Product Description

In this novel Paul Auster offers a haunting picture of a devastated world - a futuristic world - but one which may be seen to shadow our own. Auster's other work includes "The New York Trilogy" and "Hand to Mouth", and the screenplays "Smoke" and "Blue in the Face".

Product Details

• Amazon Sales Rank: #28431 in Books
• Published on: 2005-02-03
• Original language: English
• Binding: Paperback
• 208 pages

Customer Reviews

The Last Leap
Inherent in "In the Country of Last Things" is this: "Our lives are no more than the sum of manifold contingencies, and no matter how diverse they might be in their details, they all share an essential randomness in their design." One such contingency occurs when the protagonist Anna Blume rediscovers a forgotten blue notebook accompanied by six yellow pencils. This is the catalyst for a letter that may as well be called "In the Country of Last Things." The letter comes across as an exaggerated account, an apocalyptic depiction of a city stripped of its humanity. Old laws that once held the society together have been supplanted by newer laws that will again be replaced by even more corrupt and venal ones.

Anna Blume is a girl who comes to the city in search of her brother, but, instead, finds disintegration, desperation, and hopelessness. She is really no different, only her story, from the other inhabitants of the city. In the city, everyone is searching for something or someone that has disappeared. For "nothing lasts, you see, not even the thoughts inside you. And you mustn't waste your time looking for them. Once a thing is gone, that is the end of it." The immediate and never-ending concern is hunger: hunger in the literal sense, as food like everything else in the city, is in short supply; and hunger in the abstract, wherein people crave friendship, love, connection, and a shared understanding of language and meaning. The constant struggle is not to give up or lose hope, and thereby your life.

In the "Last Things," Paul Auster fills the pages with vivid accounts of a city in ruin, on the verge of complete collapse. It is an unnamed city, therefore, one may recognize it as his own, or what one day may be his own. But through the narrator of Anna, and the people she befriends and loves, the reader is offered hope in a world of hopelessness, a reason for optimism even though it seems baseless. Precarious is life, subject to coincidences, and the important thing, the vital thing, is to connect and be hopeful. A person, a city, may just depend on it.

"In the Country of Last Things" is an imperfect novel. Too often the reader is introduced to words or ideas that seem to come out of nowhere and then just disappear before achieving full understanding, but this, too, may serve to add to the impermanence of ideas and objects that are so often lost, or in danger of being lost, to a civilization. Sometimes we do lose thoughts or objects or people before we ever learn to understand and appreciate them.

Not as good as Auster's other books
As a major Auster fan, I was disappointed by this book. Not only was it incredibly depressing, but I thought it lacked the true originality of the many other Auster book's I've read. The description of life in the city seemed to go on and on and was somewhat predictable. Also, the format of having the story told through a long letter just didn't work. I would recommend reading any of Auster's other books (such as New York Trilogy, Leviathan, Moon Palace or Music of Chance) before reading this one.

A harrowing account
Paul Auster’s novel offers a haunting picture of a devastated society with all its miseries and struggles for survival. It is highly reminiscent of George Orwell’s “Nineteen Eighty-Four” and although Paul Auster’s novel is also set in the future, it is a chilling reflection of contemporary social reality. It is a short, sustained masterpiece, truly unforgettable.