Track Listing

1. Selva Amazonica
2. Pau Rolou
3. And Zero
4. Frevo
5. Salvador
6. Ciranda Nordestina

Product Details

• Amazon Sales Rank: #124825 in Music
• Released on: 1988-07-01
• Number of discs: 1
• Format: Original recording reissued
• Dimensions: .22 pounds

Customer Reviews

EGBERTO GISMONTI - one of the MOST respected musicians in Brazil in the last 40 years !

I discovered EGBERT GISMONTI's music when I was an exchange student in RIO de JANEIRO in the 1980ies! I enjoyed life to the fullest in RIO. I enjoyed to watch the breathtakingly beautful Brazilian girls in their micro-mini-tanga-bikinis at RIO's world-famous beaches, COPACABANA, IPANEMA, LEBLON. I fell in love to so wonderful Brazilian girls and women.

We went to restaurants, enjoyed Brazilian and international cuisine, and we danced and danced in bars and discos, we listened to Brazilian music. Although Brazil has always been a vibrant country, I managed to pass my exams at the RIO- university - it was a relly wonderful time! Passing the exams was really a miracle enjoying life to the fullest in Brazil.

I travelled all over Brazil, visited RIO, SAO PAULO, RECIFE, SALVADOR de BAHIA, MANAUS, ....and travelled all over South America and visted the Caribbean.

Brazil is music, all the Brazilian men and women breath and transpire music. Brazil is MUSIC! I bought hundred of LPs and CDs with Brazilian music. I was facinated by EGBERTO GISMONTI's music, he was one of THE most repected musicians in that time.

I have worked all over the world in the following 25 years after my studies in the 80ies. I worked and lived in North and South America, all over Europe, in the Far East and even in the Middle East. I took all my Brazilian music LPs and CDs with me.

Now in 2009, I work and live in the desert of the Emirate Abu Dhabi. I enjoy to drive in my jeep all over the Emirate Abu Dhabi and the Gulf Region. Gues which kind of music I enjoy to lsiten to on my drives on the Emirati highways - Brazilian music is still one of favorite music, and EGBERT GISMONTI is still my favorite Brazilian musician!

EGBERTO is a musical genius! He has been one of the most, if not THE most respected musicians in BRAZIL!

Egberto Gismonti was born in 1947 in Carmo, Brazil. He began his formal music studies at the age of six. After studying classical piano for 15 years, he went to Paris to study with Nadia Boulanger (orchestration and analysis), and composer Jean Barraqué, a disciple of Schönberg and Webern.

Returning to Brazil, Gismonti began to glimpse a reality broader than that of classical music alone. He was attracted by Ravel's ideas of orchestration and chord voicings, as well as by choro, a Brazilian popular instrumental genre where varied kinds of guitars, reeds and percussion are featured. To play this music he made the transition from piano to guitar, beginning on the 6-string classical guitar and switching to the 8-string guitar in 1973. He spent two years experimenting with different tunings and searching for new sounds, which is also reflected in his use of flutes, kalimbas, sho, voice, bells, etc. By the early '70s, he had laid the groundwork for his current conception and was listening to musicians as wide-ranging as Django Reinhardt and Jimi Hendrix. For him, Hendrix's achievements were proof that "popular" and "serious" idioms need not remain opposite poles: "There's no difference between the two kinds of music..."

Gismonti's first ECM record, Dança das Cabecas, a duo LP featuring percussionist Naná Vasconcelos, dating from 1977, was nominated Album Of The Year by Stereo Review and received the Großer Deutscher Schallplattenpreis. Sol do Meio Dia found the duo augmented by saxophonist Jan Garbarek, percussionist Collin Walcott and guitarist Ralph Towner; the session following on a tour featuring Gismonti, the Belonging Quartet and Oregon. Gismonti dedicated this album to the Indians of the Xingu region of the Amazon, with whom he had lived for a period of time in the jungle. On his following 1979 recording Solo, he plays 8-string guitar, piano and bells, expressing a pure and comprehensive view of his music.

Tha next album to present Gismonti was a trio recording entitled Magico with bassist Charlie Haden and saxophonist Jan Garbarek, recorded in 1979. The same year, the trio toured Europe, including a concert at the Berlin Jazz Festival, and recorded a second Magico album, entitled Folk Songs. In 1981, Gismonti again toured with Haden and Garbarek, performing throughout Europe.

The album Sanfona, is related to the Brazilian roots of his music. It features both group and solo work within the context of a single release. On the first record of his two-disc set, Gismonti is joined by his Brazilian group Academia de Danças: Mauro Senise (saxophone and flutes), Zeca Assumpção (bass) and Nenê (drums and percussion). On the solo disc, the emphasis is on his guitar playing and on Indian organ improvisation. In his liner notes for Sanfona, Geraldo Carneiro characterizes Gismonti's offering as "a trip through Brazilian rhythms, musical forms and popular festivals... symbolizing Brazilian culture in all its breadth from solemn to burlesque."

Duas Vozes with Naná Vasconcelos appeared in 1984. Today Gismonti strives to bring two influences together, Western Europe music and the music from Brazil. Dança dos Escravos, released in 1989, takes him a step further in the direction where distinctions between "serious" and "popular" music are blurred. In harmonic terms, Gismonti has found a way of combining two cultures, as in the music of Villa-Lobos, Baden Powell or João Gilberto. His rhythms, also extremely delicate and carefully constructed, never suffer from a lack of pulsating energy.

The most incredible guitar playing I've ever heard
Gismonti's solo album - there are no overdubs - is probably the most beautiful record ever made. It is incredible to hear what this master can do on the acoustic guitar. He plays a 10 string classical guitar, a "super-8 string" guitar (8 course steel string guitar with 12 strings) and piano on the various tracks. I think this is my favourite record of all time.

Beautiful music from the heart
For me this is the most beautiful album ever recorded. This CD I play whenever I am very happy or very sad, it always lifts my spirit and brings a tear to my eye.