Track Listing

1. Houses of the holy
2. Trampled underfoot
3. Kashmir
4. Custard pie
5. Rover
6. In my time of dying
7. In the light
8. Bron Y Aur stomp
9. Down by the seaside
10. Ten years gone
11. Night flight
12. Wanton song
13. Boogie with Stu
14. Black country woman
15. Sick again

Product Details

• Amazon Sales Rank: #963 in Music
• Released on: 1997-08-25
• Number of discs: 2
• Format: Original recording remastered
• Dimensions: .24 pounds

Amazon.co.uk Review
This 1975 release came smack in the middle of a long and nearly mythic career. Physical Graffiti is the last great Led Zeppelin title, recorded before the influences of the day (synthesizers, disco) ended Zeppelin's reign as the kings of loud and sexy blues-metal. Playfully experimenting with new sounds, the band blended Middle Eastern rhythms, folk-stylings, heavy blues, and deeply impassioned rock riffs into a two-disc set that sounded as if they were still enjoying their place in the rock pantheon. As sprawling and adventurous as this collection is, there are some tracks so tightly focused--so ultra-Zeppelinesque--that it's tempting to name this as a number one or number two must-have. "Trampled Underfoot" and "Custard Pie" alone are almost worth the double-disc price tag. --Lorry Fleming

CD Description
After a two-year recording gap (the longest in their recording career up to that point), Led Zeppelin followed the rampant eclecticism of HOUSES OF THE HOLY with the embarrassmentof riches that is PHYSICAL GRAFFITI. One could be forgiven for thinking of this expansive double-length set as Zeppelin's WHITE ALBUM. It's a great schizophrenic beast, the first side containing the most concentrated dose of pure hard-rockenergy the band had delivered since their first two albums,and the second showing off the more subtle nuances of theirtalent.
This is really Jimmy Page's album, from the masterfully moody Eastern setting of "Kashmir" to the poignant liquidity of "Down by the Seaside" and the furious riffing of"Trampled Under Foot". The 1950s-style rocker "Boogie with Stu" (featuring Stones pianist Ian Stewart) and the rural romp "Bron-Yr-Aur" add yet more colours to the spectrum of what may be the most emotionally satisfying album in the Led Zeppelin canon.

Customer Reviews

If you only buy one Led Zeppelin Album
Congratulations! You have chosen well. Seven years on the road have paid off and the band lay down the tracks which will propel them into the stratosphere. Here, you get the lot: earthy blues, driving rock, intimate ballads, fun, laughter, all in all, 80-odd minutes of JOY!

The sheer weight of tracks like Custard Pie, Kashmir, The Rover would sit well in any band's entire canon but they are here on the first disc! Above all, it's the way the band nail every song in total sympathy with each other. True, Page lays down the guitar overdubs at times like he has to sell them tomorrow, but what a result.

And as an answer to the question 'where is the follow-up to 'Stairway to Heaven?' look no further than Kashmir and Ten Years Gone as worthy replacements.

Usually by side four, bands start to waver and it's true that Zep added some earlier also-rans but they stand up by themselves and only once drop into the realms of 'filler' on the singalong 'Boogie with Stu', but an album that can end on a great rock track after 80 minutes puts that into perspective and 'Sick again' is a worthy closer.

30 years on, it still hits all the right buttons.

Probably the most complete album I've ever heard
I first picked this album up in 1990, after hearing Jimmy Page play a tantalising snippet of the Kashmir riff on Arena's 'Heavy Metal' documentary.

At that time buying a double lp was quite an investment for a schoolkid on pocket money alone, but I was mesmerized by the mystery around *that* riff and the fact the album looked so unusual. What I couldn't have expected was to seemingly stumble on something so complete and fulfilling, that I would still be returning to it every week for the next 15 years or more.

Each time I listen, I discover a new angle to a song. Another riff, another rhythm track, another vocal line. Zeppelin were truly at the height of their majestic powers when this album was released in 1975.

This is partially a result of a patchwork chronolgy behind the songs. Some were outtakes from previous studio works ('Houses of the Holy', 'Black Country Woman', 'Boogie with Stu'). Others were adaptations of previous songs, once ditched and now ressurected and re-worked during 1974 ('The Rover', 'Down By the Seaside').

The longest songs are invariably the newest and it is clear that on this album Zeppelin's intention was to define the 'epic'. 'Kashmir' is monstrous, sounding like it has been hewn from the roots of the Earth. It's sister-piece, 'In the Light' adds a darker tone. Then there is the electric storm of 'In My Time of Dying', crackling with intensity, slide guitar, prayers to Jesus and the relentless thunder of Bonzo's drums.

My favourite song (at the moment) is 'Ten Years Gone', a lovesong no less. However this arrangement is probably the most complex and painstaking ever assembled by Page, and the effect is stunning. Multiple guitar overdubs make a plaintive call against Plant's wistful recollections of love once lost.

This is an album of moods - covering the entire spectrum. As well as the epics there is much light relief and plain 'ole rock 'n' roll. 'Custard Pie', 'Sick Again' and most notably 'Trampled Underfoot' with Jones' infectious clavier riff.

The most rewarding album I can think of.

Zeppelins Finest Moment.
This album shows Zep at there very best. As previous reviews have stated it`s a collection of [then] new recordings mixed with older tracks from previous sessions that didn`t make it onto there previos albums. Some of the best Riffs in Rock/Metaldom reside on this album. "Kashmir" "Rover" "Ten Years Gone" etc. Page was experimenting with Eastern music & incorporated it into this album. "In THe Light" & "Kashmir" show this of brilliantly. The songs that were written for this album are simply the best collection Zep ever wrote. The only down side of this album was that after 2yrs solid touring Plants voice was shot & it shows. Not his best vocal sound but good enough, It`s Page that shines on this album & delivers his finest guitar playing. Check Out the best track on the album "Ten Years Gone" for proof of how good he really was. Bonhams drumming is outstanding to. Jones holds the whole thing together as usual as Page weaves his magic. Page regards this album as Zeps most Honest album, he`s right it`s great. If your New to Zep & Rock / Metal then this album is a great place to start. Highly recommended.