Product Description

The result of a five-year airborne odyssey across five continents and sixty countries, The Earth from the Air is the bestselling book of aerial photography ever published. This vibrant new edition of the internationally acclaimed original features an updated design and nearly sixty stunning new photographs. All-new captions and the addition of authoritative new texts by experts in various environmental fields illuminate Arthus-Bertrand's monumental achievement.

Product Details

• Amazon Sales Rank: #6329 in Books
• Published on: 2005-10-24
• Original language: English
• Binding: Hardcover
• 440 pages

Amazon.co.uk Review
French photographer Yann Arthus-Bertrand and his devoted team have spent five years putting together this voluminous gallery, selecting 195 images from 100,000 photographs taken from helicopters in the skies over 75 countries. It is a staggering achievement and precisely shows how vaguely we know our world. Statistics play a secondary, but vital, role; the text that accompanies the shots (a paragraph each, with a short essay adorning every chapter), highlights the degree to which we have abused our Eden, providing a sobering adjunct to what can at times be mistaken for a planetary holiday brochure. Of primary concern, however, are the pictures. Almost every plate is double page, reproduced in sumptuous vibrant colour, with helpful fold-out notes for each shot. The standard is a visual treat but, damn it, books should be luxurious sometimes. Huge African cotton bales become cauliflowers, logs floating down the Amazon are nothing more than matchsticks, the extraordinary contours of Turkey's Cappadocia are more like lunarscapes and South African sea-lions gathered to mate eerily echo an earlier crowd of curious humans in Côte D'Ivoire. In contrast, a solitary human figure frequently gives perspective to a shot, though occasionally superfluously, for the obliquity of perception can add resonant depth, reducing mighty river courses to glistening snail trails. Much on show is conventional, exceptional landscape photography, but Arthus-Bertrand also trains his lens on our fingerprints smudging the idyll, such as the depressingly overcrowded shanty towns, favelas of Rio de Janeiro or the sprawling communal rubbish heap of Mexico City. However, the hovering eye, like a benevolent celestial deity, cannot help but impose a fragile beauty even on these blights, reclaiming the scarring chaos from its despoilers and harnessing the sense of mortal finitism necessary for a solution of ecological sustained development to be convincingly reached. Arthus-Bertrand's desire to take his art "beyond the anecdotal", to give his subject the space in which to impose its own beauty, allows a gleefully conspiratorial voyeurism, at once empowering and humbling, that at its best captures something quasi-religious in its intense calm. As Louis Armstrong once growled, what a wonderful world. --David Vincent

This text refers to the first edition.

Amazon.co.uk Review
French photographer Yann Arthus-Bertrand and his devoted team have spent five years putting together this voluminous gallery, selecting 195 images from 100,000 photographs taken from helicopters in the skies over 75 countries. It is a staggering achievement and precisely shows how vaguely we know our world. Statistics play a secondary, but vital, role; the text that accompanies the shots (a paragraph each, with a short essay adorning every chapter), highlights the degree to which we have abused our Eden, providing a sobering adjunct to what can at times be mistaken for a planetary holiday brochure. Of primary concern, however, are the pictures. Almost every plate is double page, reproduced in sumptuous vibrant colour, with helpful fold-out notes for each shot. The standard is a visual treat but, damn it, books should be luxurious sometimes. Huge African cotton bales become cauliflowers, logs floating down the Amazon are nothing more than matchsticks, the extraordinary contours of Turkey's Cappadocia are more like lunar scapes and South African sea-lions gathered to mate eerily echo an earlier crowd of curious humans in Côte D'Ivoire. In contrast, a solitary human figure frequently gives perspective to a shot, though occasionally superfluously, for the obliquity of perception can add resonant depth, reducing mighty river courses to glistening snail trails. Much on show is conventional, exceptional landscape photography, but Arthus-Bertrand also trains his lens on our fingerprints smudging the idyll, such as the depressingly overcrowded shanty towns favelas of Rio de Janeiro or the sprawling communal rubbish heap of Mexico City. However, the hovering eye, like a benevolent celestial deity, cannot help but impose a fragile beauty even on these blights, reclaiming the scarring chaos from its despoilers and harnessing the sense of mortal finitism necessary for a solution of ecological sustained development to be convincingly reached. Arthus-Bertrand's desire to take his art "beyond the anecdotal", to give his subject the space in which to impose its own beauty, allows a gleefully conspiratorial voyeurism, at once empowering and humbling, that at its best captures something quasi-religious in its intense calm. As Louis Armstrong once growled, what a wonderful world. --David Vincent

Konnie Huq, The Daily Express
'Amazing pictures...the ultimate coffee table book'

Customer Reviews

Seeing the earth from the air
This book holds so many diverse photographs - some geographic, others funny, others abstract and some reflecting the incredible features of nature, using images from all round the world. The photographs are informative and artisitc at the same time and the quality of precision and colour are fantastic. From dye wells in Morocco, camels with their shadows in the desert, flamingoes in their masses to field shapes and rows upon rows of tulips, this book offers unending scope for looking so closely at detail and texture. I would reccomend this book to anyone interested in photography, geography or just wishing to enjoy a great mixture of images from different cultures. It really is stunning...

Stunning
I came across this book in les Jardins de Luxembourg in Paris in July 2000. Many of the images were displayed on the railings around the park and the book and posters, postcards etc were being sold from a marquee in the park. The book was selling like hot cakes and I almost bought one even though it was in French and my French is rather poor! What stopped me was that I expected an English version would be published because even though the photographs speak for themselves, the text is necessary for full enjoyment of this book.

The images are superb. They are not simply a record of our planet from the sky, they are beautiful works of art, taken by someone with more than just an eye for a photograph. The text which accompanies each image is informative and sometimes thought-provoking and there is just enough text to create the correct balance in what is, after all, a book of photographs. But what a book!

Great, great images, poor, poor layout.
I don't feel I can add much to the overall comments that have been raised, the images are indeed first rate, however I'd like to emhasise that the arrangement in this book seriously detracts from it, a travesty given the wonderful images it contains.

The use of double page spreads almost exclusively is visually awkward in a book you cannot actually lay flat, and the focal point of many images lies directly in the fold. There are many images that are 'written off' purely through poor layout in the book, and for a book of this price (and images of this merit) I expect better. There is some justification in that the images are well ordered and plenty of good background detail given, but this is a book that presents the images, and adequate presentation of these images must be paramount, ahead of all other concerns. I concede that the images will be secondary to many, but I feel this is marketed as a book of photos, and hence these must take precedence.

I only write this as it is such a waste, the images themselves are extraordinary, I feel a sense of frustration that common sense couldn't prevail and images could not have been kept to one page or arranged in a less damaging manner. The more I look through the book the angrier I get, as so many images are impaired in this way. The fact that the images are so good is really the cause of my anger - I keep thinking of 'what could have been', and how simple it could have been to achieve it.

If the French version does indeed use single page images (as suggested in an earlier review), I would urge everyone who is interested to seek out a copy of that instead, the images deserve far better presentation than has been implemented here.

I cannot state strongly enough, the images are very good. Unfortunately I must include the caveat that questionable production has severely dented their impact.