Product Description

The work of an original, haunting and experimental woman modernist poet is made available again, for the first in 50 years. Lynette Roberts is principally a war poet, in that her two published collections take as their subject a woman's life in wartime. But she is also, or therefore, a love poet and a poet of the hearth. A late-modernist, she works on two scales at the same time: the mythic and the domestic. Those poets and readers who have valued Roberts' work have been experimentalists. Even at this distance, she challenges and instructs, at the level of diction, syntax and achieved form. She relentlessly opens out the language of poetry, she is free with extremes of subject, scale and conception, and her work has flourished in its very marginality. Now, with republication, she is restored as an extraordinary poet in the development of twentieth century British poetry. As a Welsh writer, her best work stands alongside that of her near-contemporaries, David Jones, R.S. Thomas and Dylan Thomas. As a woman poet, her work bears comparison with that of both Mina Loy and Djuna Barnes.

Product Details

• Amazon Sales Rank: #53127 in Books
• Published on: 2005-11-24
• Original language: English
• Number of items: 1
• Binding: Paperback
• 220 pages

Review
'Lynette Roberts is one of the few true poets now writing. Her best is the best...' - Robert Graves; 'She has, first, an unusual gift for observation and evocation of scenery and place, whether it is in Wales or her native South America; second, a gift for verse construction, influenced by the Welsh tradition, which is evident in her freer verse as well as in stricter forms; and third, an original idiom and tone of speech.' - T.S. Eliot.

About the Author
Lynette Roberts was born in Buenos Aires of Welsh stock in 1909 and died in West Wales in 1995. She published two collections of poems in her lifetime, both from Faber and Faber: Poems (1944) and Gods with Stainless Ears (subtitled 'A Heroic Poem', 1951). She married the Welsh writer and editor Keidrych Rhys, and came to know some of the prominent writers and artists her day. T.S. Eliot was her publisher and advocate. Roberts helped Robert Graves with his work on The White Goddess, and Dylan Thomas was best man at her wedding. She was a friend of Wyndham Lewis (who painted her), Edith Sitwell (to whom she dedicated Gods with Stainless Ears) and Alun Lewis (for whom she wrote 'Poem from Llanybri'), and published in a variety of magazines in Britain and America.

Customer Reviews

amazing poetry
This is one neglected poet who deserves a new audience, and a large one at that!Lynette Roberts is an amazineg poet: so fresh and vital and full of energy. Her images are great and her sense of rhythm wonderful. There are so many memorable lines it's hard to keep track of them. Her poemns are about the lives of women in wartime, and about the hardships and difficulties of the 'home front'. But she finds beauty amid the drudgery and tragedy.
I'm not normally into poetry, though I like reading. This was a real discovery.

Newly discovered tresure
First came across Lynette Roberts' writings during a recent BBC TV series on poetry. Some amazing poems, especially 'Llanybri'. A contemporary of Dylan Thomas she was 'rediscovered' to literary acclaim and published very recently. There's more out there, believe me, which remains unpublished which should see the light of day but doesn't because publishing has lost its direction and in the main chases after big returns with a minimum of risk.

Lynette Roberts
This forgotton poet has been brought back into the limelight. In her time T.S.Eliot and Robert Graves thought very highly of her; Graves wrote: 'Lynette Roberts is one of the few true poets now writing. Her best is the best' I couldn't agree more.The introduction by Patrick McGuiness is an example of the best of its kind.