Product Description

This is a fascinating collaboration of compelling human stories by a well-known author with powerful contemporary paintings by a high-profile artist. Sara Maitland's compelling human stories give voice to Chris Gollon's powerful contemporary sequence of "Stations of the Cross" (painted from life and reproduced in the book in high-res colour images): a unique and potent collaboration. The Stations were commissioned for St John on Bethnal Green, a visually prominent London Anglican church designed by Sir John Soane, the neo-classical architect who also created the Bank of England and the Dulwich Picture Gallery. In 2001 the congregation made the extraordinary decision to commission a site-specific "Stations of the Cross", the traditional 14 pictures of the last day of Jesus' human life, used from the Middle Ages onwards for meditation and prayer.Perhaps unexpectedly, they chose a contemporary artist not best known for his religious works: Chris Gollon. By Easter 2008 the whole series was completed; the sequence was first used on Good Friday when the pictures gained considerable media attention. The commission for the Stations has taken 8 years to fulfil and they have been widely featured in national broadsheets, arts press and all denominations of religious arts press. The paintings are now reflected in a sequence of stories: first-person narratives by a well-known author who has been closely involved with the project.

Product Details

• Amazon Sales Rank: #47272 in Books
• Published on: 2009-03-31
• Original language: English
• Number of items: 1
• Binding: Paperback
• 125 pages

About the Author
Sara Maitland was born in 1950. Her first novel Daughter of Jerusalem won the Somerset Maugham Award in 1979. Since then she has written five more novels and has published five collections of short stories.

Customer Reviews

A Visual and Literary Inspiration
I first discovered Chris Gollon's "Stations of the Cross" series online, and found the haunting and strangely beautiful paintings a great aid to Holy Week devotions. I then discovered this book, which would be well worth the price for either the reproductions of his art, or the text of Sara Maitland, alone. The images are powerful, disturbing and refreshing, as they draw one into a new reflection upon this traditional meditation: as Maitland points out, Gollon's art is perhaps the more powerful because he paints from outside the mainstream tradition, as the outsider. His use of family members and friends as models is poignant: he is quoted as saying that using his son as the model for Christ, and painting his corpse in the tomb, was the most difficult thing he has done. Character leaps out of the illustrations - particularly, for me, Simon of Cyrene (station 5 and the book's cover) and Veronica (station 6), and the suffering of Christ and Mary is shown in an uncompromising way. Grotesque figures appear, particularly in the early stations: they work surprisingly well alongside his realism elsewhere. Yellow skies draw us to infinity; cursor-spears point us to the agony. Sara Maitland's contribution complements the art superbly: she offers an interesting introduction explaining something of the development of this devotion, and the decision by the church of St John on Bethnal Green to commission this work; and she closes with some final reflections. Each station is accompanied by a dramatic monologue in prose form, utilising the characters within and beyond the frames of the pictured stations. She accomplishes this with great artistry, speaking in different voices which all enhance our entering into the story. Character and motive are drawn out subtly, and we are caught up in the action with unobtrusive ease. At the end of each meditation is a comment from someone who has viewed the originals in St John's Church, and these are both affirming and challenging. It would not be an exaggeration to say that, used meditatively, this could be a life-changing book.