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Phaedo (Oxford World's Classics)

Phaedo (Oxford World's Classics)
By Plato

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Product Description

The Phaedo is acknowledged to be one of Plato's greatest masterpieces, showing him both as a philosopher and as a dramatist at the height of his powers. For its moving account of the execution of Socrates, the Phaedo ranks among the supreme literary achievements of antiquity. It is also a seminal document for many ideas deeply ingrained in western culture, and provides one of the best introductions to Plato's thought. This new edition is a revised version of the Clarendon Press translation, and is eminently suitable for readers new to Plato, and ideal for classroom use, thanks to the provision of Stephanus page and letter numbering.


Product Details

  • Amazon Sales Rank: #367491 in Books
  • Published on: 1999-07-01
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 144 pages

Customer Reviews

Socrates' final hours5
Socrates is unique among philosophers, not just for his place among the early Greek philosophers, but also for the fact that he is the most famous philosopher to never write his own books. What we know of Socrates comes from contemporary accounts and students, most particularly Plato.

Set in 399 BCE, the Phaedo is a reconstruction of Socrates final conversations with friends on the day he died. We do not know when this dialogue was written, but it was probably before The Republic (Plato's most famous work, also featuring the figure of Socrates). Like The Republic, this dialogue features a well developed theory of Forms -- these are introduced gradually here, slowly filling out the details of each step. This develops the story of the caves idea from Plato's earlier work in epistemological, metaphysical, moral, and semantic terms. Plato also advances the 'imperfection argument' here -- the idea that when we sense something, it is never perfectly the thing we are thinking of, and that idea or standard to which we relate what we see, hear, feel, etc. is tying into a more perfect Form.

However, the idea of the soul is rather less developed here than in The Republic. The soul is simply mind, or intellect - all emotions are here placed as bodily aspects. This is rather Pythagorean in a fashion, that only the soul grasps the perfect Forms, and so should consist of nothing but reasoning ability, for emotions distort and cloud the perceptions and judgments.

In the end of the Phaedo, we witness Socrates drink the hemlock, without fear or trembling, as a philosopher should know the value of life and welcome death with a firm hope. The story is almost religious in nature here.

David Gallop's translation is good and true to the original (in as much as I can tell from my small Greek learning). It is somewhat tending toward the formal side. This is serious stuff, but in a small number of pages manages to capture much, and this makes it all the more relevant.

Life Death and Everything!5
Socrates faces death by a cup of hemlock, condemned for his solidarity to his own beliefs. He discusses with his friends why he does not wish to escape and is content to accept his death. He explains his theories on afterlife and the soul. It is a thought provoking and inspiring work.