Lindsey's latest solo album, includes Did You Miss Me

Track Listing

1. Great Day
2. Time Precious Time
3. Did You Miss Me
4. Wait For You
5. Love Runs Deeper
6. Bel Air Rain
7. The Right Place to Fade
8. Gift of Screws
9. Underground
10. Treason

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Product Details

• Amazon Sales Rank: #15747 in Music
• Released on: 2008-09-15
• Number of discs: 1
• Dimensions: .20 pounds

Amazon.co.uk Review
Gift of Screws originally started life fifteen years ago as a Buckingham solo record until a Fleetwood Mac reunion intervened and the guitarist was persuaded to donate some material to their ensuing album, 2003's Say You Will. But currently on something of a roll after his deservedly acclaimed 2006 set Under the Skin, Buckingham has seen fit to revive the project. On the evidence of this fine record, largely played by Buckingham himself with the odd collaborator and often less than totally polished, his decision was correct. The frantic guitar runs of the opener "Great Day" turn a deceptively sunny song into something more sinister, while the dense and noisy acoustic arpeggios of "Time Precious Time" are downright eerie. The defiantly lovely "Did You Miss Me" works well in a stripped-down form. Mac fans will be pleased by "Wait for You" featuring the unmistakeable rhythm section of Mick Fleetwood and John McVie and "The Right Place to Fade", which could be an outtake from their most successful era. The title track itself is a catchy two chord stomp reminiscent of REM at their most playful. Mastered so loudly that it leaps out of the speakers, even as its creator lovingly layers guitar parts and buries vocals in swathes of echo, Gift of Screws is oddly timeless yet undoubtedly contemporary. --Steve Jelbert

CD Description
As vocalist and guitarist with the legendary Fleetwood Mac,Lindsey Buckingham made a name for himself as a songwriter with a distinct pop sensibility and instrumental prowess, facets that have translated to his numerous solo albums - 'Gift Of Screws' being the fifth. The title is taken from an Emily Dickinson poem, somewhat at odds with the rockier feel tothis record compared to previous efforts. Indeed, throughout this release is a definite rawness and clarity of expression which Buckingham brings to the fore.

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Customer Reviews

Outstanding, As Per Usual!
Being a massive fan of Fleetwood Mac and the various "solo" elements within the band, I bought this album on the day it was released and have played nothing else since.

For me, Lindsey Buckingham can do no wrong.

What staggers me, is that after 35 years or so, he's still producing work of this quality when so many others have fallen by the wayside, or, are relying on past glories.

What's more, inspite of working within familiar "Mac" harmonic/structural frameworks, he's still able to make it sound so fresh, even when treading well worked progressions etc.

All the usual stuff is here, the intricate guitar work, the layered vocal textures, the holding of long notes vocally and instrumentally over changing harmonies, he's been doing this stuff since the "Buckingham/Nicks" album, but who cares?

No one else has done it so well and as he once said of Stevie Nicks when she was criticized for "only knowing 3 chords".."yes but they're the right 3 chords" and he has a bigger harmonic vocabulary than Stevie Nicks!

The guitar work is, as always, outstanding, so much so, that it always frustrates me as to why this man isn't spoken of with the sort of reverence normally reserved for the likes of Hendrix and Clapton.

Buckingham uses the guitar in so many innovative ways, but mostly in his, almost unique, ability to create songs using a variety of small and, on their own, seemingly insignificant, guitar motifs, which, when combined, create the sound, which is, unmistakenly, his own.

He never, IMO, sinks into the sort of self indulgence which you get from countless "guitar heros", resulting in his guitar solos being well thought out, planned and fitting to the needs of the song, which means that, although he can do the "fireworks" like the best of them, he's not afraid to sound "simplistic," as can be seen in many of his songs on previous solo efforts and with Fleetwood Mac, but is amply demonstrated on this album with the last two songs:

"Underground" & "Treason"

A number of these songs have been available for some time as "bootlegs" on the net, but I'm pleased to see that he's added some newer material which I'd not heard previously.

I can't find fault with any of the songs but I love particularly:

The explosiveness of "Love Runs Deeper"

The references to "Play In The Rain," from "Go Insane" which can be heard in "Bel Air Rain"..

The "son" of "Second Hand News," which is "The Right Place To Fade", though I'm a little mystified as to why it's not entitled "The Right Twist Of Fate," as it is on the "bootleg" versions!

All in all, this album has been more than worth the wait..and, having managed to see Fleetwood Mac for the first time ever a few years back, who were phenomenal and totally professional, this more than fills the gap between "Say You Will," and, hopefully their next effort, which will, hopefully, include Christine McVie.

If you're a Mac fan and are missing them, then I'd thoroughly recommend this!

A 4.5 star album, but what the heck i'll indulge!
5 stars is always difficult to give unless it's a total classic. But this is such a good record that it's hard not too give it top marks. All the trademark LB ingredients are present on Gift Of Screws. That is to say the god like guitar playing, his unique wall of sound sound (very frenzied and almost claustrophobic on this record), great production and strong catchy songs. Mix it all up and when it works well (and it does very well on this record) you have not only the classic LB/MAC sound but a great album to boot.

No doubt this is his best work since Out Of The Cradle, but i'd go further and say that this album has far more substance and depth than that record, and shows much maturity in song writing as against the more one-dimensional songs of Out Of The Cradle. Although the arrangements on Gift Of Screws have less space to breathe and delicacy to them. But that's more the intense style that LB's conjured up for this collection of songs.

As most media reviews around the world are reporting, this is a great record.

Docked one star for variable sound quality
Ive played this a few times now, and am enjoying the songs and the performance very much. My one caveat would regard the erratic production values. 'The right Place to fade', for instance, sounds great during the verses, but when the guitars crash in for the chorus, the stereo image collapses and it all sounds very compressed. 'Time precious Time' on the other hand, sounds glorious.

This is not an album for aspiring guitarists - what Lindsey Buckingham does, especially on track 2, will have you giving up in despair!