Product Description

Vasily Grossman's masterpiece Life and Fate is rated by many as the greatest Russian novel of the twentieth century. Among its admirers is Antony Beevor, the bestselling author of Stalingrad and Berlin. A Writer at War is based on the notebooks in which Grossman gathered his raw material. It depicts as never before the crushing conditions on the Eastern Front and the lives and deaths of infantrymen, tank drivers, pilots, snipers and civilians alike. Deemed unfit for service when the Germans invaded in 1941, Grossman became a special correspondent for Red Star, the Red Army newspaper. A portly novelist in his mid-thirties with no military experience, he was given a uniform and hastily taught to use a pistol. Remarkably, he spent three of the following four years at the front observing with a writer's eye the most pitiless fighting ever known. Grossman witnessed almost all the major events on the Eastern Front: the appalling defeats and desperate retreats of 1941, the defence of Moscow and fighting in the Ukraine. In August 1942 he was posted to Stalingrad where he remained during four months of brutal street-fighting. He was present at the battle of Kursk, the largest tank engagement in history, and, as the Red Army advanced, he reached Berdichev where his worst fears for his mother and other relations were confirmed. A Jew himself, he undertook the faithful recording of Holocaust atrocities as their extent dawned. His supremely powerful report 'The Hell of Treblinka' was used in evidence at the Nuremberg tribunal.

Product Details

• Amazon Sales Rank: #267404 in Books
• Published on: 2005-09-01
• Original language: English
• Binding: Hardcover
• 416 pages

Review
"The greatest Russian novel of the twentieth century' Le Monde"

Andrey Kurkov
'British readers are fortunate to have access to this honest and moving testimony'.

The Good Book Guide
"powerful"

Customer Reviews

Eye-witeness accounts of momentous events
Having read Anthony Beevor's "Berlin The Downfall", my eye was drawn to this book, being as it is, a significant historial source for the Russian experience of the German invasion and its aftermath.

Grossman was despatched by his editors to the locations of most of the key events in the Russian war with Germany, and the book is particularly interesting because it runs right through from the invasion, to the defeat of Germany.

Grossman describes countless small events which fill in the broad picture with illuminating detail. He records the capture of a Russian deserter who tried to sneak back home in full peasants rags, but had the misfortune to be recognised by troops of his own unit. He met with brave peasant women who gave their all in order to survive the terrible events that came upon them. There are many stories of Russian military officers and men, snatches of conversation, descriptions of their appearance and behaviour, which all fill out the picture of "Ivan" and show their loyalty to their homeland - and their ignorance of how utterly their political masters were failing them thought lack of foresight and planning.

The book benefits from a fine commentary by Beevor - the diaries are not just edited, they are interpreted for us by a great historian who sets them in context and explains the background to the events, so that the book builds up to a complete history of the Russian war.

I highly recommend this book which reveals a compassionate and humanistic man who recorded the lives of "everyman" on the Russian front and enables us to understand more about the events of those terrible years.

"I kneel behind the soldier's trench
I walk mid shamble smear and stench, The dead I mourn." John Finley.

The Soviet journalist and author Vasily Grossman did more than kneel behind the soldier's trench. He lived with the Red Army from the catastrophic summer of 1941, through the defense of Moscow, the apocalyptic carnage of Stalingrad, the hard-won liberation of Soviet territory, the horrible discoveries of Nazi genocide in Madjanek and Treblinka, and the final bloody, triumphant march into Berlin. Anthony Beevor and Luba Vinogradova's "A Writer at War: Vasily Grossman with the Red Army 1941-1945" is a marvelous examination of both "Grossman's war" and the war itself.

Vasily Grossman is something of a forgotten, unsung giant of Soviet literature. Born in Berdichev, Ukraine in 1905, Grossman rose to prominence and received national acclaim as a war reporter for Red Star, the official newspaper of the Red Army. Although never a member of the Communist Party, Grossman was, for most of his life, a strong supporter of the Soviet Union. Grossman's reporting was realistic (despite editing by Party censors) and was enormously popular among both high ranking officers and foot soldiers. After the war, Grossman returned to writing. His magnum opus, Life and Fate was not published in the USSR until 1988. When it was originally submitted for publication the Soviet authorities `arrested' the book and told Grossman that it would not be published for 200 years. Fortunately, a copy of the manuscript survived, was smuggled to Switzerland and published in Europe in 1980, fifteen years after Grossman's death. Life and Fate was based, in good part, on Grossman's wartime experiences. Consequently, Beevor's work provides both an historical, ground-level examination of the war generally and a great deal of insight into the life experiences that formed the moral foundation of Grossman's novels.

