Product Description

From the bestselling author of 'The Other Boleyn Girl' comes a wonderfully atmospheric evocation of the court of Henry VIII, and the one woman who destroyed two of his queens. The year is 1539 and the court of Henry VIII is increasingly fearful at the moods of the ageing sick king. With only a baby in the cradle for an heir, Henry has to take another wife and the dangerous prize of the crown of England is won by Anne of Cleves. She has her own good reasons for agreeing to marry a man old enough to be her father, in a country where to her both language and habits are foreign. Although fascinated by the glamour of her new surroundings, she senses a trap closing around her. Katherine is confident that she can follow in the steps of her cousin Anne Boleyn to dazzle her way to the throne but her kinswoman Jane Boleyn, haunted by the past, knows that Anne's path led to Tower Green and to an adulterer's death. The story of these three young women, trying to make their own way through the most volatile court in Europe at a time of religious upheaval and political uncertainty, is Philippa Gregory's most compelling novel yet.

Product Details

• Amazon Sales Rank: #613 in Books
• Published on: 2007-05-01
• Original language: English
• Binding: Paperback

Review
Praise for 'The Constant Princess': 'One of Gregory's great strengths as a novelist is her ability to take familiar historical figures and flesh them into living breathing human beings. "The Constant Princess" is a worthy successor to her previous novels about the Tudors and deserves to be a bestseller.' Daily Express 'Gregory's research is impeccable which makes her imaginative fiction all the more convincing.' Daily Mail 'Gregory is great at conjuring a Tudor film-set of gorgeous gowns and golden-plattered dining.' Telegraph 'The contemporary mistress of historical crime. Her novels are filled with strong, determined women who take their fate into their own hands!Gregory brings to life the sights, smells and textures of 16th-century England.' Kate Mosse, Financial Times 'The Constant Princess': 'If romantic historical novels are your cup of tea, The Constant Princess will not disappoint. Gregory vividly reconstructs life in the Spanish royal household, and contributes to the sense of Katherine's foreignness.' The Times 'Sweeping historical romance!..her tale almost reads like fiction rather than real history, at least in Gregory's very capable hands.' The Mirror 'Philippa Gregory is bang on form again as mistress of the Tudor chronicle, bringing to life all the intrigue of the era with great finesse.' Daily Express 'Full of gorgeous scenery, emotional moments and passionate sex' Sunday Telegraph 'The Virgin's Lover': 'A book to lose yourself in...a simmering mixture of intrigue, lust and betrayal at the court of Elizabeth I, it breathes new life into the suspected love affair between the young queen and Robert Dudley.' Daily Mail 'Convincing and entertaining'. Daily Telegraph 'Historical fiction at its best.' Choice 'An enjoyable read, and Gregory's energetic writing carries one along.' Sunday Telegraph 'A fascinating new take on a story we thought we knew.' Eve 'Highly readable, highly enjoyable.' Manchester City Life 'History has a sexy makeover in an erotic account of Elizabeth l's relationship with the married and tantalisingly unavailable Robert Dudley.' Glamour, Books of the Year 'Gripping and often moving.' Image 'Packed with court intrigue and sumptuous detail.' Dublin Evening Herald 'Gregory's success lies in restoring humanity to her historical figures.' Daily Mail 'Gregory vivdly portrays court life - all the political intrigue, divided loyalties, love and betrayal.' Woman and Home 'Gregory is one of the best chroniclers of the ups and downs of the turbulent Tudors...This superbly plotted drama unfolds like an exquisitely embroidered Tudor ruff.' Sainsbury's Magazine 'Queen of the historical novel.' Mail on Sunday 'Gregory creates an intriguing tale with many an unexpected twist.' Glasgow Herald 'The Other Boleyn Girl': 'It is a credit to Gregory that she is able to sustain interest in an epic-length tale when the ending is one of the most well-known moments in English history. The very believable dialogue and detail take you all the way into the claustrophobic privy chambers of the royal palaces!Gregory has launched herself into a popular period and produced something with that most underrated of virtues: readability.' The Times 'This is an intelligent variation on a familiar tale [with] witty use of metaphor.' Time Literary Supplement 'This compulsively readable novel is a wonderful account of the tudor court!This is the finest historical novel of this year.' Daily Mail 'The Queen's Fool': With her excellent eye for detail, [Gregory] moves The Queen's Fool along at a great pace.' Marie Claire Australia 'Totally absorbing!this is a triumphant piece of storytelling, not least because Gregory manages to make familiar events fresh and unloved people fascinating.' Gay Times 'Gregory offers a subtle examination of the tension between profound personal faith and the dangers of imposing that faith on others.' Jewish Quarterly 'It combines history and invention in gripping and memorable style.' Red 'Gregory weaves a brilliant and complex fictional web around historical fact. Hugely enjoyable.' Sainsbury's Magazine 'Historical fiction at its most masterly. Meticulously researched and realised and with an engaging and totally convincing heroine, "The Queen's Fool" invites readers to rethink their opinions of both 'Bloody' Mary and the 'Virgin' Queen. Superbly plotted, exquisitely written with the enviable capacity to simultaneously thrill and provoke thought, this novel is even more 'unputdownable' than "The Other Boleyn Girl."' Historical Novels Review 'Gregory serves up some more deliciously sombre moments from a factious Tudor court.' Independent 'Gregory's dramatic, plot-driven novel is thoroughly readable.' Sunday Herald

