Product Details

• Amazon Sales Rank: #53953 in Books
• Published on: 2007-08-15
• Original language: English
• Number of items: 1
• Binding: Paperback
• 304 pages

Synopsis
Every novelist, screenwriter and oral storyteller faces the challenge of creating original and exciting characters. Archetypes - mythic, cross-cultural models from which all characters originate - provide a solid foundation upon which to fashion new and vastly different story people."45 Master Characters" explores the most common male and female archetypes, provides instructions for using them to create your own original characters, and gives examples of how other authors have brought such archetypes to life in novels, film and television. Worksheets are then included for writers to develop and map the lives of their own characters.

Customer Reviews

Why did I buy this?
Echoing other comments about the gender polarisation, I also struggled badly with the completeness of this book. Rather than start with a set of key roles and then take these into a male/female context, it covers ground with no justification as to choice (or much debate on what is a non-master character).

Some of the content is of some use, but the whole book is little more than a large padded out essay

Useful, though flawed and feminist
This book claims to be a comprehensive survey of basic character types. It's certainly a useful springboard to developing a character, and is especially good at describing how different character types might interact. But it's not as comprehensive as it claims, and suffers from a sexist, feminist bias.

The sexism is apparent from the beginning, as the two main sections of the book are "male characters" and "female characters", even though several character types appear in both sections. Of the ones that aren't duplicated... Apparently the author believes that a man can pursue wealth and power for their own sakes, but a woman can't. A woman can be gentle and free-spirited, but a man can't. A man, simply because he's a man, can never understand persecution or oppression.

The book ends with a description of two basic story types, which I would call plot-driven or external, and character-driven or internal. She prefers to call them "male" and "female", as though only men can have adventures and only women can experience inner change. However, the story types themselves are well thought out and nicely described.

If you are prepared to overlook this bias, and willing to search both male and female categories to find the type you're looking for, then this book can be a useful starting place for developing original characters. We all have a tendency to settle into a comfort zone, writing about the sort of people we know and like ourselves. This book can help you think about characters you might not come up with easily on your own. A very helpful feature is the hints about how different character types are likely to interact, which may well spark off ideas.

My current *favorite* on the book-shelf
I love this book. It's sharp, snappy and informative. The author transmits an enthusiasm for her subject that's hard to miss. Although the characters seem to be 'on a plate' for the reader, my experience is that they become more real when I practise (ie. watch or read and then identify the character type). I'm not sure the use of mythological names is necessary, but they do act as labels - albeit not-completely-memorable labels if you are not familiar with them. I'm already using some of the characters 'templates' within my current work. Wish me luck?