Product Details
Bach - Brandenburg Concertos

Bach - Brandenburg Concertos
From Universal Classics

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Average customer review:

Track Listing

Disc 1:

  1. 1. (Allegro) - English Chamber Orchestra, Ray Minshull, Benjamin Britten, Kenneth Wilkinson, Johann Sebastian Bach
  2. 2. Adagio - English Chamber Orchestra, Benjamin Britten, Ray Minshull, Kenneth Wilkinson, Johann Sebastian Bach
  3. 3. Allegro - English Chamber Orchestra, Benjamin Britten, Ray Minshull, Kenneth Wilkinson, Johann Sebastian Bach
  4. 4. Menuetto: Trio I - English Chamber Orchestra, Benjamin Britten, Ray Minshull, Kenneth Wilkinson, Johann Sebastian Bach
  5. 5. Polacca; Trio II - English Chamber Orchestra, Benjamin Britten, Ray Minshull, Kenneth Wilkinson, Johann Sebastian Bach
  6. 1. (Allegro) - English Chamber Orchestra, Benjamin Britten, Ray Minshull, Kenneth Wilkinson, Johann Sebastian Bach
  7. 2. Andante - English Chamber Orchestra, Benjamin Britten, Ray Minshull, Kenneth Wilkinson, Johann Sebastian Bach
  8. 3. Allegro assai - English Chamber Orchestra, Benjamin Britten, Ray Minshull, Kenneth Wilkinson, Johann Sebastian Bach
  9. 1. (Allegro) - English Chamber Orchestra, Benjamin Britten, Ray Minshull, Kenneth Wilkinson, Johann Sebastian Bach
  10. 3. Allegro - English Chamber Orchestra, Benjamin Britten, Ray Minshull, Kenneth Wilkinson, Johann Sebastian Bach
  11. 1. Allegro - English Chamber Orchestra, Ray Minshull, Benjamin Britten, Johann Sebastian Bach
  12. 2. Andante - English Chamber Orchestra, Ray Minshull, Benjamin Britten, Kenneth Wilkinson, Johann Sebastian Bach
  13. 3. Presto - English Chamber Orchestra, Ray Minshull, Benjamin Britten, Kenneth Wilkinson, Johann Sebastian Bach

Disc 2:

  1. 1. Allegro - English Chamber Orchestra, Ray Minshull, Benjamin Britten, Johann Sebastian Bach, Kenneth Wilkinson
  2. 2. Affetuoso - English Chamber Orchestra, Ray Minshull, Benjamin Britten, Johann Sebastian Bach, Kenneth Wilkinson
  3. 3. Allegro - English Chamber Orchestra, Ray Minshull, Benjamin Britten, Johann Sebastian Bach, Kenneth Wilkinson
  4. 1. -- - English Chamber Orchestra, Ray Minshull, Benjamin Britten, Johann Sebastian Bach, Kenneth Wilkinson
  5. 2. Adagio ma non tanto - English Chamber Orchestra, Ray Minshull, Benjamin Britten, Johann Sebastian Bach, Kenneth Wilkinson
  6. 3. Allegro - English Chamber Orchestra, Ray Minshull, Benjamin Britten, Johann Sebastian Bach, Kenneth Wilkinson
  7. 1. Allegro - Carmel Kaine, Tess Miller, The Academy of St. Martin in the Fields, Neville Marriner, Johann Sebastian Bach, Michael Bremner, Stanley Goodall
  8. 2. Adagio - Carmel Kaine, Tess Miller, The Academy of St. Martin in the Fields, Neville Marriner, Johann Sebastian Bach, Michael Bremner, Stanley Goodall
  9. 3. Allegro - Carmel Kaine, Tess Miller, The Academy of St. Martin in the Fields, Neville Marriner, Johann Sebastian Bach, Michael Bremner, Stanley Goodall
  10. Allegro - William Bennett, The Academy of St. Martin in the Fields, Neville Marriner, Johann Sebastian Bach, Michael Bremner, Stanley Goodall
  11. Largo - William Bennett, The Academy of St. Martin in the Fields, Neville Marriner, Johann Sebastian Bach, Michael Bremner, Stanley Goodall
  12. Presto - William Bennett, The Academy of St. Martin in the Fields, Neville Marriner, Johann Sebastian Bach, Michael Bremner, Stanley Goodall

Product Details

  • Amazon Sales Rank: #6175 in Music
  • Released on: 1995-03-03
  • Number of discs: 2
  • Format: Box set
  • Dimensions: .24 pounds
  • Running time: 127 minutes

Customer Reviews

One to own!5
Some of the most celebrated and widely recorded of Bach's works lie in his concerti - such a wide choice makes it very hard for us to know which recordings to buy. I can safely say however that you need look no further than this, particularly in the case of Bach's Concerto for Oboe and Violin. We live in a day and age where the discussion of baroque authenticity is rife amongst performers, scholars and music appreciaters. The question of what is "correct" in baroque performance, what is authentic to the past and moreover what makes a good performance in this day and age is constantly addressed, creating lots of exciting new ideas and philosophies, but naturally no answers. Recordings such as this, however, give us the answers in no uncertain terms. No amount of talking, philosophising or re-creating of the past substitutes a truelly intuitive musical performance. Tess Miller and Carmel Kaine create something truely sublime, natural and authentic spiritually. It is worth owning this CD simply to hear this remarkable duo!

A must buy5
I don't know much about classical music unlike the other reviewers for this CD. However, I was fortunate in that my mother bought me a record (remember them?) of Concertos no 1,3 and 5. You get

1. all 6 Brandenburg concertos beautifully played by English Chamber Orchestra. Normally albums of Bach's Brandenburg concertos only have three of the concertos. Having listened to a few of these, the quality of this CD is at least equal to those recordings in my opinion.

2. two additional concertos: the Concerto for Oboe, Violin and Strings and the Concerto for Flute and Strings. The first of these, as observed in the other reviews, is stunning.

I think this CD is fabulous to listen to and is a complete steal for the price.

One to own!5
Some of the most celebrated and widely recorded of Bach's works lie in his concerti - such a wide choice makes it very hard for us to know which recordings to buy. I can safely say however that you need look no further than this, particularly in the case of Bach's Concerto for Oboe and Violin. We live in a day and age where the discussion of baroque authenticity is rife amongst performers, scholars and music appreciaters. The question of what is "correct" in baroque performance, what is authentic to the past and moreover what makes a good performance in this day and age is constantly addressed, creating lots of exciting new ideas and philosophies, but naturally no answers. Recordings such as this, however, give us the answers in no uncertain terms. No amount of talking, philosophising or re-creating of the past substitutes a truelly intuitive musical performance. Tess Miller and Carmel Kaine create something truely sublime, natural and authentic spiritually. It is worth owning this CD simply to hear this remarkable duo!