Product Description

England in the 1630s - a difficult country in turbulent times John Brigge is a governor,a man who has kept away from intrigues to work on his farm and be with his wife, now expecting their first child. He is also - secretly - a Catholic. When he is called to settle the murder of a new-born child, Brigge finds himself drawn into matters he wants to avoid. Katherine Shay, an Irishwoman, is accused of killing her baby. Brigge wants to wait for more evidence. The ascendant Puritan faction, however, demand her immediate hanging. Brigge suspects their haste has little to do with their talk of justice. What are they hiding? And does he really want to know? In the background, a rebellion is brewing. Only Brigge - and his investigation - can change the tide. Torn between home and the world, haunted by the mystery of Katharine Shay, he must finally make a stand.

Product Details

• Amazon Sales Rank: #829030 in Books
• Published on: 2004-09-06
• Original language: English
• Binding: Paperback
• 256 pages

Review
Praise for The Catastrophist: 'With Greene gone,and Richard Ford last spotted in suburbia, we need writers like Ronan Bennett.' Nick Hornby 'Has vision, imagination and gravitas.It does what all great novels do:it rises above itself; its themes transcend its narrative.' The Times 'A masterpiece...in its moral range, characterisation, and narrative excitement. Bennett has written not only an outstanding novel but one that will see him measured against the best of his contemporaries.' Spectator

Review
‘As uncompromising as a biblical text, Bennett’s drama captures life in the raw – both in the dock and the chamber. A modern parable in historic guise’ Independent, 24/6/05 (Independent 20050612)

‘This is a gripping novel, its narrative staggered with betrayal and intrigue and suffused with the hot threat of violence. Bennett’s prose is economical, powerful, and often poetic' (The Times 20050616)

‘Bennett’s evocation of a corner of England on the edge of apocalypse is wonderfully done… the novel’s language is flowing yet exact, marked with a wonderful strangeness’ (Kathryn Hughes, Guardian 20050611)

'An accomplished and ambitious work of fiction… HAVOC is Bennett’s best novel to date, and deserves a significant place in the modern canon’ (Observer 20050616)

'Superb… already long-listed for the Booker, HAVOC, IN ITS THIRD YEAR has the pedigree of a novel that can, and should, go further. It is a thrillingly satisfying piece of work’ (Sunday Telegraph 20050724)

'Both an atmospheric thriller and a consternating study of the horrors of fundamentalism… grim, compelling and ultimately bracing reading’ (Irish Independent )

‘Searingly powerful… a fable and parable for all times – and ours in particular… sublimely written’ (Stevie Davies, Independent )

‘Bennett is a gifted writer with relentless fascination for misery’ Independent on Sunday, 12/6/05 (Independent on Sunday )

‘Ronan Bennett’s most accomplished and compelling novel to date’ Observer, 16/6/05 ( Observer )

‘This powerful historical novel resounds with contemporary significance’ Telegraph, 11/6/05 (Telegraph, )

‘Powerful, atmospheric...particularly strong on evoking physical intimacy’ Guardian, 16/6/05 (Guardian )

‘Bennett’s compelling story of an honourable man forced to choose between personal and public duty works both as historical fiction and as a subtle, oblique parable for our own times’ The Sunday Times, 24/7/05 (The Sunday Times )

Observer
‘Ronan Bennett’s most accomplished and compelling novel to date’ Observer, 16/6/05

Customer Reviews

Seeking tolerance and justice in dangerous times
Ronan Bennett skillfully transports readers back to the political and religious turbulence of England in the 1630s. John Brigge is coroner and one of twelve governors of a northern town under the stewardship of his long-term friend Nathaniel Challoner, the Master. However, dangers lurk for the comparatively tolerant and principled coroner, as he spends more time on his farm with his heavily pregnant wife and becomes isolated from the intrigues in the town. Increasingly, the Master takes counsel from hard-liner advisers that brook no activity that deviates from their divinely inspired truth. Moreover, the precariousness of Brigge's position is exacerbated by his failure to hastily condemn an Irish Catholic woman accused of murdering her new-born babe and his challenging of the powerful hard-line Constable for failing to call a witness in the case. Most dangerously of all, although Brigge performs prescribed Protestant activities, the Catholic sympathies of he and his wife come under scrutiny as the masses increasingly express anti-papist sentiments.

