Product Description

Fleeing the ghosts of their violent past, two former revolutionaries - the roguish, rakish Gwynn and the taciturn Raule - escape from the ruined and deserted Copper Country to the tropical city of Ashamoil. As they salvage new lives from the rubble of the old, they discover that the ghosts of the past are also the ghosts of the future.

'Scenes among the most mystifying and astonishing I have found in a fantasy' MICHAEL MOORCOCK, Guardian

'A brilliant first novel' Locus

Product Details

• Amazon Sales Rank: #169769 in Books
• Published on: 2005-02-18
• Original language: English
• Binding: Paperback
• 336 pages

Review
"'Scenes among the most mystifying and astonishing I have found in a fantasy' Michael Moorcock, Guardian; 'Surpassing skill and vigour' Time Out; 'A brilliant first novel' Locus"

About the Author

K. J. Bishop was born in Melbourne, Australia, and began writing fiction at the age of twenty-five. Her short stories have appeared in Aurealis , Fables and Reflections, and The Year's Best Australian Science Fiction and Fantasy Vol. II. She currently divides her time between writing and working as a freelance artist/designer. This is her first novel.

Customer Reviews

Interesting concept, worth reading
The Etched City is difficult to categorise. One first gets the impression of reading a heroic fantasy a la Robert E Howard after which one thinks Mad Max. Think swords, guns and a smattering of sorcery in a brutal, filthy city of corsets and carts.
The book is about Gwynn and Raule, a killer and a doctor unfortunate enough to have been involved in a failed revolution. Now fugitives from the victors, they escape to the city of Ashamoil where they merge with society.
Gwynn is a paradoxical thug at home both cutting throats and in the theatre, with an unusual amount of good luck. Raule is more like an excavated husk, a good phycisian without a soul. They both decant to opposite ends of the social scale and their acquaintance is uneasy, and often hostile.
The central idea is really interesting, but I can't go into that without spoilers.
The book starts a bit slow, and while it is well worth finishing there are some definite preachy bits I could have done without.
It also delves into the Victorian Era level of technology and sensibilities which has become fashonable these days. At least there are no dirigibles!
I bought this book because of comparisons with the excellent Perdido Street Station by China Mieville but to be honest there is really no comparison.

More people need to write fantasy like this lady!
"Have you seen a split cranium, growing flowers like a window box? I saw that, a mere hour ago."

The promise of this little quote atop the blurb was delivered within the pages of KJ Bishop's excellent novel.

It's not a perfect book. I spent the first few chapters wondering where the plot was going - but I was so engrossed in the superbly-drawn world and characters that I didn't really care.

When the plot did emerge, it did so with a dangerous smirk. It begins with Raule, in the desert. She bumps into an old associate, Gwynn, and together they flee the desert and their enemies to the city of Ashamoil. There things get weird. Gywnn is the main character there, though Raule's story continues to be told in the sidelines and intertwines with Gwynn's at times. A gunslinger currently employed as the henchman of a slave trader, Gwynn is surprised to find himself depicted in an etching. He becomes determined to track down the etching's artist and, with the aid of a delightfully trippy scene where he gets high, he finds her. While he becomes closer to the strange artist Beth, his 'career' runs into trouble. It is with Beth, though, that the weirdness happens. It's hard to describe. Think of warped, chimeran dreams brushing against reality, and you're close to the focus of this book.

This is a book I heartily recommend to anyone who is sick of the Tolkien-esque clichés still bouncing around, and who wants to read something dark and weird and wonderful. KJ Bishop is an example of what fantasy writers are capable of when they're not afraid to do something new.

On a par with China Mieville!
Fleeing from the Copper Country, a healer and killer arrive at Ashamoil, a tropical city of fighting gangs, death, art and frightening miracles.
It's clearly evident that Bishop is passionate about art, the way she writes about it brings it alive on the page to see, and as she is capable of this she has also brought alive a mysterious and bizzare city that will be cherished by lovers of strange fiction.
I really enjoyed the darkness of this book, the ending was especially good. K J Bishop is not afraid to let her imagination run wild.