The author of The Other Boleyn Girl (2002) returns to the executed queen's doomed family in a historical novel that maps the sad demise of Henry VIII in a series of intimate personal testimonies.Gregory's tale of greed and revenge takes place against the short, unhappy tenures of Henry's fourth and fifth wives. Jockeying for position close to the throne, three powerful, ambitious women collide. The author skillfully allows each character to tell her side of the story in her own words. The first voice we hear belongs to 30-year-old Jane Boleyn, widowed sister-in-law to Anne. Jane's husband George was implicated in his sister's alleged infidelities and went with her to the scaffold in 1533; his calculating wife moved to save her inheritance rather than her husband and six years later is still scheming. Next up is Anne of Cleves, soon to be Queen Number Four, a provincial, German-speaking Protestant princess chosen by Henry's advisor, Thomas Cromwell, as a politically suitable alliance to keep Spain and France at bay. Badgered and bullied all her life by her brother and mother, 24-year-old Anne wants nothing more than to escape Cleves and have a meaningful life. The third voice belongs to Katherine Howard, a pretty, 15-year-old cousin of the dead Anne Boleyn and an incorrigible flirt who is brought to court as a lady-in-waiting by her conniving, powerful uncle, the Duke of Norfolk. Also summoned to court to attend the new queen, Jane begins plotting behind the scenes with Norfolk to assure Anne of Cleve's hasty fall and Katherine's quick ascent in Henry's favor. Gregory's knowledge of the period, combined with her novelistic skill, allows her to view this grim tale through the eyes of the three women: wily, experienced Jane; naive, sensible Anne; and vain, greedy young Kitty. Their first-person accounts are convincing and shockingly self-serving.Royal history spoon-fed in a highly digestible form. (Kirkus Reviews)

Synopsis
From the bestselling author of 'The Other Boleyn Girl' comes a wonderfully atmospheric evocation of the court of Henry VIII, and the one woman who destroyed two of his queens. The year is 1539 and the court of Henry VIII is increasingly fearful at the moods of the ageing sick king. With only a baby in the cradle for an heir, Henry has to take another wife and the dangerous prize of the crown of England is won by Anne of Cleves. She has her own good reasons for agreeing to marry a man old enough to be her father, in a country where to her both language and habits are foreign. Although fascinated by the glamour of her new surroundings, she senses a trap closing around her. Katherine is confident that she can follow in the steps of her cousin Anne Boleyn to dazzle her way to the throne but her kinswoman Jane Boleyn, haunted by the past, knows that Anne's path led to Tower Green and to an adulterer's death. The story of these three young women, trying to make their own way through the most volatile court in Europe at a time of religious upheaval and political uncertainty, is Philippa Gregory's most compelling novel yet.

From the Inside Flap
The stories of three young women, trying to survive the most volatile and dangerous court in Europe at a time of religious upheaval and political uncertainty, is Philippa Gregory's most intense and compelling novel yet.

Customer Reviews

Phillipa Gregory does it again
In this brilliant novel we get to see three women, one evil and guilt stricken the other shy and gullible, and the third women young beautiful and vain.

After reading the other Boleyn girl thirst, I was able to understood the true cruelty of Jane Boleyn (lady rochford) in this book once again she only thinks of herself , she befriends both of henrys new queens with only her interest in mind. She is most obsessed with Anne Boleyn and her brother George Boleyn. She feels the guilt as it was her who help put both brother and sister to death. She is a jealous vile women who gets her just deserts as someone uses her to his own advantage, giving her hopes and dreams and then easily taking it away from her.

Anne of Cleves is very shy and temperamental, being brought up by a strange and troubled brother and an unforgiving mother, she is sent away to London to marry the great king Henry the 8th who is old and know as exciting as he was when he was younger. King Henry likes to pretend to dress up as a poor man or other costumes so people don't know that he is king and call him a handsome stranger .(though he is not now everyone pretends that he is not to upset him) when he sees his bride and is dressed up he goes to kiss her. She not knowing that it is the king but thinking that it is a poor beggar spits and screams at him, everyone is shocked and the king fuming. The marriage did not last long as she was divorced, but was gladly be known as the kings friend speaking of her like a sister, as she was a kind person and the king had a fondness to her.

