Product Details

• Amazon Sales Rank: #1101173 in Books
• Published on: 2002-12-30
• Original language: English
• Number of items: 500
• Binding: Hardcover
• 92 pages

Customer Reviews

Through the Glass, Darkly
This is really a novella, not a novel, and issued in a limited edition that will make it difficult to obtain without a fairly high outlay, but with this story Mieville proves that he doesn't need the expanse of 700 pages to tell a captivating tale. He starts from the assumption that what we see in our mirrors is not just reflected light beams, but rather are real beings that inhabit more dimensions than humans are accustomed to, and have been trapped into faithfully showing an image of this world as a result of losing a long ago war with men. Never mind what violence this concept does to the laws of physics - science is a tool that China uses and discards according to the needs of his story.

As our world has gotten more industrialized and the use of mirrors and other reflective surfaces has grown, these beings are more and more tied down to this imprisonment. Ah, but here Mieville throws another curve - what of those beings who don't have reflections? Vampires have been with us in legend and folk tale for a long time, and under Mieville hands they are transformed into advance scouts, spies on our world, for these denizens, whom Mieville calls 'imagos', finding ways to break their prison.

Now to top off this already fantastic idea, China describes what happens to our world when these imagos finally do break free of their prison. The resulting bleakness of a war ravaged world fits the Mieville mold perfectly (no sunshine pollyanna stories for him!), as we follow the attempts by one man, Sholl, to communicate with what is left of humanity and get closer to these beings. This individual may be a unique human - no vampire will touch him, except for one, his analogue in the mirror world. And with this juxtaposition of opposites Mieville imbues this story with multiple levels of meaning, a labyrinth of mirrors, opposites, reflections and non-reflections, philosophies and points of contact with our world. All told in China's inimitable style, where he shows his great command of the English language to describe, to illuminate, to evoke mood and feeling, though in this work it is not quite so overpowering as it has been in his previous novels. The ending is quite fitting, and not a very predictable one at all, providing yet another layer of thought and meaning to a story already richly imbued with this.

Perhaps there could have been a little deeper look at the inner thoughts and society of the imagos, and a little more background to his protagonist, but as it sits this is a small, polished gem, waiting for the unwary reader to get lost inside its multiple (self-reflecting) facets.

--- Reviewed by Patrick Shepherd (hyperpat)

Welcome to a surreal and post-apocalyptic London......
For those of you familiar with Mieville, you'll know that he has a flair for creating diverse and utterly alien worlds in such great detail that they become completely absorbing to the reader.
In "The Tain", China takes a different approach to his writing, and sets his story in a crumbling and war-torn London. However, don't think for a second that he's gone all mundane and mainstream, "The Tain" is increasingly surreal and disturbing as the plot progresses, the effect exaggerated by the familiar nature of the civilisation and location.

So, the basic background, our "hero" Sholl is one of the few survivors of a war against a truly alien enemy. The mirror-world, normally seen uncomprehendingly by you and me through the tain of a looking-glass, has found a way to break through into our reality. The inhabitants of this world are seeking vengeance, because for thousands of years they have been imprisoned and tortured, forced to mimic our world every time it is reflected in a puddle, piece of glass, metal surface or mirror. As mirrors became common-place, more and more of the mirror-world inhabitants were trapped in copies of our forms, and more of their world was distorted into an image of our own......

Now though, they are free on this side of the mirror, and are waging a war that we can't possibly win.

The novella follows the journey of Sholl who, for some reason, cannot be touched or hurt by the invaders. Sholl has a vague plan that may end the bloodshed, and seeks support to help him in his endeavour. Before he can act though, he must gather information, and that will take him into the heart of a frightening and surreal world, where his only hope of survival depends on his immunity to the enemy holding true........

A short read (it's only a novella after-all) but entirely worth the effort, "The Tain" shows Mieville in great form, and tackling the old "last man" tale with his own originality and unique style. "The Tain" brought back memories of "I am Legend" by Richard Matheson, which is no bad thing at all. Mieville has managed to write an original, surprising, chilling and classic novella, and proves without a doubt that he's more than a one-hit-wonder!

BACK ON FORM
This delightful novella sees China Mieville back on top form after the slightly rambling nature of The Scar. The story focuses on an apocalyptic London after a war between mankind and the inhabitants of the world of mirrors. The construction mirrors (no pun intended) the theme of the story, by following two diametrically opposed protagonists on either side of the war, as their paths cross in opposite directions. Excellent stuff.