Product Details

• Amazon Sales Rank: #697409 in Books
• Published on: 2000-04-03
• Number of items: 1
• Binding: Paperback
• 330 pages

Synopsis
Although others have written eloquently on the relationship of water to built form, until now, no-one has investigated the swimming pool as a quintessentially modern and American space, reflecting America's infatuation with hygiene, skin and recreation. This text looks at the domestic swimming pool and discovers an icon through which to read 20th-century modernism. At one level, the book is a rereading of modern architecture that seeks to alter its story. At another level, it is the story of the origin and evolution of the private swimming pool as a building type and cultural artefact. At yet another level, it is a material philosophy of water. Van Leeuwen explores that human relationship to water from a variety of viewpoints: social, religious, artistic, sexual, psychological, technical, and above all, architectural. Throughout the book he weaves a series of analogies to three emblematic animals - frog, swan and penguin - that represent three prevailing human attitudes towards water: hydrophilia, hydrophobia and ambivalence. The book's many illustrations - drawings, plans and photographs - come from an unusual variety of sources.

The book is the second in a planned tetralogy by the author, with each volume centered on the relationship of architecture to one of the four classical elements.

Customer Reviews

Oceanomare of all feeling & thoughts connected with the pool
T.A.P. van Leeuwen, a teacher of mine, has written a book about all the different aspects of the swimming pool. TAP van Leeuwen manages to evoke new kinds of interesting emotions concerning water- and he manages to fill the pool with these emotions. After all, the pool, as he himself describes it, has no very interesting shape: it's just a floating boarding or a concrete hole-in-the-ground.

TAP van Leeuwen has made an excellent choice to show as much as possible in different media, all shattered around on the spread: notes next to the text next to pics. The very thorough and beautiful design of the book itself makes this possible- and points back to its archetype, the "Bauen in Frankreich"-book by Sigfried Giedion (a lifelong teacher for van Leeuwen). I liked very much the part about all the fifties-Hollywood-stars, sitting besides or floating atop of the water, in their expensive tweed costumes, afraid of the water and proud of their success (of owning a pool?). Let's all take a dive into the richness of this book, a book definitely not about architecture, only, architecture is the only housing into which these stories have a room.