Product Description

One hundred years from now, and against all the odds, Earth has found a new stability; the political order has reached some sort of balance, and the new colony on Mars is growing. But the fraught years of the 21st century have left an uneasy legacy . . . Genetically engineered alpha males, designed to fight the century's wars have no wars to fight and are surplus to requirements. And a man bred and designed to fight is a dangerous man to have around in peacetime. Many of them have left for Mars but now one has come back and killed everyone else on the shuttle he returned in. Only one man, a genengineered ex-soldier himself, can hunt him down and so begins a frenetic man-hunt and a battle survival. And a search for the truth about what was really done with the world's last soldiers. BLACK MAN is an unstoppable SF thriller but it is also a novel about predjudice, about the ramifications of playing with our genetic blue-print. It is about our capacity for violence but more worrying, our capacity for deceit and corruption. This is another landmark of modern SF from one of its most exciting and commercial authors.

Product Details

• Amazon Sales Rank: #221572 in Books
• Published on: 2007-05-17
• Original language: English
• Binding: Hardcover
• 560 pages

DEATHRAY
'Richard Morgan writes pumped-up steroid fuelled cyber punk. This is an unashamedly male, rip-roaring boy's own thriller for the 21st century. If Andy McNab ate a year's worth of issues of New Scientist, this is the kind of stuff he might write afterwards. Black Man is kick-ass SF from the hard end of the spectrum.'

Review
"Since his ferocious debut novel Altered Carbon roared into town, Richard Morgan has been at the forefront of this breed of full-on, edgy science fiction, and his latest tech-noir thriller is also looking dangerously like his best yet. Smart, gripping, and downright indispensable- the search for the best sci-fi thriller of 2007 might just have come to an end..." (SFX )

'Richard Morgan writes pumped-up steroid fuelled cyber punk. This is an unashamedly male, rip-roaring boy's own thriller for the 21st century. If Andy McNab ate a year's worth of issues of New Scientist, this is the kind of stuff he might write afterwards. Black Man is kick-ass SF from the hard end of the spectrum.' (DEATHRAY )

"Brilliantly plotted and unremittingly violent." (Eric Brown THE GUARDIAN )

"BLACK MAN is exciting and extremely violent but is driven by passionate moral concerns." (Lisa Tuttle THE TIMES )

"Richard Morgan has produced a stunning book with this girtty tech-noir thriller. Exciting and thought-provoking, this is destined to be a science fiction classic." (ABERDEEN EVENING EXPRESS )

"There are some aspects of BLACK MAN which are strikingly effective. As always, he writes action well." (Anthony Brown STARBURST )

"He certainly knows how to write a cracking yarn. It grabs hold of you and won't let go." (Dave Golder BBC Focus )

"This is his best since Altered Carbon." (EDGE )

SFX
"Since his ferocious debut novel Altered Carbon roared into town, Richard Morgan has been at the forefront of this breed of full-on, edgy science fiction, and his latest tech-noir thriller is also looking dangerously like his best yet. Smart, gripping, and downright indispensable- the search for the best sci-fi thriller of 2007 might just have come to an end..."

Customer Reviews

Violent, imaginative thriller. A scary view of tomorrow
If you've read Richard Morgan's other sci-fi novels, especially those featuring Takeshi Kovacs, then you might think twice about picking up Black Man. It's set in a different scenario and Kovacs (a compelling and complicated character) is no where to be found. So the unfamiliar setting and the weird cover design (it almost seems deliberately constructed to distance this book from Morgan's established series) might sway you to put down Black Man and buy something else instead.
Mistake!
The world of Black Man is another brilliantly constructed, plausible near future. It's scarily close to ours, so many of the superstates are recognisable evolutions of the current political structure. America has fractured into a bible-belt 'JesusLand' and the Union. The major global superpower is the Rim (the Pacific Rim). The technology is based on extrapolations of what we have now -- evercrete replaces concrete, and coffee comes in instant-heat containers -- but the majority of the players are still humans. Just.
There's a colony growing on Mars, corporate influence corrupting the push into space, space-elevators lifting raw materials to and from the surface of earth into low orbit, and shuttle running on the long, long journey to and from Mars.

