Product Details

• Amazon Sales Rank: #12138 in Books
• Published on: 2000-09-07
• Binding: Paperback
• 192 pages

Amazon.co.uk Review
Although Jorge Luis Borges published his first book in 1923--doling out his own money for a limited edition of Fervor de Buenos Aires--he remained in Argentinian obscurity for almost three decades. In 1951, however, Ficciones appeared in French, followed soon after by an English translation. This collection, which included the cream of the author's short fictions, made it clear that Borges was a world-class (if highly unclassifiable) artist--a brilliant, lyrical miniaturist, who could pose the great questions of existence on the head of pin. And by 1961, when he shared the French Prix Formentor with Samuel Beckett, he seemed suddenly to tower over a half dozen literary cultures, the very exemplar of modernism with a human face.

By the time of his death in 1986, Borges had been granted old master status by almost everybody (except, alas, the gentlemen of the Swedish Academy). Yet his work remained dispersed among a half dozen different collections, some of them increasingly hard to find. Andrew Hurley has done readers a great service, then, by collecting all the stories in a single, meticulously translated volume. It's a pleasure to be reminded that Borges' style--poetic, dreamlike, and compounded of innumerable small surprises--was already in place by 1935, when he published A Universal History of Iniquity: "The earth we inhabit is an error, an incompetent parody. Mirrors and paternity are abominable because they multiply and affirm it." (Incidentally, the thrifty author later recycled the second of these aphorisms in his classic bit of bookish metaphysics, "Tlon, Uqbar, Orbis Teris.") The glories of his middle period, of course, have hardly aged a day. "The Garden of the Forking Paths" remains the best deconstruction of the detective story ever written, even in the post-Auster era, and "Pierre Menard, Author of the Quixote" puts the so-called death of the author in pointed, hilarious perspective.

But Hurley's omnibus also brings home exactly how consistent Borges remained in his concerns. Aslate as 1975, in "Avelino Arredondo," he was still asking (and occasionally even answering) the same riddles about time and its human repository, memory: "For the man in prison, or the blind man, time flows downstream as though down a slight decline. As he reached the midpoint of his reclusion, Arredondo more than once achieved that virtually timeless time. In the first patio there was a wellhead, and at the bottom, a cistern where a toad lived; it never occurred to Arredondo that it was the toad's time, bordering on eternity, that he sought." Throughout, Hurley's translation is crisp and assured (although this reader will always have a soft spot for "Funes, the Memorious" rather than "Funes, His Memory.") And thanks to his efforts, Borgesians will find no better--and no more pleasurable--rebuttal of the author's description of himself as "a shy sort of man who could not bring himself to write short stories." --James Marcus, Amazon.com

Synopsis
This is a collection of Borges's fiction, translated and gathered into a single volume. From his 1935 debut with "The Universal History of Iniquity", through the influential collections "Ficciones" and "The Aleph", to his final work from the 1980s, "Shakespeare Memory".

Customer Reviews

The labyrinth that consists of a single straight line
Jorge Luis Borges was one of those rare writers who can take even a bizarre, utterly unbelievable idea, and spin it into an exquisite little gem of prose.

And this classic writer was at the peak of his powers when he collected together "Ficciones," whose plain name belies the subtle power and exquisite beauty of Jorges' short stories. Even among Borges' many short stories, few of them can rival this little labyrinth of strange ancient cities, fictional histories, and the eerie depths of the human mind.

"I owe the discovery of Uqbar to the conjunction of a mirror and an encyclopedia." An odd old saying from the Middle-East leads the narrator to seek out the long-lost heretical histories of a fictional world known as Tlon. Its beliefs, language, and metaphysical eccentricities increasingly fascinate the narrator, until it's almost a surprise to realize that Borges invented all of this.

The stories that follow are no less engrossing -- the recounting of a strange, haunting novel, a man who attempts to LIVE as Don Quixote, a man who tries to dream a new being into existence, a lottery that determines the way the people of Babylon are to live, an examination of a brilliant and underrated author, an exploration of the eternal Library of the universe, and a labyrinthine spy story.

