've had a complete about-face with this record, and I now adore it. After playing it on the big hi-fi and having it totally open up to me, MPP has become the joyous psychedelic melody explosion that everyone told me it was. My Girls is so sweet, so humble, and so catchy; Summertime Clothes is so hooky, so stereophonically groovy; No More Running is so elegiac and beautiful; Bluish is so distractedly horny. And the rest of the songs are pretty great, too; even Lion In A Coma has grown on me (must be the Jews Harp). This actually is a properly amazing record now it's hit me. I'm just faintly irritated that it took so long!

Consider the 2 stars above to have 3 more after them now. Seriously.