Beevor (and his translator and collaborator Vinogradova) have taken Grossman's notebooks, war diaries, personal correspondence and his Red Star articles and set them out as part of their narrative. The transition from Grossman's text to the commentary is well thought out and seamless. Beevor is no stranger to the Eastern Front, (he has written two well received books"Stalingrad" and "The Fall of Berlin") and he does an excellent job of putting Grossman's writings into the context of his times.

Grossman is swept into the war as a reporter for Red Star immediately after the German invasion in June, 1941. Grossman's writing (and Beevor's commentary) takes us through that first disastrous summer of defeat, despair, death, and retreat. The magnificent and bloody defense of Stalingrad follows and the success of Operation Uranus in November, 1942 that resulted in the encirclement and destruction of General Paulus' Sixth Army follows. The next portion of the book has Grossman writing about the Red Army on the offensive, from the Battle of Kursk through the liberation of the Ukraine and then Poland. It is here that Grossman first learns of the horror that was the holocaust.

Grossman's reports from Treblinka were the first, first-hand accounts of the Nazi death camps and what Grossman saw changed his life. Although Jewish, Grossman had always considered himself a secular citizen of the USSR. The death camps and the murder of his mother at the hands of Nazis and Ukrainian collaborators reawakened his sense of a Jewish identity even though he remained totally secular. Grossman's experience of the camps and the evidence he saw there of man's innate inhumanity to man stunned him even after almost 4 years of living with brutality on an unfathomable scale. In ending one of his reports Grossman writes: "It is infinitely hard even to read this. The reader must believe me, it is as hard to write it. Someone might ask: "Why write about all this, why remember all that?" It is the writer's duty to tell this terrible truth, and it is the civilian duty of the reader to learn it."

It is clear from reading A Writer at War and two of Grossman's novels, "Life and Fate" and "Forever Flowing" that Grossman took his duty to tell his terrible truth seriously. Beevor has done Grossman a good service by letting Grossman's voice be heard again. I hope this book creates renewed interest in Grossman's life and writing.

A unique and moving eyewitness account of the Eastern front
For several years during the Second World War, as Britain and America gathered their forces for the invasion of France, they did no fighting in Europe. Being "at war" with Germany meant battles for the sea, the air and North Africa. All this time, the real war, a huge war, was going on in eastern Europe between the Axis powers and Russia.

Soviet war correspondent Vasily Grossman saw almost all of it: the racing retreat before the Blitzkrieg, months of slaughter and sniping in Stalingrad, massed tanks at the battle of Kursk, the newly liberated Majdanek concentration camp, the hidden horror of the Treblinka killing centre, the raping rampage towards Berlin and the inside of Hitler's bunker. He had a knack of getting generals to talk and to spot the extraordinary in an ordinary soldier's tale.
He was Jewish (although not religious) and his letters to his mother, who was lost in the holocaust, are some of the most moving things I have ever read. His shockingly candid report on Treblinka, which was used at the Nuremburg trials, tells how a few dozen Germans managed to kill almost a million people in around a year. It would be hard to believe if Grossman hadn't interviewed guards, survivors and local people, and put it all down on paper. The battle of Stalingrad too would be impossible to imagine without his eyewitness account.

Since he was Russian, one might expect Grossman's journalism to be so censured and blindly pro-Stalin as to be worthless. But this is not the case. His reports are full of real people, unusual quirks of war, and telling details; and he was just as despairing of the Red Army's failings as he was proud of its successes. And if he couldn't put something in the newspaper, he wrote about it in his notebooks and letters to his family. We are taught in the west that the Soviet system ruthlessly expunged all dissent. But in reality it was also so inefficient that it failed to snuff out all humanity. Although very politically naive at times, Grossman was one of the lucky ones who slipped through Stalin's net. What we are not taught in the west is that the real war was won and lost on the eastern front. This fascinating account is a rare opportunity to correct that balance and to discover what really happened in the Second World War.

Beevor and Vinogradova deserve high praise and deep thanks for giving us this judiciously edited new perspective.