Troublesome Words
|
| List Price: | £8.99 |
| Price: | £3.69 |
Availability: Usually dispatched within 1-2 business days
Dispatched from and sold by browseforbooks
35 new or used available from £3.60
Average customer review:Product Details
- Amazon Sales Rank: #5691 in Books
- Published on: 2002-09-26
- Original language: English
- Binding: Paperback
- 256 pages
Editorial Reviews
From Amazon.co.uk
It is nearly 20 years since Bill Bryson first penned his deliciously witty paean to precision Troublesome Words. Now he has revised it and 60 per cent of the content is new so it's well worth another browse and a place on the desk corner of anyone who likes words and who wants to get things right.
Once a sub-editor at The Times, Bryson is irresistibly drawn to knowing that "to flaunt" means to display ostentatiously but "to flout" means to treat with contempt. Or that a straitjacket may be straight but its name means that its occupant is confined and restricted--in straitened circumstances, perhaps. And can you explain the difference between a Creole and a Pidgin or between egoism and egotism? If not consult Bryson. Then you'll be able to. There's no pedantry or pomposity in Bryson's writing. But he argues: "Just as we all agree that clarity is better served if 'cup' represents a drinking vessel and 'cap' something you put on your head, so too I think the world is a fractionally better place if we agree to preserve a distinction between 'its' and 'it's', between 'I lay down the law' and 'I lie down to sleep', between 'imply' and 'infer' and countless others."
Bryson modestly jokes that this alphabetically arranged book could be subtitled "Even More Things in English Usage That the Author Wasn't Entirely Clear about Until Quite Recently". If only most of us were sure about a fraction of the things Bryson clearly understands very well we might all be more effective writers and speakers. --Susan Elkin
Synopsis
A revised edition of the dictionary that provides a straightforward guide to the pitfalls and hotly disputed issues in written English. The entries are discussed with wit and common sense, and illustrated with examples of questionable usage taken from leading British and American newspapers, plus occasional references to masters of the language such as Samuel Johnson and Shakespeare. A glossary of grammatical terms is included and there is an appendix on punctuation.
Customer Reviews
Obsolete
Bryson's Dictionary of Troublesome Words may have been useful twenty-five years ago, when it was first published, but it has become redundant. Most entries clarify word spellings and meanings, which a normal dictionary does just as well (with the advantage that it lists all words, not an arbitrary selection). A Google or Yahoo search will instantly clarify the rest, such as corporate names. Grammatical or stylistic advice is rarely given, and adds little to Strunk & White's better-organised and clearer The Elements of Style. And because of the dictionary format, that advice is buried in distant entries and hard to find. Nor does Bryson's manual lend itself to reading `like a novel', even if he wrote it with his customary humour. This is most likely to sit on your shelf.
Masterful and masterly
Do you put 'spoonsful' or 'spoonfuls' of sugar into tea? Do you know the difference between defining and non-defining clauses and between 'androgynous' and 'androgenous'? Can you tell irony from sarcasm and a 'prophecy' from 'prophesy'? If all of this is second nature, you don't need this book. But you'd probably want to read it anyway.
The great triumph of Troublesome Words is that it's arranged like a dictionary but is interesting enough to read cover to cover as though it were a novel. It projects a sense of personality (Bryson's) and his values: companies' eccentric and convention-defying names - with backward facing letters, for example - should never be allowed to become 'a distraction in print'. It bears the hallmark of Bryson's distinctive style: conversational, witty and taut. All it lacks is a narrative.
Although essentially a work of reference, Brysonisms lighten the way. The entry for 'that' and 'which', for instance, advises brushing up on those clauses, defining and non- . 'Learning these distinctions is not, it must be said, anyone's idea of a good time, but it is one technical aspect of grammar that every professional user of English should understand because it is at the root of an assortment of grammatical errors.' And woe betide anyone who spells 'barbecue' with a 'q' and hyphens because they are clearly 'not ready for unsupervised employment'.
Other books of this type are more famous, authoritative and formidable - those by Fowler and Partridge in particular. But this is actually entertaining as well as instructive, and is also more up to date (and therefore more in touch with contemporary usage). It has my vote, anyway.
Trouble Averted
"The idea that you cannot use the word 'and' to begin a sentence is entirely without foundation. And that's all there is to it."
So begins one of the entries in this delightfully well-written aid. Unlike some books of this nature that can come across as preachy, pushy and arogant; Bryson's is none of these things. The main thrust of all his arguments is to seek out a common-sense answer to an all-too-common problem. In this venture, he succeeds greatly, delivering sound advice on when to use the right word at the right time.
There seems to have been a resurgence in interest for writing guides recently, but two things make this updated version stand out from a bloated market. Firstly, the fact that he uses actual examples, culled from journalisms' extenxive list of faux pas, to illustrate his points, and secondly, of course, his ever present humour and deft wit. The former makes this book one of the more helpful aids out there, the latter makes the experience intensely pleasurable.