Into this situation come a set of believable characters; the augmented, hyped-up 'good' guy; the demobbed uber-soldier spawned by genetic experiment who shouldn't be on earth but is; the weary, chemical-assisted police woman. Their paths knit together as the plot progresses -- and Morgan nevers shies away from hot-blooded action and eye-raising plot twists. The only downside is the sheer volume of new stuff which is slung at the reader in the first couple of chapters; you have to get up to speed with a whole new universe pretty quickly. The political situation is slippery and take some getting used to, as do the fragmenting and re-forming factions of current societies. There's a lot of info to absorb so you feel like you're playing catch up until the plot really hots up.

Then the action is brutal and harsh, and the social comment is cutting. Black Man is set around 100 years ahead of us, and most of Morgan's insights apply to here and now. He sees a future when the 'feminisation' of society has led us to breed throwback warriors -- it's a bleak idea, that all our progress is what undoes us in the end.

So initially Black Man wasn't what I really wanted to read, because what I really wanted to read was another Kovaks novel. But Black Man grabbed and held my attention, and I rattled through it in three days (not bad, given its substantial length). More than that, I'd buy another book set in this scenario, so Morgan has plainly got it right...

Might be the scifi book of the year!
Carl Marsalis is a variant Thirteen -- one of the genetically engineered subjects of a failed government/military program to create the deadliest of soldiers. He is now a hit man with a UN mandate to find and dispatch rogue Thirteens. The problem is that Carl has lost the will to kill. When a job takes a turn for the worse and he's arrested in Miami, Carl believes that he can now leave his troubled past behind him. Unbeknownst to him, what appears to be a mentally unstable Thirteen returns from Mars and crashes the ship he's on in the Pacific, only to reappear later and leave a trail of corpses in his wake for no apparent reason. Soon afterward, government officials show up to bail Carl out of jail. In exchange, they want his expertise to help them deal what those seemingly random murders. Unfortunately, it won't take long for him to realize that there is much more to this than meets the eye.

Morgan's writing style and his fine eye for details make the narrative leap off the pages. The author truly knows how to make the story come alive, and I found the imagery quite compelling.

The worldbuilding is interesting, though Morgan doesn't delve too much on how it all came to pass. The USA have imploded and the country has split into three separate States: the Pacific Rim, the North Atlantic Union, and the Republic, also known as Jesusland. China is now a superpower and the rest of the world appears hard-pressed to keep up with them. It is a fascinating backdrop, to be sure, and it's too bad Richard Morgan didn't spend a bit more time explaining how it all unfolded.

The characterizations are well-done, the dialogues gritty. The author knows how to keep the readers interested by allowing us to learn more about the characters by increments. The Carl Marsalis/Sevgi Ertekin tandem provides a nice balance between the Thirteen and the COLIN agent. The supporting cast is comprised of a good bunch of characters, including the Norton brothers and Carmen Ren.

The pace is great -- Black Man/Thirteen is a veritable page-turner! However, the storytelling is at times a bit uneven. Nothing that really takes anything away from the novel, mind you. But Morgan sometimes takes the "easy" route, and Marsalis' hunches prove to be on target, though they're coming from way out of left field. With such a absorbing and convoluted plot, I felt decidedly short-changed when that happened.

My only true complaint in what is an otherwise nearly flawless work of science fiction lies in Morgan's depiction of Jesusland. I am well aware that the southern States of the USA are a land of contradictions, not easily understood by outsiders. But to portray the majority of their inhabitants as God-fearing, Bible-waving, racist dumbasses is quite a stretch, in my humble opinion. As I mentioned, Richard Morgan's backdrop is an interesting extrapolation of a possible future for the United States of America. Yet his depiction of the Republic goes a bit too far -- as if there's not a single soul in those States with a single shred of common sense and judgement. I mean, when it comes to human rights, they have as much moral celirity as countries like Libya. Again, that's pushing the envelope a bit too far. Honestly, there is a lot more to those States and their citizens, and the differences between the north and the south are a bit more complex than that. Hence, although most people likely will not even notice this (it doesn't particularly have much of an impact on the tale), it made me grit my teeth on more than one occasion. I guess I'm just tired of what has become a somewhat Western European misconception about the southern States, namely that religious fundamentalism is the norm everywhere. Heck, not everyone born there is a traditionalist right-wing inbred hillbilly idiot! I figure it irked me to such an extent because everything else is so well-crafted that it appears that Morgan let his Leftist side take over for just that facet of his creation. As I said, this doesn't affect the overall quality of this novel, but it left something to be desired.

