Track Listing

1. 1492
2. Hanging Tree
3. Los Angeles
4. Sundays
5. Insignificant
6. Cowboys
7. Washington Square
8. On Almost Any Sunday Morning
9. When I Dream Of Michelangelo
10. Anyone But You
11. You Can't Count On Me
12. Le Ballet d'Or
13. On A Tuesday In Amsterdam Long Ago
14. Come Around
15. Baby, I'm A Big Star Now

Product Details

• Amazon Sales Rank: #4340 in Music
• Released on: 2008-03-24
• Number of discs: 1
• Dimensions: .14 pounds
• Running time: 66 minutes

CD Description
This is the follow up 2002's 'Hard Candy' from erudite Californian rockers, Counting Crows. 'Saturday Nights And SundayMornings' reunites the band with producer Gil Norton (Pixies, Foo Fighters) for the 'Saturday Nights' half of the album, which features their trademark rock sound; while the acoustic-led, country tinged 'Sunday Mornings' section features production from Brian Deck (Modest Mouse, Josh Ritter). Singles include 'You Can't Count On Me', a track lifted from the latter half.

Customer Reviews

Not feeling it....
For starters, I think Counting Crows are one of the most underated bands of the last fifteen years. Their first two albums- 'August and everything after' and 'Recovering the Satellites'- are masterpieces. The sheer excellence of these first two records has made every following CC release struggle to live up to expectations. 'This Desert Life'(1999) and 'Hard Candy' (2002) are both great records. It's just that they are not as great as the first two.

So, 'Saturday Nights and Sunday Mornings' has a lot to live up to. This is especially the case given that it is their first new album in almost six years. Things start well with '1492' and 'Hanging Tree' both of which are from the rockier end of the CC spectrum. However, by the time you get to 'Los Angeles' a nagging thought starts to rear its ugly head- the Counting Crows have done all of this before. As Duritz sings the chorus of "If you see that movie star and me" you start to get the feeling you have heard it all before. Things pick up again however with the rather excellent 'Cowboys' before the second, quieter half of the album gets going...

... and that's where the feelings of deja vu starts to come in spades. At times it almost seems as though Duritz is just going through the motions. He is trying to sound forlorn for the sake of sounding forlorn. The passion and real heart wrenching angst, so prevalent on their first four albums, seems to have gone a bit stale. When Adam sings "Come back to me" on 'On a Tuesday in Amsterdam Long Ago' you cant help but feel it is an inferior re-write of the rather amazing 'Raining in Baltimore' from their debut record. It just sounds like he is going through the motions and not really feeling it.

The second half of the album does have its good tracks though, especially 'When I Dream of Michaelangelo' and 'Come Around', the latter of which is a very fitting end to the record. The problem with the second half of this album is just that it sags a little. Songs such as 'On Almost Any Sunday Morning' and especially 'Le Ballet D'Or' feel unnecessary and add little to the overall album apart from making it longer. Also, the sub-Beatles harmonies at the end of 'Anyone But You' don't really work either and go on for too long blunting the impact of an otherwise good track.

All in all 'Saturday Nights and Sunday Mornings' is patchy. I have never said that about a CC release before and hope I will never have to say it about any future records they release. However, this album is sadly a little bit disapointing. It has some great tracks (1492, Hanging Tree, Cowboys, When I Dream of Michaelangelo and Come Around). A number of good, solid tracks (Insignificant, Washington Square and You Can't Count on Me) and then the rest of the record just sounds a bit lazy and over familiar. Maybe this would have been a stronger ten track record with the bulk of the songs from the first half with a couple of the '... Sunday Mornings' half thrown in. Who knows, but viewed as a whole it doesn't really work. Time for Counting Crows to re-think things a little.

A great return - even if it takes a few plays
Counting Crows are probably my favourite band and are, in my opinion, are also one of the most underrated bands on the planet so you can hardly expect this to be a balanced review. I would rate all of their albums as five star although I would need a couple more star to rate August and Everything After, so you can imagine my expectations of this return album after so long out of the studio.

Was I disappointed? Initially I was - to some extent. I thought the album was good but I wasn't blown away as I had hoped to be. Rather than writing a review on this basis I decided to persevere and see if the album grew on me and I'm glad to say that it did - big time! After a dozen or so plays I really think this rates a close second to `August' and has some really great songs on it. My particular favourites are Cowboys, Anyone But You and On a Tuesday in Amsterdam Long Ago all of which are the equal of anything the band has ever produced. As for the other 12 tracks - they're all almost as good.

So, if you love Counting Crows but haven't bought this yet - do! If you have bought it and have abandoned it after a couple of plays give it another try. It may be a slow burner but it's really worth the effort.

Disappointing
Don't listen to the hype. For such a great band expectations are very high but regrettably this album is at best mediocre. I'm sad to say it but this is one of their least accomplished albums- where are the hooks and gemlike songcraft of yesteryear? It's not that the album is bad, it's just that it's simply unremarkable. I think the real acid test is to ask yourself- would any of these tracks get on to your personal 'Best of Counting Crows' playlist? I'm not sure I would add any to my favourites.

[My favourite CC tracks in no particular order: Round Here, Mrs Potter's Lullaby, Butterfly in Reverse, Amy Hit The Atmosphere, Miami, Omaha, A Long December, Hangin' Around, American Girls, Mr. Jones, Hard Candy, Rain King, Holiday In Spain, Raining In Baltimore, All My Friends, Black And Blue, A Murder Of One, Why Should You Come When I Call?]