Clearly, 'Havoc' can be read as an allegory for our own troubled times. Many readers will empathise strongly with the plight and dilemmas facing the coroner, and wonder what we would do in his shoes. 'Havoc' raises many issues that have interesting parallels today, although regrettably doesn't explore any of them in any great depth.

'Havoc' is particularly well-written with some interesting period language, particularly in the earlier sections of the novel. Bennett's narrative is lively and compelling: whilst fearing the worst, readers hope that Brigge will successively negotiate the dangers. Regrettably, the story flags somewhat in the final straight, settling for a fairly predictable ending with strong religious overtones.

"No toleration for any crime, error, or sin, however slight"
Set in northern England in the early 1630s, this novel artfully captures the political, social, and religious turmoil during the reign of King Charles I. A distant and autocratic king, Charles fails to take into account the enormous religious changes sweeping both Europe and England and undermining his own power. Puritanical grassroots movements have now sprung up, with many local leaders, both religious and civil, calling for reform and purification. John Brigge, a coroner living in the remote countryside, is one of twelve governors aiding Nathaniel Challoner, the Master, in his "Revolution of the Saints" and his project to "build a city on the hill."

Though he attends the prescribed protestant church, Brigg is in reality a "papistical malignant," a man who walks the difficult line between the Puritanism of the Master, a lifelong friend, and his belief that "men must have mercy, for without mercy we are savages." When Brigge is suddenly called to conduct an inquest on an infant found dead in a local pub, he discovers that Katherine Shay, a Catholic deemed "prideful, brazen, and uncontrite," has been arrested for the murder.

With numerous subplots and much intrigue, the story of Katherine Shay's arrest and John Brigge's search for justice on her behalf evolves. The period comes to life on every level of society as the author shows in realistic detail the kinds of gruesome punishments meted out for "sins," the harshness of life for the homeless poor, the dependence of farmers on luck and weather, the fragility of life, the excesses of religious extremism, and the abiding power of love. Realistically presented motivations for some of the extreme behavior in the novel make the Puritan characters come alive, as John Brigge, a man who sees more than one side to each issue, becomes a protagonist for whom the reader develops much sympathy.

The elegant and formal language of the novel resembles that of the Bible. Filled with observations of the harsh natural world but revealing the humanity of the main characters, the novel has a rare historical integrity and unity, with poignant applications to the present day. Despite its forbidding subject matter, the novel is exciting--full of well-paced action and suspense. Many characters have biblical parallels, obvious in their names--Elizabeth, Deborah, Starman, and John Brigge, sometimes known as Germanus. The religious parallels are unobtrusive during the body of the novel, but the ending is overtly symbolic and didactic, its artistry and elegance subordinated to message, and its thematic balance and restraint sacrificed to an obvious, religious conclusion. (4.5 stars) Mary Whipple

'Havoc'
'Havoc' is Ronan Bennett's term for the effects of theocracy, and specifically the puritan rule that spread across large parts of England before and during the English Revolutions of the 17th century.

Set in an unnamed Northern town in a bleak winter in the early 1630s, the book describes the aftermath of the takeover of power by a coalition of upright burghers from the brutal, semi-feudal control of Lord Savile. The central character - Brigge - is a well-off and kindly farmer, who becomes coroner and a governor of the town, but becomes increasingly disillusioned as his close friend Challoner, the master of the town, falls under the sway of a Taliban-like puritan faction. Calls to build 'a shining city on a hill' herald a legalistic attitude to the law (and specifically, Biblical Mosaic law) and bring in a grim regime where harsh punishments - brandings for fornication, death for adultery, 'Sodomy' or Papism, removal of support for the poor, expulsion of beggars - rule, stoked by a continual fear of the inevitable anti-puritan backlash. In a town where impossible standards are imposed by vindictive law, where mercy is a forgotten quality, and where the original governors are now misusing this legal brutality in machiavellian manoeuvring against each other, no person can feel safe - least of all, the secretly Catholic governor, Brigge.

In Brigge, we have a Graeme Greene style character - a man whose goodness stems from his humanity, and is almost inseparable from his human flaws - contrasted with the hard-hearted self-righteous puritans whose paranoia echoes the characters of the Crucible. And like Miller's great play, this book is satirical. 'A shining city on a hill' was, after all, a favourite phrase of one recent American President, whose successors seem increasingly to sound like Bennett's 17th century puritans.

'Havoc' is a word of warning to all today, in a World where religious fundamentalism is on the rise again.