Product Description

The original CliffsNotes study guides offer expert commentary on major themes, plots, characters, literary devices, and historical background. The latest generation of titles in this series also feature glossaries and visual elements that complement the classic, familiar format.

In CliffsNotes on The Picture of Dorian Gray, you explore Oscar Wilde’s great works about narcissism, rife with symbolism and classic themes. Here, you meet Dorian Gray and discover his secret pact with the devil to stay young and handsome, and the subsequent destruction of his soul.

This study guide carefully walks you through Dorian’s story by providing summaries and critical analyses of each chapter of the novel. You′ll also explore the life and background of the author, Oscar Wilde, and gain insight into how he came to write this novel. Other features that help you study include

• A list of characters
• Glossaries to define new and unfamiliar terms
• Critical essays about Oscar Wilde’s views and life
• A review section that tests your knowledge
• A list of online resources for more study

Classic literature or modern modern–day treasure — you′ll understand it all with expert information and insight from CliffsNotes study guides.

Product Details

• Amazon Sales Rank: #174360 in Books
• Published on: 1998-03-05
• Number of items: 1
• Binding: Paperback
• 264 pages

From Amazon.co.uk
A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife", Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."

As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment."

Amazon.co.uk Review
A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife", Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."

As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment."

Synopsis
The wish spoken by Dorian Gray as he looks at his portrait forms the basis of the plot of this story of a gilded and spoilt hedonist who is willing to sell his soul for his beauty.

Customer Reviews

A good read
Wilde's only novel is full of wonderful witty one liners and is very thought provoking!!! An interesting read!

Were it not for Henry Wotton this would have been a complete waste of time
For some reason I found myself reading this novel in the style of Stephen Fry, which seemed wholly appropriate in my mind.
Despite this I failed to find any real interest in the story or characters. In my opinion the novel's fame has more to do with its notoriety than actual content. The only character I truly took an interest in was Lord Henry Wotton - though I believe this may have something to do with me imagining him as the literary incarnation of the aforementioned Fry.
The portrait on the cover of this edition also bares an uncanny resemblance to my cousin.

A Tale of Three Characters
I read this book a long time ago and have recently re-read it for a book group. My opinion of it has changed dramatically now that I am older.

I find Lord Henry Wooton one of the most wicked, selfish, egotistical and self-absorbed characters in English literature. Hypothetically if ever I dined with him I would probably stab him in the hand with the dessert fork. The one slightly redeeming section for him is at the end of the book where he appears a bit naive in response to the intensity of Dorian's despair.

I do think that Dorian is inherantly wicked due to his vanity. However, Basil Hallward has no small part to play in his downfall as he encouraged this by his obsession with his handsome looks.

I love one of the comments in my version of the book. It said that Oscar Wilde was quoted as saying that the world thought that he was Lord Henry Wooton, he, however, saw himself has Basil Hallward, but would like to have been Dorian Gray in other circumstances.