Product Description

'"Me!" cried Fanny..."Indeed you must excuse me. I could not act any thing if you were to give me the world. No, indeed, I cannot act."' At the age of ten, Fanny Price leaves the poverty of her Portsmouth home to be brought up among the family of her wealthy uncle, Sir Thomas Bertram, in the chilly grandeur of Mansfield Park. There she accepts her lowly status, and gradually falls in love with her cousin Edmund. When the dazzling and sophisticated Henry and Mary Crawford arrive, Fanny watches as her cousins become embroiled in rivalry and sexual jealousy. As the company starts to rehearse a play by way of entertainment, Fanny struggles to retain her independence in the face of the Crawfords' dangerous attractions; and when Henry turns his attentions to her, the drama really begins... This new edition does full justice to Austen's complex and subtle story, placing it in its Regency context and elucidating the theatrical background that pervades the novel.

Product Details

• Amazon Sales Rank: #21778 in Books
• Published on: 2003-06-12
• Original language: English
• Number of items: 1
• Binding: Paperback
• 480 pages

Synopsis
'"Me!" cried Fanny..."Indeed you must excuse me. I could not act any thing if you were to give me the world. No, indeed, I cannot act."' At the age of ten, Fanny Price leaves the poverty of her Portsmouth home to be brought up among the family of her wealthy uncle, Sir Thomas Bertram, in the chilly grandeur of Mansfield Park. There she accepts her lowly status, and gradually falls in love with her cousin Edmund. When the dazzling and sophisticated Henry and Mary Crawford arrive, Fanny watches as her cousins become embroiled in rivalry and sexual jealousy. As the company starts to rehearse a play by way of entertainment, Fanny struggles to retain her independence in the face of the Crawfords' dangerous attractions; and when Henry turns his attentions to her, the drama really begins...This new edition does full justice to Austen's complex and subtle story, placing it in its Regency context and elucidating the theatrical background that pervades the novel.

About the Author
jane Stabler is editor of the Longman Reader on Byron (1998) and the author of Burke to Byron, Barbauld to Baillie, 1790-1830 (2001) and Byron, Poetics and History (2002).

Customer Reviews

Austen's most controversial novel.
In this somewhat atypical Jane Austen novel, Austen abandons her precise characterization and carefully constructed plots, usually designed to illustrate specific ethical and social dilemmas, and presents a much broader, more complex picture of early nineteenth century life. Though the polite behavior of the middle and upper classes is always a focus of Austen, and this novel is no exception, she is more analytical of society as a whole here, casting a critical eye on moral issues which allow the upper class to perpetuate itself. Fanny Price, the main character, is the daughter of a genteel woman who married for love but soon found herself in poverty. When Fanny's aunt and uncle, the wealthy owners of Mansfield Park, invite Fanny alone, of all the children, to live with them, Fanny enters a new world, where she is educated, clothed, and housed, but always regarded as an "outsider."

Through Fanny's two cousins, Maria and Julia, Austen shows the complex interactions of the upper class as they negotiate marriages, try to maintain the family's reputation and wealth, and react to those "beneath" them socially. Fanny, having experienced both poverty and plenty, comments on what she sees, and though she lacks the witty charm of some of Austen's other characters (such as Elizabeth Bennett), she shows an intelligence and conscience lacking among her cousins. Only Edmund, the youngest of the Bertram sons, pays genuine attention to her, and her love for him is real, though secret.

This is a darker novel than Austen's others, showing conflicts between late eighteenth century rationalism and the growing romanticism of the nineteenth century. Sir Thomas maintains his wealth through his possible participation in the slave trade, a business in which a number of his contemporaries participated. Often unfeeling toward his own family, Sir Thomas also shows cruelty toward Fanny when she rejects a marriage he has negotiated for her to a man she does not love. Cousin Maria chooses to marry Rushworth for his fortune, but she succumbs to her passion for someone else, and introduces a romantic, new sexuality into the novel. Unfortunately, Fanny, though sweet and reasonable, is also quiet and predictable, while Edmund, the only other potentially empathetic character, is naïve and often appears to be weak. Austen's light touch and quiet humor, which make her other novels vibrate with life and come to a satisfying ending, are less obvious here, and the abrupt conclusion leaves many questions unanswered. Mary Whipple