Product Description

The Republic of Gilead offers Offred only one function: to breed. If she deviates, she will, like dissenters, be hanged at the wall or sent out to die slowly of radiation sickness. But even a repressive state cannot obliterate desire - neither Offred's nor that of the two men on which her future hangs...

Product Details

• Amazon Sales Rank: #1358 in Books
• Published on: 1998-01-03
• Original language: English
• Binding: Paperback
• 320 pages

Review
The time is the not-so-distant future, when the US's spiraling social freedoms have finally called down a reaction, an Iranian-style repressive "monotheocracy" calling itself the Republic of Gilead - a Bible-thumping, racist, capital-punishing, and misogynistic rule that would do away with pleasure altogether were it not for one thing: that the Gileadan women, pure and true (as opposed to all the nonbelieving women, those who've ever been adulterous or married more than once), are found rarely fertile. Thus are drafted a whole class of "handmaids," whose function is to bear the children of the elite, to be fecund or else (else being certain death, sent out to be toxic-waste removers on outlying islands). The narrative frame for Atwood's dystopian vision is the hopeless private testimony of one of these surrogate mothers, Offred ("of" plus the name of her male protector). Lying cradled by the body of the barren wife, being meanwhile serviced by the husband, Offred's "ceremony" must be successful - if she does not want to join the ranks of the other disappeared (which include her mother, her husband - dead - and small daughter, all taken away during the years of revolt). One Of her only human conduits is a gradually developing affair with her master's chauffeur - something that's balanced more than offset, though, by the master's hypocritically un-Puritan use of her as a kind of B-girl at private parties held by the ruling men in a spirit of nostalgia and lust. This latter relationship, edging into real need (the master's), is very effectively done; it highlights the handmaid's (read Everywoman's) eternal exploitation, profane or sacred ("We are two-legged wombs, that's all: sacred vessels, ambulatory chalices"). Atwood, to her credit, creates a chillingly specific, imaginable night-mare. The book is short on characterization - this is Atwood, never a warm writer, at her steeliest - and long on cynicism - it's got none of the human credibility of a work such as Walker Percy's Love In The Ruins. But the scariness is visceral, a world that's like a dangerous and even fatal grid, an electrified fence. Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse. (Kirkus Reviews)

From the Publisher
'Compulsively readable' Daily Telegraph

About the Author
Margaret Atwood is Canada's most eminent novelist, poet and critic. Her books include The Edible Woman, Surfacing, Lady Oracle, Alias Grace, Cat's Eye, which was short-listed for the Booker Prize and The Handmaid's Tale, which won both the Arthur C. Clarke Award for Science Fiction and the Governor-General's Award, was short-listed for the Booker Prize and made into a major film. She lives in Toronto with the writer Graeme Gibson and their daughter.

Customer Reviews

Compelling and thought provoking story
An incredible story that is difficult to describe in a short few sentences. It was certainly a very thought provoking book and I really wanted to discuss it with someone else (excellent choice for a book club!). I was unsure about the ending but on reflection it fits well with the rest of the book and allows for the reader to ponder the story well after finishing reading. Dystopian fiction is not for everyone but if you are at all interested in this genre then this is a brilliant example. Once I'd finished this book I went straight out and bought "Oryx and Crake" - another dystopian story by Atwood.

It doesn't matter what you feel, it only matters how you behave
What a wonderful book, written in the style of 1984 and Kazuo Ishiguro's Never let me go. I find Margaret Atwood's books hard to put down once I have started them, and cannot believe I only discovered her this year. I didn't read the notes at the end, as I thought they would ruin the chilling atmosphere set by the rest of the book. Moira is one of the best characters for me; she brings a little humour to the situation which is sorely needed. A great read.

How to do theocratic dystopia...
A truly great book, particular for those who have cold feet about Speculative Fiction (aka Sci Fi). A post-apocalyptic take on loss, resistance, feminism and social order of the patriarchal kind, The Handmaid's Tale avoids both cliche and the pretensions that can often plague even the best of novels with political undertows. I can think of few books which so well capture the sense of radical transformation and dislocation that must come with what someone once called the 'orgasms of history', those decisive events that change utterly social structures and somehow drag individuals along with them, even though people remain dominated by much the same loves and hopes they always were. The evocations of ritual, ceremony and punishment are particularly disturbing and resonant, even viscerally so. And, despite creating a deeply believable metaphor both for those changes that have been and those yet to come, Atwood also accomplishes the 'page turner' quality usually reserved for shallow thrillers. Just shy of being a masterpiece.