Product Details

• Amazon Sales Rank: #26820 in Books
• Published on: 1998-06-04
• Original language: English
• Binding: Paperback
• 448 pages

From Amazon.co.uk
According to Arthur Golden's absorbing first novel, the word "geisha" does not mean "prostitute," as Westerners ignorantly assume--it means "artisan" or "artist." To capture the geisha experience in the art of fiction, Golden trained as long and hard as any geisha who must master the arts of music, dance, clever conversation, crafty battle with rival beauties and cunning seduction of wealthy patrons. After earning degrees in Japanese art and history from Harvard and Columbia--and an M.A. in English--he met a man in Tokyo who was the illegitimate offspring of a renowned businessman and a geisha. This meeting inspired Golden to spend 10 years researching every detail of geisha culture, chiefly relying on the geisha Mineko Iwasaki, who spent years charming the very rich and famous.

The result is a novel with the broad social canvas (and love of coincidence) of Charles Dickens and Jane Austen's intense attention to the nuances of erotic maneuvering. Readers experience the entire life of a geisha, from her origins as an orphaned fishing-village girl in 1929 to her triumphant auction of her mizuage (virginity) for a record price as a teenager to her reminiscent old age as the distinguished mistress of the powerful patron of her dreams. We discover that a geisha is more analogous to a Western "trophy wife" than to a prostitute--and, as in Austen, flat-out prostitution and early death is a woman's alternative to the repressive, arcane system of courtship. In simple, elegant prose, Golden puts us right in the tearoom with the geisha; we are there as she gracefully fights for her life in a social situation where careers are made or destroyed by a witticism, a too-revealing (or not revealing enough) glimpse of flesh under the kimono, or a vicious rumour spread by a rival "as cruel as a spider."

Golden's web is finely woven, but his book has a serious flaw: the geisha's true romance rings hollow--the love of her life is a symbol, not a character. Her villainous geisha nemesis is sharply drawn, but she would be more so if we got a deeper peek into the cause of her motiveless malignity--the plight all geisha share. Still, Golden has won the triple crown of fiction: he has created a plausible female protagonist in a vivid, now-vanished world and he gloriously captures Japanese culture by expressing his thoughts in authentic Eastern metaphors.

Amazon.co.uk Review
According to Arthur Golden's absorbing first novel, the word "geisha" does not mean "prostitute," as Westerners ignorantly assume--it means "artisan" or "artist." To capture the geisha experience in the art of fiction, Golden trained as long and hard as any geisha who must master the arts of music, dance, clever conversation, crafty battle with rival beauties and cunning seduction of wealthy patrons. After earning degrees in Japanese art and history from Harvard and Columbia--and an M.A. in English--he met a man in Tokyo who was the illegitimate offspring of a renowned businessman and a geisha. This meeting inspired Golden to spend 10 years researching every detail of geisha culture, chiefly relying on the geisha Mineko Iwasaki, who spent years charming the very rich and famous.

The result is a novel with the broad social canvas (and love of coincidence) of Charles Dickens and Jane Austen's intense attention to the nuances of erotic maneuvering. Readers experience the entire life of a geisha, from her origins as an orphaned fishing-village girl in 1929 to her triumphant auction of her mizuage (virginity) for a record price as a teenager to her reminiscent old age as the distinguished mistress of the powerful patron of her dreams. We discover that a geisha is more analogous to a Western "trophy wife" than to a prostitute--and, as in Austen, flat-out prostitution and early death is a woman's alternative to the repressive, arcane system of courtship. In simple, elegant prose, Golden puts us right in the tearoom with the geisha; we are there as she gracefully fights for her life in a social situation where careers are made or destroyed by a witticism, a too-revealing (or not revealing enough) glimpse of flesh under the kimono, or a vicious rumour spread by a rival "as cruel as a spider."

Golden's web is finely woven, but his book has a serious flaw: the geisha's true romance rings hollow--the love of her life is a symbol, not a character. Her villainous geisha nemesis is sharply drawn, but she would be more so if we got a deeper peek into the cause of her motiveless malignity--the plight all geisha share. Still, Golden has won the triple crown of fiction: he has created a plausible female protagonist in a vivid, now-vanished world and he gloriously captures Japanese culture by expressing his thoughts in authentic Eastern metaphors.

Synopsis
Summoning up more than 20 years of Japan's most dramatic history, the geisha's story uncovers a hidden world of eroticism and enchantment, exploitation and degradation. It moves from a small fishing village in 1929 to the glamorous and decadent Kyoto of the 30s and on to postwar New York.

Customer Reviews

A book of two halves
I only picked this book up as it was one of the '1001 books to read before you die' and i've heard some great reviews of it. I don't know whether i'm too judgmental or i was expecting too much, but i was pretty disappointed.

Ive never read a book that starts so well and ends so badly. The first half - up until the war - is well written, dramatic, emotional and exciting. However, after the war and after Hatsumomo leaves it disintegrates and i found where previously i hadn't been able to put it down, i was becoming less and less inclined to pick it up. I increasingly found Sayuri harder and harder to like and therefor care about, and the trite 'happily ever after' ending left me feeling cheated. A novel that has the potential to be really great but ends up as mediocre.

Magical
I loved Arthur Golden's novel `Memoirs of a Geisha'; I found it surprising that an American male was the author, this a testimony to his talent as a writer. When reading the novel, I truly believed that he was translating the life story of a real Geisha based on interviews. The time and the location of the book is beautifully described, making the book almost `magical'.

The story captures the life of Chiyo/ Sayuri, a grey-eyed Japanese girl, who along with her sister, is sold by her family as a result of poverty. Upon arrival at a Geisha house, the sisters are separated and Chiyo succumbs to her new role as a servant for the dominating Mother.

Hatsumomo the Geisha of the house, develops a dislike for Chiyo and begins to make life difficult for her. Soon Chiyo starts attending Geisha school. Later circumstances will end in her punishment, as a result she will be banned from attending the school.

One day, while attending to some errands, she meets the Chairman who extends her a kindness that she will never forget. When Chiyo grows up, Mameha, a leading Geisha, trains Chiyo can become the most desired Geisha.

The opposite of a 'feel good' book
While it was a good book and I enjoyed it, there was just too much pain and suffering in it. The poor wee soul had it rough and the book just brought me down.

I (think) it's meant to be a happy ending but overall it just left me very sad. Every page I turned I thought "hopefully THIS will be the break she deserves"....but sadly it was usually just more unfairness and sadness.

It's packed with cultural reference which is interesting and if even half of the practices are ture..........they were rough times indeed.