Product Details
The Art of Looking Sideways

The Art of Looking Sideways
By Alan Fletcher

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Product Description

Describing himself as a "visual jackdaw", master designer Alan Fletcher has spent a lifetime collecting images, useless information, quotations and scraps that take his fancy. This work distils this collection into a quirky and entertaining feast for the eyes and the mind. Loosely arranged in 72 "chapters", the book explores the workings of the eye, the hand and the brain.


Product Details

  • Amazon Sales Rank: #1762 in Books
  • Published on: 2001-06-30
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 534 pages

Editorial Reviews

Amazon.co.uk Review
Alan Fletcher's The Art of Looking Sideways is an absolutely extraordinary and inexhaustible "guide to visual awareness", a virtually indescribable concoction of anecdotes, quotes, images and bizarre facts that offers a wonderfully twisted vision of the chaos of modern life. Fletcher is a renowned designer and art director and the joy of The Art of Looking Sideways lies in its beautiful design. Loosely arranged in 72 chapters with titles like "Colour", "Noise", "Chance", "Camouflage" and "Handedness", Fletcher's book, which he describes as "a journey without a destination", is "a collection of shards" that captures the sensory overload of a world that simply contains too much information. In one typical section, entitled "Civilization", the reader encounters six Polish flags designed to represent the world, a photograph of an anthropomorphic hand bag, Buzz Aldrin's bootprint on the moon, drawings of Stone Age pebbles, a painting of "Ireland--as seen from Wales" and a dizzying array of quotations and snippets of information, including the wise words of Marcus Aurelius, Stephen Jay and Gandhi's comment, "Western civilization? I think it would be a good idea". Fletcher's mastery of design mixes type, space, fonts, alphabets, colour and layout combined with a "jackdaw" eye for the strange and profound to produce a stunning book that cannot be read, but only experienced. --Jerry Brotton

Hugh Pearman, Design Week
It’s an inspired, eye-opening, colorful gallimaufry of a book about the world and everything that is in it. It deserves to be treated as an immediate classic.

Sir Christopher Frayling, Rector, Royal College of Art, London
Alan Fletcher's book challenges both dogma and habit by questioning how we see things, how we read things and how we understand things.


Customer Reviews

Inspiring, thought-provoking and refreshing5
This book is Fletcher's unique and personal collection of visual imagery, design articles, factual and cultural curiosities, idea sketchpads - and more - collated and distilled into book form. The book's packaging and presentation is exquisite, while each page is a beautiful example in the use of colour, space, type and imagery.

The size and scope of this book is immense. As a visual design resource, it is an inspiring collection that can be opened at any page for new ideas or direction. Divided over 72 chapters with such diverse titles as "Synchronicity", "Perception" and "Space-Time", the thematic divisions give a helpful structure to this mass of visual and textual information.

To say that this is a large and diverse collection of illustrations or a sketchpad is inadequate and does not do this book justice. This book explores relationships between the word and image - how colour, space, type, and image work together to signify meaning - and present these relationships to the reader in interesting and challenging ways. What at first glance may seem an obvious message, takes on new meaning in a specific context. Fletcher expertly manipulates such contexts to challenge the reader's perception and accepted interpretations of everyday imagery. The reader is cleverly coerced into "looking sideways" at imagery and text. The result is an often suprising, sometimes humourous, yet always enlightening realisation that what we take for granted around us in everyday life has alternative meanings. If only we could learn how to shift our gaze and look differently at the world around us, we may learn something new.

All the things people won't teach you5
I found out that Oscar Wilde said that the things worth learning are not taught. Read this book and all the weird little things people can't explain will be brought to light. Such as how the symbol ? and ! came about. Lots of images that make you laugh and think (my dad collects lots of peculiar things and i showed him the page of a poster saying 'We buy junk and sell antiques' It made him laugh) This book is all about art (not portraits or paintings but observations) and perception of the world we live. Buy this book and you will learn a thousand different things, all useless but valuable to know, if you see what i mean. The author himself says he sought to learn the things no one could teach him. He certainly gives you an experience, if you are interested in anything peculiar or weird then give this book a whirl. You will gain an insight into a thousand minds in one book, a cool achievement. The book is tremendous value too...

Worth having just for fun quotes like "3 o'clock is too early and too late for anything you want to do" jean-paul sarte or "a person without imagination is like a tea-bag without hot water"
So go on on, add some hot water to your life...

A Delight to Have and to Hold5
This is simply an astonishing book that is a joy to own.

This is a large book with over 500 large format pages. It is described by its author Alan Fletcher as the work of a visual Jackdaw to produce an exploration of the workings of the eye, the hand, the brain and the imagination.

As he describes it 'The book attempts to open windows to glimpse views rather than dissect the pictures on the wall. To look at things from unlikely angles.... The book has no thesis, is neither a whodunit or a how-to-do-it, has no beginning middle or end. It's a journey without a destination.... It is unlike most books, those that are concerned with the mechanics rather than the thoughts, with the match rather than the fire.'

The result is not a book to sit down and read sequentially from cover to cover, rather an environment of ideas and stimuli through which to journey, an exploration in which to become immersed.

Reading the other reviews, many seem to come from graphic designers, indeed the author is a renown graphic designer himself. The result is a book that is a delight to hold. The different paper types and textures, intriguing layouts and inviting formats mean that every page turned leads to new discoveries even before their content is examined. Its merits as an exemplar of the art of design are clear, but this is much more than a role model for designers.

It is a book that in infinite ways serves as a catalyst for thinking. It has a multifaceted ability to present aspects of the world in new ways, that defy you ever again seeing them the way you always have in the past.

Through the imaginative use of images and text, quotations, snippets of information, and a host of other approaches, this is a feast for the mind as well as the eye.

It's not simply a book that I can't stop dipping into, I can't stop smiling at the fact that Alan Fletcher took the time, care and attention to detail to share it with me. It is quite simply a pleasure to hold and a feast to read.