Product Description

'Angela Carter has influenced a whole generation of fellow writers towards dream worlds of baroque splendour, fairy tale horror, and visions of the alienated wreckage of a future world. In "Nights at the Circus" she has invented a new, raunchy, raucous, Cockney voice for her heroine Fevvers, taking us back into a rich, turn of the 19th century world, which reeks of human and animal variety'. "The Times".

Product Details

• Amazon Sales Rank: #12592 in Books
• Published on: 1998-01-03
• Original language: English
• Binding: Paperback
• 368 pages

Review
"'Angela Carter has influenced a whole generation of fellow writers towards dream worlds of baroque splendour, fairy tale horror, and visions of the alienated wreckage of a future world. In Nights at the Circus she has invented a new, raunchy, raucous, Cockney voice for her heroine Fevvers, taking us back into a rich, turn of the 19th century world, which reeks of human and animal variety' The Times. * 'Nights at the Circus is a glorious enchantment. But an enchantment which is rooted in an earthy, rich and powerful language...It is a spell-binding achievement' Literary Review * 'A glorious piece of work, a set-piece studded with set-pieces. The narrative has a splendid ripe momentum, and each descriptive touch contributes a pang of vividness. By doing possible things impossibly well, the book achieves a major enchantment' Times Literary Supplement * 'A mistress-piece of sustained and weirdly wonderful Gothic that's both intensely amusing and also provocatively serious. This is a big, superlatively imagined novel' Observer * 'A remarkable book by any standards' Guardian"

From the Publisher
'One of the century's finest writers' Sunday Times

About the Author
Angela Carter was born in 1940. She lived in Japan, the United States and Australia. Her first novel, Shadow Dance, was published in 1965. Her next book, The Magic Toyshop, won the John Liewllyn Rhys Prize and the next, Several Perceptions, the Somerset Maugham Award. She died in February 1992.

Customer Reviews

A magical set of characters
Richly written, the joy of this book is in the characters that Carter describes (you get the feeling she enjoyed writing it just as much): from the winged trapeze artist & her maternal assistant to the performing apes and their Professor, this is a book that surprises throughout with its imagination and detail.

This is all done at the expense of any particularly tight plot - we begin with an 80-page life story as told to journalist John Walser, but it then becomes more picaresque as we follow the circus and get to know the stories of its staff, with strong female characters particularly making their presence felt. The journey takes us an unusual route to an unusual end.

This is a world you can escape into - beautifully realised in the best tradition of magic realism.

A modern fairy tale
I was sceptical when my friends nagged me into reading Angela Carter. If anything, I was critical as I began reading it, but was soon won over by the sheer bizarre nature of Fevver's tale. Despite myself, I was drawn into this story. The characters, places and storyline are unforgettable, the tale a vivid, unbelievable romp with the circus from London to Siberia.

The only downpoint to this book, I would say, is that the narrative of the first part is a bit rambling and slow paced compared to the rest of the story, but this does nothing to detract from the overall wonder and brilliance of this novel.

Don't buy this book if you're looking for a gritty, realistic story, because "Nights at the Circus" is, if anything, fantasy. However, if you want an involving, amusing and enchanting modern fairy tale, this book is an absolute must.

Angela Carter - Nights at the Circus
Another wonderful book by Angela Carter. I've never come across a writer who so revels in marvellous firework explosions of words, catherine wheels of ecstatic language. She's a language-lover's dream writer. This story is a spectacular adventure that bursts with the fantastic: fantastic character, fantastic scenes (the chimps in the circus, for example), fantastic stories (the potted biographies of the minor characters; the community of female criminals banished to Siberia) and fantastic ideas.

Her writing's a sensuous lexical feast. She has immense learning and wears it lightly. She's a Renaissance Woman of letters. She is, simply, a wonderful, wonderful storyteller, and a wonderful, wonderful writer. This and Wise Children are two of the most pleasurable novels I have ever come across.