Katharine Howard is young beautiful and full of life. She is a very vain little girl. She has been brought up by her grandmother . Her cousin was Anne Boleyn , and when she and her childhood crush have sex for the first time she know what desires. Her love and desires lead her to trouble when she is queen of all England, and she takes up an affair with the irresistible Thomas Culpeper, then her former childhood love returns and scandal after scandal unfolds in the vain queens life.


This book was truly one of her greatest, I read this book after the other Boleyn girl, and of course this book was not as good, but it was truly mind gripping, I recommended anyone to read this book.

......divorced, beheaded......
This is the story of 3 women, 3 very different women and 1 very odd man.

Katherine is just fourteen when she lands a job that thrusts her into the spotlight of Henry, the man whose riches and homes she wants to share but at the moment this is only a dream, in the wilful childlike head of hers, a head which does not understand the consequences of any of her actions.

Anne is new, she has been contracted into an arranged marriage to Henry, has only seen a portrait of him and him of her. However their first surprised meeting is not successful as she inadvertently pushes away the stranger who approaches her as a vagrant or ruffian; it is in fact Henry come to surprise his new bride.

Jane is the third and final women in this story. She is hanging on to her life after giving evidence that sent her husband and his sister to their deaths. Can she save herself this time or will her plotting and spying helps another person to their death?

Henry is a very odd man. After three seemingly unsuccessful marriages, he seeks an arranged fourth, but she physically rejects him most publicly on a surprise visit to see her. He blames her for his own impotency and the fact she has been promised to another, years previous, he seeks a divorce. He can then pursue Katherine, the young pretty and silly girl who flatters him and hopes her virility will bring him a son.

This could be any story, any place and any time but this is the story of Jane Boleyn (wife of George Boleyn and sister in law to Anne Boleyn) Anne of Cleves, Katherine Howard and Henry VIII. Phillipa Gregory uses her research to weave together a fictional book about two of the lesser wives, that are normally discussed when you mention Henry VIII and his infamous marriages.

PG effectively puts across that Anne of Cleves is a Queen who is out of place and struggles to come to terms with everything that is new to her in a new country and also all in a new language. Katherine is portrayed as an empty headed girl that judges the success of her life on how many dresses she owns, jewels she can see sparkle and men that she lustfully pursues. At no point does she grow up and her death by execution sees the first insight that she is/was a girl in a very adult world. Jane Boleyn, Lady Rochford is the catalyst in all of this and she uses her knowledge of her past misdemeanours to try and help both new Queens, but in the end does not see the plot against her.

PG portrays Henry VIII so effectively in my opinion that at times, I could smell the rotting mad king's leg and see that he was going rotten all over to be able to change his mind at will to get the result he wanted. You could be favour one day, but with your head on a stake the very next. The portrayal of an old man, whose health and desire for food and women actually were his downfall. A boy that never grew up and never should have been King, spent the rest of his life throwing his metaphorical dummy out when everything did not go to plan.

PG paints a wonderful, colourful rich picture of Tudor court that you can see the colour clothes, the sparkle of the jewels and the chatter of all the men and women who inhabit it. This is what drew me to read another one of these `Tudor' court novels. The structure of the book, switching between the three women telling their story of events is cleverly done and I found helped you look for sympathies or faults with each character and made it easy for the reader to understand them better and their motives. A worthy read.

Rashomon for the Tudor Set
This novel is written from the viewpoint of three very different women - the naive yet quick-witted Anne of Cleves, the calculating Jane Boleyn and the greedy and childish Catherine Howard. They take turns by each chapter telling their view of events as they occur over a fairly brief period of time. Anne is set aside by the King in favor of Catherine, and it's the best thing that could have happened to her. She's the only one of the King's wives to survive a parting in a fairly benign (compared to the others) way.

Catherine ignores her revulsion in order to be the new Queen, all so that she can get pretty new dresses and jewels. She is completely and idiotically heedless of the dangers that await her in this vicious court and, even more stupidly, seeks comfort in the arms of a man within her new husband's household.

Finally, Jane Boleyn, the woman who pretends to be the friend of all the queens and really is only a friend to herself. She is only the marionette of the duke, the uncle of both Anne Boleyn and Catherine Howard, but she has plenty of evil all on her own, and was, based on her behaviour, quite possibly insane. I knew nothing of what happened with these three ladies so every page brought a new surprise, and the writing is so evocative of the period and illustrates emotion in such a compelling fashion that I was loath to set the book down until I had finished it.

Philippa Gregory's books gets knocked for being historically inaccurate, and that's a fair complaint. However, they provide an excellent introduction to the period and, once interested, a reader can continue into non-fiction discussions of the times about which she writes by seeking out the volumes listed at the end of each novel. I know that I will be doing exactly that.