Product Details

• Amazon Sales Rank: #1270 in Books
• Published on: 2008-07-03
• Binding: Paperback
• 400 pages

Peter Ackroyd, The Times
'Nicholl has brought to life an aspect of Shakespeare's career that has been less exhaustively studied than most, and for that reason alone his book is worthy of praise. The detail is delicious. It is almost prodigal. The Lodger is a triumph of reconstruction.

Jonathan Bate, Sunday Telegraph, Book of the Year
'The Lodger easily outboxed and outfoxed all other contenders in an exceptionally busy year for books about Shakespeare.'

Tim Martin, Daily Telegraph
'A fresh and convincing perspective on this most perplexing of cold cases...Such a completely engrossing mixture of intelligent analysis and intuited possibility makes The Lodger not only the best kind of detective story, but one of the most rewarding books of the year.'

Customer Reviews

Take a walk along Silver Street - and meet the real Shakespeare!
The Lodger came to me as a Christmas present that went unread till just now. Well, Happy Not-So-New Year to me - I'm so glad I finally got around to it! My bet is that you will be, too.

At first glance, the concept and/or genre of the book may not be universally inviting; but I assure anyone who picks this up that you'll be hooked from early on. So, before going into the subject, style and so on, please - take it on trust: this is a gem, one of the most positively infectious books around.

OK, here we go: Who would have guessed that the facts about Elizabethan hair-piece manufacture could be so absolutely fascinating! What's more, this material is utterly absorbing of its own accord, even without the Shakespeare-connection that is key to the book's construction.

All credit to the author, whose meticulous attention to detail is enriched by his obvious delight in the subject, along with a patent desire to communicate this to the reader with great clarity and goodwill. Scholarship this accomplished really shouldn't be so accessible - but it is!

Painstaking documentary research into immigrant populations and work patterns in Jacobean London is brought to vivid life, not just through the Shakespeare Effect, but by dint of sly and entertaining nods towards, for instance, Victoria Beckham, the hideous modern business concept of "networking" and the "bums on seats" commercial realities behind the vaunted offerings at the Globe and other venues (which, by the way, are shown to be not just theatres but places of assignation and integral to the sexual spice of the day).

Like Shakespeare, this fantastic work combines genuine instruction and fierce intellect with splendid entertainment. Not to mention a cast of characters - real people - who are brought to miraculous life by the author's dedicated leafing through arcane records and the like. I swear, by some alchemy, these people are lifted off old paper and imaginatively animated to the extent that you can hear their accents, smell the smells of their houses.

You don't even have to be a particular fan of the Bard (but how could you not be!) or a history-buff to get a genuine thrill, not just from the story that unfolds but from the amazing evocation of the Elizabethan/Jacobean world (especially the London setting) that is accomplished here.

That tangible sense of "real life" hits the reader with just the same intrigue and awe as, say, the cinematic equivalent whereby we might find ourselves viewing Ancient Roman or Trojan CGI vistas as if we were actually there (although this narrative equivalent is far more authentic in its particulars). The sense of verisimilitude is definitely the same; and this isn't some fictional Gladiator or mythic hero but Shakespeare, the man himself, Will in all his glory.

If you're not a fan now, perhaps this marvellous human perspective will help rehabilitate him from academic rarification? If, on the other hand, you're already a Shakespeare devotee, you will find some great new ways into his verse along the byways of Silver Street.

The temptation is to say that this delicious book "wears its scholarship lightly" or some such - but that would be a disservice to the deep forensic research, cross-referencing and deduction that underlie the riches shared here. It's the author's engaging voice that makes it all feel so easy and enticing; when actually great pains have been taken in bringing us these insights. The speculations are always credible, never shoe-horned. And, in any case, what we learn on the way is worth the trip on its own, so friendly and informed is our guide.

One last thought. This book represents true scholarship, genuine research, superior "yarn-spinning" and lovely, fluent sentences. In any just literary world, The Lodger would enjoy popular success far above that of The DaVinci Code (pardon my same breath).

The Bard's Questionable Associates
From the initial court case Nicholl has managed to spin lives for all those involved even the servants, allowing for possibilities where fact is not available but never descending into if, buts and maybes. He looks at what the area was like but with the added flourish of imagining what the view from Shakespeare's window was, the route he would have used to get to the theatres and the landmarks he would have known - friends houses, taverns etc. This chapter combined with the one looking at the local parish records, tax records and the ground plans of a nearby house all make for a very evocative scene setting. The Mountjoys were French and Nicholl takes care to explain what a difference being French in London made to their options and trading. Further chapters look at the make up of the house (who was living there, how it was furnished and split between working and living areas), the background of the Mountjoy family and their friends as well as what they were doing in 1604-12, the trade they were involved and how they got to know Shakespeare, the court case that left such a tantalising record and just what Shakespeare was doing lodging in Silver Street anyway when he had a perfectly good house in Stratford.

It sounds dull and fact-laden. It's not dull. The facts are there but they are lightly handled and the author has a very readable voice. Out of several interesting possibilities that he points up some are very convincing, yet he is cautious and points out that no evidence means no conclusion can be drawn. Still the lives the Mountjoys lived seem pretty scandalous (brothel keepers for friends, illegitimate children and love affairs) and it was fascinating to see how Shakespeare might have included them and their problems in his plays. I enjoyed this book far more than I thought I would, I was expecting a perfunctory read but ended up delighted by a well crafted, thought provoking and very, very likeable book that had something new to say about Shakespeare - no mean feat. 8/10.

Avaunt ye, Baconites!
Charles Nicholl is on a roll. This is at least the fourth Nicholl book I've read (the others being "Borderlines," "The Reckoning," and "Somebody Else"), and each has been better than the last. Nothing could be more mundane, on its surface, than a book about one of the houses where Stratford property owner and family man William Shakespeare lodged when writing his plays in early Jacobean London. Surprisingly, however, the story of how he tendered his services in bringing about a "handfasting" (or betrothal) of his head-tire-making landlord's daughter and his apprentice, and the subsequent story of the couple's suing (some eight years later) of that landlord for failing to pay a promised dowry, makes for compulsive reading. Along the way, we learn something about the seamier side of Shakespeare's neighborhood, as well as the surprising character of some of his neighbors and acquaintances. These latter include a fortune-telling "doctor," Simon Forman, who had the ear of England's distaff elite, and a brothel-keeping poetaster (and the bard's collaborator on "Pericles"), George Wilkins. How all these characters come together makes for a fascinating journey into research on one of literature's most enigmatic geniuses, William Shakespeare himself. The text is supplemented by "the chief documents relating to the Bellott-Mountjoy case," most notable of which is the playwright's own 1612 deposition, signed "Willm Shaks." Francis Bacon could never have made this stuff up.