Product Details

• Amazon Sales Rank: #74754 in Books
• Published on: 2006-07-06
• Binding: Paperback
• 304 pages

Synopsis
Set in Kiev during the Russian revolution, "White Guard" tells a story about the war's effect on a middle-class family and was turned into a hugely successful play on publication. It brought the author overnight success and became 'a new Seagull' for the new generation, although it also received hostile reviews for the sympathetic portrayal of White officers. Paradoxically, "The White Guard" was one of Stalin's favorite plays. It was banned in 1929, reinstated in 1932, but published only in 1955.

From the Publisher
'A writer of fantastic genius' Sunday Times

About the Author
Mikhail Bulgakov:
Mikhail Bulgakov was born in Kiev in 1891 and embarked on a first career in medicine, serving as a doctor in front line and district hospitals during the First World War. In 1920 however he abandoned medicine for a career in writing - from 1925 he was associated with the Moscow Arts Theatre but by 1930 his works were rarely published. Although he was subjected to a number of restrictions as a writer, and was considered the most 'un-Soviet' writer, he survived attacks from the officials, when others were imprisoned and perished in the 'Gulag Archipelago'. It took until the 1980's, forty years after his death, before his works were published in full.

Customer Reviews

Anarchy in the Ukraine: A beautiful depiction of the imbecility of war and its messy aftermath
I am one of those people who believe that the greatest novels have already been written. I also believe that they were written by Russians. Following on from the towering edifices of Tolstoy and Dostoyevsky et al in the nineteenth century Mikhail Bulgakov (along with Mikhail Sholokov) was a worthy successor. This, his first work (originally recast into a play), tells the story of how the tumult of WWI/Revolution/Civil War impacted upon the unfortunate citizens of Kiev (then within the Russian Empire) as the city dissolves into a morass of confusion, turmoil and fear. White Guard royalists, Bolsheviks, Ukrainian nationalists, Cossacks, the rump German army, Poles, and even Senegalese troops, fight it out with nobody having the least notion of what is happening or even why. Commands and counter-commands, retreats, advances, rumours, counter-rumours, flight, corpses, chaos...
Whereas Tolstoy had sought to unravel the meaning and causes of war and Andreyev to describe graphically the horror, Bulgakov depicts the imbecility, the sheer monumental stupidity of it all, and its messy aftermath. He does this with a rare sensitivity through the experiences of the young Turbin family, a family of Tsarist patriots who live in an apartment in central Kiev. Following the death of their mother, twenty-eight year old Alex, a doctor, is left as the eldest, with his married (and abandoned) sister Elena, teenage brother Nikolai and their maid Anyuta. As ever with Russian novels in this tradition, we see the world through the eyes of real, thinking, feeling people, an ordinary family, caught up in the turbulence and having to make life-changing decisions with minimal or no information on which to base those decisions, and deeply concerned about the consequences of their actions on both their family and their own notions of self-worth. Like War and Peace, this book is a deeply moving look at the way different individuals respond to life's challenges and emerge as greater or lesser people.
The true tragedy for the people of the Ukraine (from 1922 a republic of the Soviet Union) is that this period of upheaval was followed by far greater horrors: the purges, the famine, the gulag, the Great Patriotic War; human sacrifices and loss on a scale that no other European country save neighbouring Russia and Poland has ever comparably suffered. As for Bulgakov, well it was a few years yet before he was to produce his fantasy masterpiece, The Master and Margarita, but this is a genuine classic, too.

Excellent story of ordinary people at war
`The White Guard' follows the story of a few days in the lives of a Ukranian family (the Turbins) living in Kiev during the final days of Russia's participation in WWI and with the revolution impending. The city is braced for the attack of the communists, led by the infamous and demonic figure of Petlyuria , putting its faith in the German army and Ukranian Hetman Skoropodsky for protection. As the townsfolk organise themselves into resistance movements, it soon becomes clear that Skoropodsky and the Germans have decided to abandon the people of Kiev to their fate. The Turbins, along with many others, rush to the defence of Kiev, only to find that their resistance has crumbled into an embarrassing mess as the war is lost before a shot is fired in anger. The book focuses on the actions of the people of Kiev, and the Turbins in particular, as they resign themselves to losing the war.
This book was less fantastic than `The Master and Marguerita', though some wonderful demonic imagery creeps in every now and then. Its strength lies in the contrast it draws between the glorious ideals of war and its rather banal reality. When Petlyuria's men take Kiev the people pour onto the streets in celebration, despite the fact that they despise him, and despite the fact that many of the celebrating people have no idea who has won. In the midst of this surreality, a brutal execution takes place, a reminder of the horrors going on around them. The resistance is presented as being a righteous cause, but right is ultimately not enough as might prevails. The final scenes, in which the Turbins abandon their dreams of fighting for a free Ukraine and begin to resign themselves to life under the Soviets are heartbreaking, both for their sense of failure and their sense of futility.
This is one of the best books about ordinary people at war that I have read (though not as good as Skvorecky's `The Cowards'). The contrast between what we think war is and what it is actually like is brilliantly realised, and by the end of the book I really felt the Turbins' despair. The events being told are firmly rooted in history, albeit a history I was largely ignorant of, which made it an interesting read anyway, but Bulgakov's superb writing and easy style meant that this book was a pleasure to read.

A fine, modern, touching work from a brilliant author
Other than War and Peace, I can think of no better evocation of the random horror of war; like Tolstoy, Bulgakov doesn't allow us to draw easy conclusions in this, his first novel. The disjointed tapestry of a narrative is by turns anecdotal, fantastical (Satan swinging in the belfry is a wonderful image) and epic-heroic - and then just when you've settled in a comfortable reading pattern (as far as this is ever possible with Bulgakov) some terrible act of violence will shock you. It's not quite the finished article (see M&M), but the mixture of experimentation and classical realism is an engaging blend, making for a great read.

I would heartily recommend this to any fan of modern fiction, and anyone who's wondering where to go after Master and Margarita.