The second round of short stories is a bit less enthralling, merely because it focuses more on "typical" Borges short stories. But they are still pretty enthralling pieces of work -- the remembrance of the brilliantly eccentric Ireneo Funes, the story of a scar, a series of murders linked to "the secret Name," a condemned man's begs God for a year to perfect his art, a forgotten heretic, a conversation leading to revenge, the Cult of the Phoenix, and a man entranced by the "Arabian Nights."

Mirrors and labyrinths fill Borges' work -- real and imagined, in word, metaphor and reality. You see them in an endless library, a guitar melody, a contradiction in religious faith, a complex plot, and in the mind of a man who loses himself to an obsession. The mirrors show you the sides of people that they would never see themselves, and the labyrinth twists the mind into new places where it would never normally go.

"Ficciones" explores places where normal fiction would never go -- such as a Babylonian lottery for different places in society, corrupted by greed -- even as it imbues its eulogies, metaphysical ponderings and explanations with the tinge of reality. The cults, deaths, and art that Borges describes seem so plausible, and are given such depth and detail, that it comes as a mild shock when you realize, "Hey, he made all of this up."

Part of that is due to his unique style, full of elegant wordcraft and gently luminous imagery ("a round yellow moon defined two leaf-clogged fountains in the dreary garden"). Even a stabbing is made brutally beautiful, and often dialogue is unnecessary -- the most beautiful and striking stories in here are the ones where Borges (aka the narrator) eagerly explores some invented facet of the world.

And woven through these stories are many of the things that fascinated Borges through his career -- a tragic hero, ancient heresies, an elusive God, and people whose lives he could somehow explore through his own imagination.

If you could criticize anything at all, it's that few of the characters -- aside from the Borges "narrator" -- are much more than walking symbols of a murky little message. But hey, you could simply see this entire book as an exploration of Borges' own imagination by himself. He happily recounts countries that are nonexistant, books that were never written, geniuses who never were.

"Ficciones" is about the dullest name you can possibly give to a work of genius -- an intricate little web that is all mirrors and mazes. Absolutely stunning.

i cant believe it has taken me 46 years to discover borges.
i recently read a book called 'the tango singer' about an american who moves to buenos aires to do research about borges for his phd. i really enjoyed that book..but the best thing about it was that it made me want to read borges..someone i had heard of, but never really knew anything about. and ay caramba, im just entranced by borges. he is not your average writer..he expects a lot of his readers, doesnt pander, but is not smug in a post-modern way either as he was to early for that. at first i cant deny, i was bewildered by the idea of writing reviews of books that didnt exist, but now im just surprised that no one has ever thought of writing those 500 page novels he couldnt be bothered to write.
the circular ruins, and death and the compass are just two of the most memorable short stories ive ever read..and boy have i read a lot of them. i think it is the ultimate literary form. i know this, or any of these reviews, are not very helpful if you are thinking of buying this book..but its really hard to say what borges is about..mirrors, labyrinths, dreamlike stories, laced with wit, so many literary references you will be reeling, and the ending you just didnt expect. so much of the reference is fantasy, but then again so much is real..you have to work out which is which. totally amazing writing is what it comes down to..i cant recommend this enough. dont be scared...you know you want it or you wouldnt be here...

Simply the best.
It's a bit depressing reading Borges sometimes, because if you like to write, you know that even if you write for a thousand years, you'll never be as much of a genius as Borges was!

The stories in this collection defy genre - he turns the detective story into metaphysics, the myth into modern, the fable into a horror, and many more such inversions and twists. The power of his mind was exceptional and how he missed the Noble Laureate is perhaps the greatest mystery in literary history.

Not speaking Spanish, I can't comment on the translations, but I don't feel as if I need to. Every story of Borges is a journey into the frills, fantasies and horrors of the human condition - stories that provoke thought, imagination and emotion. My only criticism is that he does tend to be a bit academic in his musings, and the language is sometimes a bit intellectual for my tastes!

Notwithstanding that, everybody should read Borges at least once in their lives. A life without Borges is a life unfulfilled! Buy it, read it, love it, read it again, and cherish it.