Black Man/Thirteen is a high-octane, action-packed and violent book. It is also an intelligent and thought-provoking thriller, one that will even satisfy readers from outside the genre.

Like Ian McDonald's Brasyl, Morgan's latest is a sure nomination for a Hugo Award. Moreover, despite its flaws, Black Man/Thirteen might well be the book of the year!:-) I commend this one to your attention, as it is one of the books to read in 2007.

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A Stranger in a Strange Land for the 21st Century
The year is 2107. A century from now, the United States no longer exists. Religious and political strife has torn the country into three nations: the high-tech, rich Pacific Rim; the God-fearing, ultra-right-wing Republic (aka 'Jesusland'); and the liberal, UN-aligned North Atlantic Union. China is now the world's dominant economic superpower, whilst Europe and India's political and economic might continues to expand. After (another) lengthy period of war and turmoil, the Middle-East is relatively quiet. On Mars mankind's efforts to tame the Red Planet continue unabated. Forty years earlier, genetically-engineered supermen known as 'thirteens' were created to serve as unstoppable soldiers. But, in the wake of America's collapse, they are now feared and hunted. A few thirteens serve the UN, hunting down their fellows, but most have fled to Mars, or turned to crime.

Carl Marsalis is a black man in every sense of the word: a thirteen, a 'twist' who genetic pattern is based on that of the ultimate human alpha-males who became extinct twenty thousand years ago. Whilst most of the world doesn't pay a second glance at his skin colour, in the increasingly regressive Republic it is a target for prejudice and hatred. Luckily, Marsalis is more than capable of looking after himself. When his usual employers hang him out to dry after he is thrown in a Florida prison, he takes up an offer from the Martian colonial office: to hunt down another thirteen who has come back from Mars and embarked on a bloody and apparently senseless killing spree.

Black Man is the fifth novel by British SF author Richard Morgan. It initially appears to be set in the same universe as his Takeshi Kovacs series (Altered Carbon, Broken Angels and Woken Furies), roughly 400 years earlier, although the author has since said he didn't intend this. A certain level of compatibility between the two series developed in the writing. It is a totally stand-alone work: you may glean a few insights from having read the Kovacs books first (particularly the source of the increasingly advanced technology that is being shipped back from Mars), but the book stands up by itself. Which is just as well, as it is by far his finest book to date and sets the bar improbably high for all other science fiction released in 2007.

The book has been retitled Thirteen (or Th1rte3n according to the cover) for the American market and it's easy to see why. This is an incendiary novel that absolutely pulls no punches and takes no prisoners. Morgan analyses the problems he sees in the USA's political and sociological make-up and uses them skillfully to tear the country apart. Not since Kim Stanley Robinson's Mars Trilogy have I seen an author so convincingly show what can happen to a nation, to a mass of people, and how they develop. As an SF book relegated to the darker corners of bookshops, it's likely that the book will escape widespread scrutiny, but I can imagine this book being banned and then burned in certain parts of the American South, which it is not particularly flattering to (although the rest of the human race doesn't exactly come off lightly either). Morgan has said previously that he doesn't pay as much attention to his backdrops as he does to his characters and plots, but in Black Man the worldbuilding is exemplery. The San Francisco of Altered Carbon could feel somewhat cold and sterile at times, but the same city in Black Man is a vivid, three-dimensional place which fairly leaps of the page, as does 22nd Century New York, Miami and the other key locations in the novel.

The thriller element of the story is compelling. Morgan knows how to set up an intricate web of intrigue and mystery and when to make new revelations and bring in new characters. The world that Marsalis inhabits is a murky one of dubious loyalties and betrayals, through which a classic noir story unfolds (albeit a noir story with moments of extreme ultraviolence, a pretty explicit sex scene and a lot of swearing). Unlike the Kovacs novels, Black Man is told in the third person and there are several key POV characters as well as Marsalis, particularly the Martian colonial office agent Svegi Ertekin and her partner, Tom Norton. All are expertly drawn and deconstructed by the author. Marsalis himself is a fascinating character and hopefully Morgan will one day write books further exploring him further.