All's Well that Ends Well (The New Cambridge Shakespeare)
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Average customer review:Product Description
For this updated edition of All’s Well, Alexander Leggatt has written a wholly new Introduction to one of Shakespeare’s most puzzling, ambiguous and demanding plays. Leggatt’s interest in performance informs his introduction and his account of the instability of the main characters. He offers a full, illustrated and thoughtful account of the play’s critical and theatrical fortunes to the end of the twentieth century, and of our experience as an audience of seeing and hearing it performed. An updated reading list completes the edition.
Product Details
- Amazon Sales Rank: #22106 in Books
- Published on: 2004-01-19
- Original language: English
- Number of items: 1
- Binding: Paperback
- 174 pages
Editorial Reviews
Amazon.co.uk Review
All's Well That Ends Well has generally been considered one of Shakespeare's most difficult and unpopular plays. Labelled a "Problem Comedy", editors believe that the play was written between 1604 and 1605, and exhibits a darkening of Shakespeare's interest in comedy. The play deals with the complicated relationship between Helena, the daughter of a famous physician, and Bertram, the arrogant son of the Countess of Roussillon. Helena is secretly in love with Bertram, and when she miraculously cures the ailing King, she asks for Bertram's hand in marriage, to which the grateful sovereign happily agrees. Bertram bitterly opposes marriage to Helena, who he regards as a social inferior. After reluctantly agreeing to the marriage, Bertram flees to the wars in Italy with his companion Parolles.
What ensues is Helena's increasingly desperate and complex attempts to retrieve her errant husband, which involves various machinations and a piece of mistaken identity and an infamous "bed-trick" which has never fully convinced audiences or critics. More recently critics have been kinder to the play, seeing its cynical disillusionment with romance as reflecting contemporary social and political anxieties about warfare and commerce, and feminist critics have been keen to celebrate Helena as a particularly complex heroine. The play is also fascinated by language, encapsulated in the character of Parolles (or "words"), and his memorable line for which the play is chiefly remembered: "Simply the thing I am / Shall make me live". --Jerry Brotton
Review
"The New Cambridge Shakespeare's updated All's Well is a first-class edition, suited for advanced readers who want a copiously footnoted but otherwise unadorned edition for the play." Sixteenth Century Journal Patrick McHenry, Columbus State University
About the Author
Susan Snyder is Gil and Frank Mustin Professor of English Literature, Swarthmore College, Pennsylvania.
Customer Reviews
Tricky, but Arkangel makes it work
I knew almost nothing about this play, but really enjoyed it. The plot is very straightforward: the modestly born but intelligent Helena fulfills the conditions set by her reluctant husband, by tricking him into having sex with her while under the impression that she is someone else. Also there's a subplot with his dubious friend Parolles getting publicly humiliated. Slightly tricky to do this well, I imagine: Helena has to engage the audience's sympathy, and Bertram's reluctance to allow her to be foisted on him turns around rather rapidly in the last scene; also Parolles has to be sufficiently unpleasant that the audience laughs at his downfall rather than sympathising with him. But Arkangel largely make it work, with Emily Woof (whose name I don't remember from anything else, and I think I would have done) excellent as Helena, and good old Clive Swift an impressive King of France, cured by her medical knowledge. (Is there any earlier depiction of a woman doctor in literature? I see this story comes from Boccaccio, but Shakespeare may have introduced that detail.) An unexpected pleasure, and I put other reading aside to finish it on my way home.




