Station to Station
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Average customer review:Track Listing
- Station To Station
- Golden Years
- Word On A Wing
- TVC 15
- Stay
- Wild Is The Wind
Product Details
- Amazon Sales Rank: #3973 in Music
- Released on: 1999-09-20
- Number of discs: 1
- Formats: Enhanced, Original recording reissued
- Dimensions: .47 pounds
Editorial Reviews
Amazon.co.uk Review
An eerie dispatch from the furthest reaches of Bowie's cocaine paranoia, Station To Station has not become easier to listen to with the passing years. At this stage, Bowie was wrapped up in his peculiar--even by his standards--Thin White Duke period, which revolved largely around dressing like a fugitive war criminal and not blinking, at least not in public. Appropriate to such a detached, deranged persona, Bowie set about making what was effectively a soul record devoid of any soul whatsoever. He did it, as well. Station To Station spawned one lingering hit, in "Golden Years", but the album was littered with malevolent miracles. Bowie crooned like a replica Sinatra on "Word on A Wing" and "Wild is the Wind" and may have single-handedly invented the New Romantic movement with "TVC15". He sounds throughout on the verge of cackling dementedly and wandering off into the night; Station To Station is an absorbing postcard from somewhere you're kind of glad you haven't been. --Andrew Mueller
CD Description
STATION TO STATION was the soundtrack to Bowie's nightlife.This time around he fashioned himself as the king of slick,the "Thin White Duke/Throwing darts in lover's eyes". This new persona enabled Bowie to show his sensual side and his affection for American soul music--something that would have seemed out of context on previous efforts.
The album's smooth vibe is evident in the funky guitar of "Golden Years", and mixed with a dangerous charm and the "side effects of the cocaine" on "Stay". Bowie had miraculously done it again--he picked up a new musical identity, and molded it to perfection.
STATION TO STATION was a refining period for Bowie.Gone was his other-worldly sexuality; The Thin White Duke was right here on Earth, no alien veneer, just a man completely run by his desires. It is then purely appropriate that the medium through which he expressed this lustful angle wouldbe soul music. Carlos Alomar's biting guitar on "Golden Years" is straight out of the James Brown catalogue, while the frantic drums and background vocals of "Stay" are pure strobe light disco.
Customer Reviews
In this age of grand illusion ...
Although Station to Station contains only six songs (eight tracks with the two live versions), they are the most memorable that Bowie ever recorded. The fast-paced title track Station to Station falls in a genre of journey songs - emphatically not the familiar rock road song - like Kraftwerk's 1977 track Europa Endloss on Trans Europa Express that creates the impression of a train ride with constantly changing scenery.
In the disco era, the French singer Patrick Juvet recorded a 14-minute long suite I Love America on his Got A Feeling album that was a musical tour through the United States. Closer to Bowie's own style was the hypnotic I Travel with its propulsive rhythm by Simple Minds and Touch by Lori & The Chameleons.
The tempo slows down somewhat for the melodic Golden Years with its catchy hooks, poetic lyrics, appealing rhythm and soulful tonality. What a gem of a song! Next comes another masterpiece, this time a devotional one. Word on a Wing is a sublime ballad with an enchanting tune and lyrics expressing spiritual yearning that match any poem in the English literature on this theme. The vocal arrangement is spectacular on many levels, including subtle segments and soaring sections.
There is some similarity in literary technique here with the Ben Jonson poem To Celia that was set to music as Drink to me Only with Thine Eyes and recorded by artists as diverse as Kathleen Ferrier and Swans. The similarity lies in the ambiguity; parts of both compositions contain phrasing that seems to deal with romantic love but the overall tone is clearly spiritual.
TVC15 is a powerful uptempo number in a sort of proto-disco style whilst Stay's nervous guitar-driven rhythmic texture and tempo shifts place it firmly in the rock tradition. Then follows the theme song of the 1957 movie Wild Is the Wind, written by Dimitri Tiomkin & Ned Washington, originally recorded by Johnny Mathis and later covered by Nina Simone on her album Wild Is the Wind. As a melodious ballad with a wistful air, it perfectly complements Word on a Wing.
The enhanced album has live versions of Word on a Wing where Bowie sings with a blocked nose (a cold or what, hmmm?) and Stay, both recorded on the 1976 Station To Station tour. They are both beautiful and appealing in their slightly different arrangements and vocal delivery. In my opinion Station is Bowie's best album, surpassing even the influential The Rise And Fall Of Ziggy Stardust in song quality and emotional depth.
Bowie's Best
Being David Bowie can't be the easiest job in the world, especially if you can't even remember recording your best record. In my opinion, this is exactly what Station to Station represents: Bowie's finest hour.
Despite consisting of just 6 tracks, each is a standout. Station to Station is a real monster of a song; great intro, and after 6 minutes the song kicks off into a strangely uplifting train ride with some real grinding guitar flying through the right speaker channel. If Station to Station is a heavy night out, then Golden Years is it's hangover cure. Next we have 'Word on a Wing', containing great musicianship and piano work. The line "Lord, my breath lies like a word on a wing", is particularly memorable.'TVC15' is an oddball song which comes off really well and is probably my favourite song, with its endless repetition of "Oh my TVC15, oh oh, TVC15". 'Stay' is a real funk rocker, with the falsetto chorus being the highlight ("Stay, that's what I meant to say"). The final track, 'Wild is the Wind', on the first listen, sounds like the worst song in the world. However, given repeated listening, like the rest of the album, the track flourishes, it grows on you; and as the crooning vocal creeps under your skin, it becomes like a new family member- irreplacable.
This album is not an instant classic, it demands attention and the patient listener is highly rewarded. This cd epitomises the phrase 'quality not quantity'. In all, if I only ever recommend one item, it would be this, my favourite album ever.
Rigorous Follow-up To Young Americans
The already established 'thin white duke' continued his 'fame' with the single release of "Golden Years", a warm, but tepid dance song that introduced the fantastic "Station To Station". The title track clocks in the lengthiest of his songs and provides a series of bridges and chorus changes that surpassed anything he had done to date. The entire sound is more bluesy with the power-ballads "Word On A Wing" and "Wild Is The Wind". "Stay" is is the funkiest and most 'blue-eyed' of the set, while "TVC15" simply delivers a well written novelty tune. This set was more of a second version of "Young Americans" rather than a new direction, but if it's not broke - don't fix it. That's pretty hard for soemone like Bowie to do, considering how many 'costume changes' he goes through each year.





