Product Description

"Kafka on the Shore" follows the fortunes of two remarkable characters. Kafka Tamura runs away from home at fifteen, under the shadow of his father's dark prophesy. The aging Nakata, tracker of lost cats, who never recovered from a bizarre childhood affliction, finds his pleasantly simplified life suddenly turned upside down. Their parallel odysseys are enriched throughout by vivid accomplices and mesmerising dramas. Cats converse with people; fish tumble from the sky; a ghostlike pimp deploys a Hegel-spouting girl of the night; a forest harbours soldiers apparently un-aged since WWII. There is a savage killing, but the identity of both victim and killer is a riddle. Murakami's new novel is at once a classic tale of quest, but it is also a bold exploration of mythic and contemporary taboos, of patricide, of mother-love, of sister-love. Above all it is an entertainment of a very high order.

Product Details

• Amazon Sales Rank: #2063 in Books
• Published on: 2005-10-06
• Original language: English
• Binding: Paperback
• 512 pages

Stuart Jeffries, Guardian
'I've never read a novel that I found so compelling because of its narrative inventiveness and love of storytelling...great entertainment'.

The Book Magazine
‘truly staggering’

From the Publisher
The most unusual and mesmerising novel yet from Japanese cult author, Haruki Murakami - a Sunday Times Top Ten Bestseller in hardback

Customer Reviews

Not his best but still good
This is the second book I have read by this author after reading Norwegian Wood. I loved Norwegian Wood so I was really looking forward to this one. I was left a little disappointed.
The story follows Kafka who has run away from his father at the age of 15 and Nakata who as a result of an accident as a child, is mentally upset but has the ability to talk to cats.
He two stories seem very separate to begin with but slowly they begin to intertwine. Just as you begin to really enjoy one of the characters story's, you flick back to the other one and visa versa. The story started so strongly but lost its momentum part way through. I found the ending a little cliché but I still enjoyed the book. As with Norwegian Wood, the story stayed with me for a while afterwards.

Fascinating, compelling, but also annoyingly convoluted.
This novel has two parallel and intertwining threads. The first concerns a 15 year old boy who runs away from his father's home and who seems pre-destined to sleep with his mother and sister. The second concerns a retired, semi-retarded man, whose mind was partially stolen in a childhood supernatural accident, but who has supernatural gifts in return. He goes on a quest to find some peace. The characters all behave in that natural, simple way with simple dialogue that is one of Murakami's trademarks, but which I found somewhat annoying at times in this particular novel. The plot, for all its surreal, bizarre twists, is strangely compelling and I found the book very gripping. It is clear that there is a tapestry of ideas within the novel, and this makes it rich and fascinating, but for me it also seemed to verge on confused and convoluted, and I think the ambiguities were a little too numerous for my tastes.

Puzzling
This was my first experience of Murakami, so I had no preconceptions when I read the book. I finished it last night and I'm still rather baffled so apologies for the vagueness of this review, but as another reviewer said the story is so complex and confusing a summary would be practically impossible.
My first thoughts on starting reading it: this is a massive book; the writing style is so fluid, the descriptions so clear, you can really see and almost hear the scenes described; I'm really going to enjoy this. That Murakami is an immensely talented writer is obvious. But the story... It's so sprawling, the dual quest story, and complex that when I was reading I was thinking about the notes Murakami must have made before he started, (I don't know if he works like this, it's conjecture) the chapter summaries taking him closer to the conclusion. I admired his scope and planning as well as his writing skills. Well, having finished I still don't know if there is a true conclusion, and I'm not sure he did either.
Ambiguity is fine if there is a point there somewhere, if there's something to decipher that's murky and open to interpretation, but really, what is there here to interpret? There's a hollowness to this. Quests should be universal, applicable to everyman. The themes here are ostensibly love, betrayal and revenge but very much of the characters, and not universal, so it's hard to relate. It's a shame, because the narrative does drive along at a cracking pace. I really wanted it to be great. Maybe I didn't care too much about the characters (aside from Nakata). I guess that's the difficulty of writing about flawed characters - if you do it too well their flaws supercede any pity or love you might feel for them.
I really wanted to love this book, and I will never forget it. Parts really made me think and his style is superb. But it's not a good story and the ending was such a cop-out I feel cheated, hence the three stars. I want to read more by this great writer though. (I saw the 'chidlren' typo too - naughty proof-reader!)