Product Description

8th September 1943, and Claudette Blum and her father are among thousands of Jewish refugees fleeing over the Alps towards Italy. For the Italians have broken with Hitler and sued for peace, and here the Blums hope to find safety at last. But overnight the Nazis seize control and the country becomes a battleground - for the occupying German forces, the advancing allies, partisans, Jews in hiding and ordinary Italians simply trying to survive. Against this dramatic backdrop and through the lives of a multitude of beautifully drawn characters - a mercurial resistance leader, a priest, an Italian rabbi and his family, and a disillusioned Wehrmacht doctor - Mary Doria Russell tells the little-known story of those who sought refuge in Italy during the final phase of the Second World War, and of those who risked all to help them. It is a powerful, profoundly moving novel.

Product Details

• Amazon Sales Rank: #64150 in Books
• Published on: 2006-03-01
• Original language: English
• Binding: Paperback
• 512 pages

From the Back Cover
8th September 1943, and Claudette Blum and her father are among thousands of Jewish refugees fleeing over the Alps towards Italy. For the Italians have broken with Hitler and sued for peace, and here the Blums hope to find safety at last. But overnight the Nazis seize control and the country becomes a battleground – for the occupying German forces, the advancing allies, partisans, Jews in hiding and ordinary Italians simply trying to survive.

Against this dramatic backdrop and through the lives of a multitude of beautifully drawn characters – a mercurial resistance leader, a priest, an Italian rabbi and his family, and a disillusioned Wehrmacht doctor – Mary Doria Russell tells the little-known story of those who sought refuge in Italy during the final phase of the Second World War, and of those who risked all to help them.
It is a powerful, profoundly moving novel.

About the Author
A paleoanthropologist known for her work on cannibalism and craniofacial biomechanics, Mary Doria Russell is the author of the acclaimed novels The Sparrow and Children of God, which earned her a number of awards and have been translated into thirteen languages. She lives in Cleveland, Ohio, with her husband and their son. For more information on Mary Doria Russell and her books, see her website at www.marydoriarussell.info

Customer Reviews

Mary Doria Russell - A THREAD OF GRACE,
WWII, Mussolini had surrendered Italy to Hitler. Disillusioned where this war was going A small group of Italian Soldiers part of the resistance had taken it upon themselves to save the lives of Jewish refugees from the work camps and execution from Nazi soldiers by escorting them on an arduous journey through a mountain pass, selflessly sacrificing there lives to save others. Along the way Italian citizens just ordinary people all learning to survive the horrors of War and its brutality, they extended their hand of friendship. In many cases showing peoples different sides of good and evil, which at times could be heartbreaking.

This is the first book I've read written by Mary Doria Russell, it was given to me and it turned out to be a wonderful surprise. Ms Russell had spent five years researching to find the essence to this engrossing story. Based on the true story of the Italian resistance who were to have saved ten of thousands of jews during the final phases of the second world war. Although this book is fictional, the plot is strong, vivid characters and many emotional tragedies. The only drawback would be some parts could be confusing, there are a lot of characters racing through this book with many different view points to keep track of, but if you can grasp it and keep track of it, this is a beautiful read. It's a wonderful achievement.

A lyrical ethical masterpiece
I finished reading this book yesterday and have not been able to 'let go of' the characters since then. If a book can keep me thinking and probing for more than 24 hours after putting it down, it certainly has something very special about it.

Everything about this book is good: I can't find a single criticism for it. Wonderfully, I didn't find a single typo, grammar error or editorial glitch in the entire book, which made reading an absolute pleasure on a quite separate level from the story itself. Mary Doria Russell uses language carefully: the writing is quite sparse in that nothing unnecessary is included. Even her descriptions are simple, and yet so evocative. I felt myself standing, walking, climbing in the Ligoria region, even though I've never been there in my life; I could picture it and sense it and 'live' it - and now have an ambition to visit!

The characterisations are precise and very real - every character is a genuine human being who might be met just around the corner of our everyday lives; the author is gifted with the ability to create multidimensional characters, not mere one-sided symbols of good or evil. Each character has a background that has formed his or her philosophy and values and informed their subsequent behaviour during the period of the book - the last years of World War 2 in Italy.

There are many ethical contrasts in the book - which in no way interrupt the flow of the story: indeed, they deepen the reader's involvement in what is unfolding. Themes of reprisal and forgiveness, bigotry and acceptance, cruelty and kindness, oppression and courage, hatred and love, despair and hope, are interwoven into the political and religious diversity then current in Italy. There are some very challenging questions in the dialogues between characters, particularly in regard to moral absolutes. It is a book that makes the reader think very hard about the sorts of choices that must be made in extreme circumstances.

Despite the inevitable tragedy throughout the book, what the reader comes away with is a sense of encouragement to live life well, and to live life fully. Mary Doria Russell's characters, even in the most impoverished and terrifying circumstances, are undoubtedly *alive*. They are active, proactive and aware of wider horizons than their own hardships.

I really appreciated the portrayal of a genuine openness to others in need, regardless of their race or religion or language, the portrayal of human beings as gregarious, community-based people, to whom hospitality was second nature (but who were not so perfect that they never criticised or judged their neighbours for unacceptable behaviour - for example, 'the German Whore').

Among the great sweeping themes of the book the author still makes space for little details that add so much to the book's authenticity and the characters' appeal - for instance, Duno, the young Jewish refugee who joins the partisans, whistles the first lines of 'Nessun Dorma' as a password... 'No one sleeps'... so apt for sentry duty, but on another level, these unwashed, impoverished, uncared for young people, living on the edge, were still engaged with Italy's classical music tradition.

This is one of the amazing skills of this author: to be able to build layer upon layer upon layer within her story; sometimes the layers cross others and reveal even more hidden ones. Almost like tectonic plates sliding in subterranean chambers, the layers of personality and personal experience can either rest against each other or cause the whole earth to quake around them. The ending of Mary Doria Russell's book makes one of the most important observations in the book: In the end the human soul is mystery, unknowable even to those who live closest to them.

I heartily and unconditionally recommend this book! I also think it's a book that should be bought not borrowed, because I suspect that the reader will want to go back to it more than once.

Think, feel, long to change history
To capture the multiple ways that World War II affected the civilians trapped unwillingly amidst it, Russell takes us into the interior and exterior lives of a diverse group of residents in an Italian region. They're not all heroic Underground fighters yet just about all of them display some unwitting heroism--sometimes, as in the case of former pilot turned guilt-stricken alcoholic Renzi, despite themselves. I won't try to give a plot synopsis--let me just say that the storylines are utterly convincing and unpredictable, as are the characterizations. The writing is elegant but never detracts from the job at hand: making you think and feel and want to change history.