Product Description

Insatiable bloodlust, dangerous sexualities, the horror of the undead, uncharted Trannsylvanian wildernesses, and a morbid fascination with the `other': the legend of the vampire continues to haunt popular imagination. Reading the Vampire examines this creature in all its various manifestations and cultural meanings. Ken Gelder investigates vampire narratives in literature and in film, from early vampire stories such as Polidori's The Vampyre, J. Sheridan Le Fanu's `lesbian vampire' tale Carmilla and Bram Stoker's Dracula, the most famous vampire narrative of all, to contemporary American vampire blockbusters by Stephen King and others and the vampire chronicles of Anne Rice, `post-Ceausescu' vampire narratives, and films such as F.W. Murnau's Nosferatu and Bram Stoker's Dracula. Reading the Vampire embeds vampires in their cultural contexts, showing how vampire narratives reproduce the anxieties and fascinations of their times: from the nineteenth century investments in travel and tourism, issues of colonialism and national identity and obsessions with sex, to the `queer' identity of the vampire, the association of the vampire with the `global exotic' and current concerns about wayward youth, the family and national security.

Product Details

• Amazon Sales Rank: #360961 in Books
• Published on: 1994-09-01
• Number of items: 1
• Binding: Paperback
• 176 pages

Synopsis
This study investigates vampire narratives in literature and in film, from early vampire stories such as Polidori's "The Vampyre", J. Sheridan Le Fanu's "lesbian vampire" tale "Carmilla" and Bram Stoker's "Dracula", the most famous vampire narrative of all. It compares these stories to contemporary American vampire blockbusters by writers such as Stephen King, the historical vampire chronicles of Anne Rice, post-Ceausescu vampire narratives, and films such as F.W. Murnau's "Nosferatu" and Francis Ford Coppola's "Dracula". The text places vampires in their cultural contexts, showing how vampire narratives reproduce the anxieties and fascinations of their times: from the 19th-century investments in travel and tourism, to issues of colonialism, national identity and obsessions with sex.