Product Description

In the 22nd century visionary scientist Vannevar Morgan conceives the most grandiose engineering project of all time, and one which will revolutionize the future of humankind of space: a Space Elevator, 36,000 kilometres high, anchored to an equatorial island in the Indian Ocean.

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Product Details

• Amazon Sales Rank: #105744 in Books
• Published on: 2000-10-12
• Original language: English
• Binding: Paperback
• 256 pages

Amazon.co.uk Review
Originally The Fountains of Paradise was intended to be Arthur C. Clarke's last novel, before the author came out of "retirement" to pen 2010: Odyssey Two. It is also one of his best, and being set in a fictionalised version of Clarke's adopted home of Sri Lanka, one of his most personal. The story is based around the fantastical yet scientifically supportable idea of a "Space Elevator", a "tower" from the earth to geo-stationary orbit, 23 000 miles "high". The purpose is to make access to space routine, safe and cheap, and the 22nd century-set novel essentially follows Vannevar Morgan in his quest to complete this monumental project.

There are grand set-pieces worthy of the best adventure story, a generous scattering of fascinating speculations and observations and, of course, Clarke's famous eye for the epic vistas inherent in large-scale science fiction:

Slowly his eyes adapted, and in the depths of the mirror a faint red glow began to burn, and spread, and consume the stars. It grew brighter and brighter and flowed beyond the limits of the mirror; now he could see directly, for it extended halfway down the sky. A cage of light, with flickering, moving bars, was descending upon the earth.

As much the novel of a poet as that of a scientist, The Fountains of Paradise makes striking use of the sometimes haunting history of Sri Lanka, a device echoed by Kathleen Ann Goonan in her Hawaiian set novel, The Bones of Time. Anyone seriously interested in great science fiction should really have both these books in their collection. --Gary S. Dalkin

About the Author
SALES POINTS * #34 in the Millennium SF Masterworks series, a library of the finest science fiction ever written. * 'Delightfully written and at times almost unbearably exciting' Kingsley Amis * 'His enthusiasm is combined with his considerable literary and myth-making skills ... the result is something special' Sunday Telegraph * 'A superbly crafted novel that may be his best' Tribune

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Customer Reviews

Fabulously plausible prediction
One of Clarke's running themes is that of Human Transcendence, a racial coming-of-age or puberty, during which we throw off the shackles of our irrational beliefs and, well, grow up.
'Childhood's End' saw the human race guided through this process by an ELDER RACE, while in '2001: A Space Oddity', a single human is transformed by an ELDER RACE and returned to Earth to do much the same thing. 'Fountains of Paradise' is as joyous as the aforementioned books and thought of by many as Clarke's best work.
The story follows engineer Vandevaar Morgan and his quest to build a space-elevator (see also Charles Sheffield's 'Web Between the Worlds' and Robinson's 'Red Mars'. Robinson named the termini of the elevator 'Clarke' and 'Sheffield' as a tribute to the authors of the earlier books) anchored on Earth on the equatorial island of Taprobane (based on Clarke's home of Sri Lanka).
It's interesting to note that in 1979 Clarke's boundless optimism leads him to believe that major religions will fall into decline. By the end of the book the Vatican is mentioned, in passing, as being virtually bankrupt.
Indeed, the concept of God is dealt a final lethal blow by information from a passing alien AI (representative of the obligatory ELDER RACE) which reduces religion to an aberrant condition common only to mammalian intelligent species and generally abandoned by those races at a particular level of social and scientific development. Clarke also presents no argument against the destruction of a millennia-old Buddhist monastery to make way for his space-elevator, which (a minor complaint) slightly detracts from his sound points about Mankind's immaturity with regard to organised religion, and seems at odds with the respect for history and tradition, which is shown to great effect elsewhere in the novel.
Sadly, with the events of September 11, 2001, his optimistic prediction of a world freed from the chains of religious belief now seem rather naive, as much as we would like to share in his hope for a rational future.
The narrative, initially, is sandwiched with the tale of King Kalidasa, who, two thousand years previously, created his own challenge to Heaven with the fabulous Palace of Yakkigala.
The brilliance of the book lies in the way Clarke takes a solid scientifically-provable principle and creates the reality of its potential for us. It is very likely that at some point in the future such a structure will be built.
It's an exciting and exhilarating thought, made all the more engrossing by Clarke's mastery of storytelling, the vividness of the setting, the attention to detail and the undoubted (for its time anyway) scientific accuracy.

Brilliant and fascinating
I love this book. It's a perfect demonstration that a novel can be exciting and enjoyable despite having no have detailed characters and not even a real plot. The book tells the tale of the building of a space elevator; characters appear and disappear and are purely functional; and Clarke describes events because they're interesting, not because they're 'essential' to the story. There's a brilliant passage about an alien space probe passing through the solar system, which has no relevance at all to the story, and yet is beautiful and engaging in its own right. What a strange, intriguing and amazing book. I read it when I was ten and I've never forgotten it.

The Master -- A great read
Arthur C. Clarke is a name that is up there with the Sci-fi greats. This book is a fine example of why.

Not particularly plot driven and the scant characterisation means that there isn't one thing in the book the reader can attach to. The story is a wide overview of the possibility and the trials of an elevator from earth straight through the atmosphere. The positive aspects are addressed together with the negative ones. Theological and Religious problems are all explored. This is why Clarke is so very good because he understands the possibilities and the things he writes about are plausable.

Not his best but this is still a brilliant example of the genre and of Clarkes work. An absolute must.