Product Description

Reissue of the third volume in the Wideacre Trilogy, the bestselling novels that launched the career of Philippa Gregory. Meridon, a desolate Romany girl, is determined to escape the hard poverty of her childhood. Riding bareback in a travelling show, while her sister Dandy risks her life on the trapeze, Meridon dedicates herself to freeing them both from danger and want. But Dandy, beautiful, impatient, thieving Dandy, grabs too much, too quickly. And Meridon finds herself alone, riding in bitter grief through the rich Sussex farmlands towards a house called Wideacre -- which awaits the return of the last of the Laceys. Sweeping, passionate, unique: 'Meridon' completes Philippa Gregory's bestselling trilogy which began with 'Wideacre' and continued with 'The Favoured Child'.

Product Details

• Amazon Sales Rank: #11628 in Books
• Published on: 2002-01-02
• Original language: English
• Binding: Paperback
• 576 pages

Review
Praise for 'Meridon': 'Compelling! Philippa Gregory reigns supreme as the mistress of historical drama.' Today 'Subtle and exciting.' Daily Express Praise for 'Wideacre': 'Written from instinct, not out of calculation, and it shows.' Peter Ackroyd, The Times Praise for 'The Favoured Child': 'For sheer pace and percussive drama it will take a lot of beating.' Sunday Times

About the Author
Philippa Gregory is an internationally renowned author of historical novels. She holds a PhD in eighteenth-century literature from the University of Edinburgh. Works that have been adapted for television include A Respectable Trade, The Other Boleyn Girl and The Queen's Fool. The Other Boleyn Girl is now a major film, starring Scarlett Johansson, Natalie Portman and Eric Bana. Philippa Gregory lives in the North of England with her family.

Customer Reviews

Resounding final chapter in the Wideacre trilogy
Unlike the first two books, which began with their protagonists on a high point before falling, "Meridon" begins with its protagonist at her lowest point. Adopted by gypsies, Meridon struggles to earn a living with her feckless stepfather by breaking in wild ponies. Sold with her stepsister Dandy to a travelling show, life becomes more settled. Meridon's talent with horses - which readers of the previous books will recognise - enables her to escape from being a girl. She is most definitely a tomboy. Dandy, on the other hand, is growing up all too fast - which eventually leads to tragedy.

Meridon eventually finds her way to Wideacre, the mysterious "Wide" of her dreams - but of course, the reality is far different. Since it has been without a squire for fifteen years, the estate has become a commune. Meridon is both perplexed and annoyed with the changes, and continually torn between the appeal of the simple life on the land, represented by Will Tyacke, and Society, represented by Perry Havering and his mother. Eventually, under her new name of Sarah Lacey, she goes with them to London for the Season. However, she quickly finds that the rich can be just as deceiving and selfish as the poor, if not more so, and eventually realises that this cold selfish life is not for her.

This book has far more social commentary than the others - the idealism of Will Tyacke reminds the reader of Ralph, who is mysteriously absent. Perhaps this is meant to show that the past is gone, but I still felt that he should have made an appearance, however brief, because it would have been a link, and his absence after the first two books leaves a small hole. The miseries of high society are made crystal clear as Sarah feels bereft and alone. The commune of Wideacre is clearly detailed, although one has to wonder if such a thing really could have existed in the nineteenth century, because it's far more likely that Wideacre would just have been absorbed into the Havering lands, but there you go.

Meridon herself is a very complex and interesting character. Since the title is her name, the story is all about her identity. Physically, she resembles Beatrice - the red haired, green eyed granddaughter of which Beatrice dreamed in the first book - and her desire for Wideacre is also reminiscent of her grandmother. But she is looking for any kind of security - when she realises that she cannot completely possess Wideacre, she turns towards another way of making herself safe. She is not much like her mother, apart from the way she cares for animals and tries to take care of Perry. I was surprised that Gregory did not use something like Julia's journal (specifically mentioned in "The Favoured Child") to help Meridon, but that is the whole point of the book - she has to realise who she is for herself. Although Meridon keeps trying to be "Sarah Lacey", she cannot leave behind her roots, or the cold emptiness in her heart. In the end, having been stripped of the money she fought so hard to find, she rebels against her situation in a breathtaking flight with Will, one of the best scenes in the whole book.

The story has a satisfying ending, one that I doubt the reader could have predicted at the end of "Wideacre", or even at the end of "The Favoured Child". It could be read on its own, but certain echoes and hints would have more resonance after reading the first two books.

A brillant conclusion to the Wideacre triology
Meridon, gypsy bareback rider has a very different start in life to her mother and grandmother. But at the beginning of the book, Meridon doesn't know that. All she knows of her true identity is snatches of the place she dreams about which she calls Wide.

Meridon and her sister Dandy are sold in a job lot to Robert's circus, where Dandy trains as a trapeze artist and Meridon trains and rides the ponies with robert's son, Jack.

When Dandy is killed, Meridon is devestated, and goes on the road with the horse she won in a bet, Sea. Not knowing, or caring where she ends up, Meridon somehow finds her way to Wideacre, where she finds out that she is really Sarah Lacey, heir to the estate...

Although each of the books in this trilogy is set in the same place, about the same family, Philippa Gregory manages to create original storylines and characters. all the main characters, Beatrice, Julia and Meridon/Sarah share some similar qualities which make them Lacey's through and through, they are each different and have different attitudes to the land and ownership. This book would make sense on its own, but, more so than "The Favoured Child" features the backstory of the Lacey's rule on Wideacre, so i would recommend reading the other two books first.

If Im honest...A bit drawn out...
'The Favoured Child' was the first novel of PG's that I've read and I LOVED it. I literally could not wait to pick up 'Meridon', the final book in the trilogy. I may well have over-hyped it in my mind, and that is the reason for me not enjoying it quite so much, but whereas I could not put 'The Favoured Child' down, I found this novel hard going at times and speed-read the last quarter simply to finish it.
The plot was ok, (though the pace was fairly slow and plodding) and some of the characters were whole and believable (Lord Havering for one, Will Tyacke, another), but for me Meridon, the pivotal character, was left lacking.... In consistency, humility and strength - I found myself wondering where we were supposed to glean certain aspects of her from - for example, she was 'in love' with one of the characters but I only knew this from actually reading the sentence! It wasn't apparent in her behaviour, thoughts or feelings. After tragedy befalls Meridon, her entire personality changes to such an extent that I felt I didn't even know her - and though grief is obviously huge - it just felt forced and over the top.
That said, it hasn't put me off - I continue to enjoy PG's narrative in general and am looking forward to starting 'The Other Boleyn Girl'...