Product Description

This authoritative edition was formerly published in the acclaimed Oxford Authors series under the general editorship of Frank Kermode. It brings together a unique combination of Johnson's poetry and prose - all the major poems, complemented by essays, criticism, and fiction - to give the essence of his work and thinking. Samuel Johnson's literary reputation rests on such a varied output that he defies easy description: poet, critic, lexicographer, travel writer, essayist, editor, and, thanks to his good friend Boswell, the subject of one of the most famous English biographies. This volume celebrates Johnson's astonishing talent by selecting widely across the full range of his work. It includes 'London' and 'The Vanity of Human Wishes' among other poems, and many of his essays for the Rambler and Idler. The prefaces to his edition of Shakespeare and his famous Dictionary, together with samples from the texts, are given, as well as selections from A Journey to the Western Islands of Scotland, the Lives of the Poets, and Rasselas in its entirety. There is also a substantial representation of lesser-known prose, and of his poetry, letters, and journals.

Product Details

• Amazon Sales Rank: #51820 in Books
• Published on: 2000-07-06
• Original language: English
• Number of items: 1
• Binding: Paperback
• 880 pages

Customer Reviews

Steroids for the Use of the English Language
When I dropped out of high school at the tender age of 14, ostensibly for a career of glue-sniffing and joy-riding with my peers round the graffiti-sprayed council estates of my native Irvine, I was the equivalent to the 'seven-stone weakling' in terms of using the English language.

Brought up on an unhealthy diet of comic books, tabloid newspapers, and football magazines (Shoot, Match Weekly, etc) and 'educated' in a Socialist-inspired 'comprehensive' school, I wasn't really equipped for my future career as an international journalist. But then something miraculous happened - I discovered 'THE DOCTOR,' as we acolytes refer to him, and started mentally working out on his long, finely wrought sentences.

At first, each seemingly interminable sentence was like trying to swim the English Channel - I thought I would drown before reaching the other end - but, somehow, each time I managed to survive and found myself on dry land, confused and wet, but nevertheless alive and raring to have another go.

In the months that followed, THE DOCTOR's erudite style became Mother's milk to me as I progressively beefed up my English. This enabled me to grab a place at the prestigious university of Thames Polytechnic and, then, on graduation, to a career writing for a wide range of excellent publications, including Riff Raff, Tokyo Notice Board, and the Wall Street Journal.

The great thing about THE DOCTOR's prose is that he uses a disproportionate number of abstract nouns, which means you have to mentally provide your own examples. At first, this can be extremely challenging, but if you stick with it, your brain will become, as mine has, a massive, potent and expressive tool.

Heavy....very, very heavy.
I bought this book because it is a set work for the Open University Enlightenment based course I am doing. It is thorough, well presented and authoritarian. However, I doubt I will ever see anyone reading it on the train and do yourself a favour - don't pack it for a holiday read. It's heavy, very, very heavy!! And I don't mean the weight!!!

Pay a Visit to the Good Doctor
Samuel Johnson was in his era what E.F. Hutton was in his. When the Doctor spoke, people listened. His sidekick and amanuensis, James Boswell, of course immortalized his utterances in one of the grandest biographies ever written. What this volume (and similar collections) indicates is that Johnson was equally irrepressible in print.

Johnson was nothing if not opinionated. Yet, coming from him, they are never merely opinions. There is always a great degree of heft and weight supporting them (no pun intended, as he was an immense man physically as well as intellectually)). Though he received only an honorary degree from Oxford (he was too poor to remain at school), he was one of the most learned men of any era. The range and breadth of his reading is unsurpassed by any other major literary figure, with the possible exception of Milton. Yet Johnson never comes across as overblown, nor does he ever trumpet his learning. His writing is informed be a sense of humility and compassion, that no doubt were among the attributes that endeared him to so many of the leading lights of his generation. And of course, he also had a marvelous sense of humor, which also comes through in this collection. Unfortunately for him, his good moods were often followed by serious bouts of depression, which is reflected in his most famous poem, "The Vanity of Human Wishes." By today's standards, he would be diagnosed most probably as a manic-depressive. There were many days when he found it difficult to summon the resolve to get out of bed and face the day. What saved him was his naturally gregarious nature. He thoroughly enjoyed the company he found in London's taverns.

His compassion for others is legendary. He thought that the character of a country was determined by the degree to which it ministered to the poor. He was an ardent foe, as exhibited in one of his "Idler" articles, of so-called scientific experimentation on animals. He viscerally describes the cruel and inhumane use that dogs were subjected to by anatomy researchers in his era. It is one of the most compellingly moving diatribes against this still-controversial subject that one is likely to encounter. One of the marks of great authors is that they say things we sometimes think of ourselves in such an adroit and pithy manner that we think they could not be better expressed. Take this Johnson quote on "idleness," for example: "As pride sometimes is hid under humility, idleness is often covered by turbulence and hurry. He that neglects his own duty and real employment, naturally endeavors to crowd his mind with something that may bar out the remembrance of his own folly, and does anything but what he ought to do with eager diligence, that he may keep himself in his own favor."

Dr. Johnson was also one of the foremost literary critics in history. Though one may not always agree with his assessments, one has to acknowledge the force of his arguments. In his encomiums to such writers as Shakespeare, Milton and Pope, he intermittently sprinkles censure. For those of us who don't like to see our icons brought down to earth, this is sometimes painful. What Johnson is really doing, however, is showing us that our own judgments are often unbalanced, and we fail to see what are real flaws in the great edifices. Johnson is never interested in pure panegyrics. His task is to examine the entire picture and to report as accurately as possible the grandeur, as well as the shortcomings of a work, whether it is Pope's Iliad, Shakespeare's Hamlet, or Milton's Paradise Lost. If there is a last word that could be said to have been delivered on these monumental works, it may well be Johnson's.

If you haven't visited the Doctor recently, do yourself some good and remedy the situation.