Koba the Dread: Laughter and the Twenty Million
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Average customer review:Product Description
"Koba The Dread" is the successor to Martin Amis's celebrated memoir, "Experience". It is largely political (while remaining personal). It addresses itself to the central lacuna of twentieth century thought: the indulgence of communism by intellectuals of the West. In between the personal beginning and the personal ending, Amis gives us perhaps the best one hundred pages ever written about Stalin: Koba the Dread, losif the Terrible. The author's father, Kingsley Amis, though later reactionary in tendency, was a Comintern dogsbody (as he would come to put it) from 1941 to 1956. His second-closest, and then his closest friend (after the death of the poet Philip Larkin), was Robert Conquest, a leading Sovietologist, whose book of 1968, "The Great Terror", was second only to Solzhenitsyn's "The Gulag Archipelago" in undermining the USSR. Amis's remarkable memoir explores these connections. Stalin said that the death of one person was tragic, the death of millions a mere statistic. "Koba The Dread", during whose course the author absorbs a particular, a familial death, is a rebuttal of Stalin's aphorism.
Product Details
- Amazon Sales Rank: #67651 in Books
- Published on: 2003-09-04
- Original language: English
- Binding: Paperback
- 272 pages
Editorial Reviews
Amazon.co.uk Review
Koba the Dread is a book about Stalin and the past and present culpability of intellectuals rather than a personal memoir. It's personal to Amis because his father Kingsley became a card-carrying Communist in 1941 and remained so for 15 years: along with the majority of intellectuals everywhere he chose the big Stalinist lie over the truth. The only reasonable excuse for believing the Stalinist story, Amis suggests, is perhaps that "the real story-–the truth—-was entirely unbelievable". The bulk of the book is taken up with the real story of Stalinism and--given the powerful subject matter and Amis's literary skill--one shouldn't be surprised to hear that it makes for a riveting read. Even if you are already familiar with the story the facts still stagger the imagination.
As well as being an indictment of the woolly-minded utopianism of his father's generation, the book is a direct challenge to the lingering romanticism that, even today, attaches itself to Bolshevism, to Lenin, and in particular to Trotsky. That challenge comes in the form of a splendid letter--in the final, personal section of the book--to his long-time friend Christopher Hitchens. In it, he reminds his friend "Comrade Hitchens" that "Bolshevism presents a record of baseness and inanity that exhausts all dictionaries" before confessing his confusion as to "why you wouldn't want to put more distance between yourself and these events than you do, with your reverence for Lenin and your unregretted discipleship of Trotsky".
The myth Amis wants to quash is the idea that the "real" revolution was lost with the death of Lenin, the murder of Trotsky and the liquidation of the Bolshevik old guard. Any "differences between the regimes of Lenin and Stalin were quantitative, not qualitative" and, as individuals, Lenin was a "congenital moral imbecile" while Trotsky's smattering of literary talent concealed "a murdering bastard and a fucking liar" who got what he deserved. They were nun-killers all and they did it with gusto. The final verdict, the final indictment, is that under Bolshevik rule--under Lenin as well as Stalin--"the value of human life collapsed".
It's a curious fact that Robert Conquest--the man who wrote the definitive account of the Stalinist purges while many intellectuals were still in denial--was a personal friend of the Amis family. Conquest's The Great Terror is still the source to visit if want the full story whereas Koba the Great is a short book packed with the most interesting and shocking facts about the Stalin era, with a thoughtful and often persuasive personal commentary from Amis. --Larry Brown
Review
'Indignant, angry, personal and strangely touching...Koba the dread carries a punch, artfully delivered' New York Times
From the Publisher
The successor to Experience.
Amis on Stalin – a brilliant, controversial study by a great writer.
Customer Reviews
Interesting Idea: Flawed, Self-Indulgent Execution
The concept behind Martin Amis' Koba The Dread had promise. Its stated goal was to examine the apparent willingness of many left-leaning 20th century intellectuals to overlook the worst excesses of the Soviet regime. The book was designed to explore why those same intellectuals who would be the first to man the barricades in opposition to Franco's Spain, Pinochet's Chile, or the Colonels in Greece could, at the same time find reasons not to condemn or even to excuse the great purges and the labor camps of the Gulag, the Hitler-Stalin pact, and the Soviet suppression of liberal movements in Hungary, Poland, and, finally, Czechoslovakia in 1968.
Sad to say, Amis was not up to the task he set. Although well-written, the book is overly self-indulgent and superficial.
The book is divided, into three parts. Part I, approximately one third of the book contains general background information on Amis and his `credentials' for writing the book. Those credentials include his reading of the historian Robert Conquest's Reflections on a Ravaged Century and his presence at a celebration of the end of the millennium along with Tony Blair and the Queen. The remainder of Part I explores Amis' coming of age in a family in which political discourse formed the focus of dinner table and other conversations. It also contained more than a bit of information about Amis' education and early work experience. Last, he touches on some of the political developments in post-revolutionary Russia including an overview of Lenin and the formation of the earliest labor camps. Although interesting, it provides nothing more than a cursory overview of the issues allegedly at the core of the book.
Part II, which constitutes more than a half of the book, is entitled Iosif the Terrible: Short Course. This is a two-fold play on words as Stalin fancied himself as a latter day version of Ivan the terrible and wrote a book entitled "Short Course on the Soviet Union." The overview reads well. Amis is, clearly, a good writer. However, it does not contain any new research or original thought. Rather, as Amis acknowledges, it is a summary of many books Amis has read on the subject, specifically Conquest's The Great Terror. Again, anyone coming to this book with even a passing knowledge of Soviet history will find one half the book superfluous.
Part II, a mere 34 pages, addresses the question posed on the book cover as its central theme, "the indulgence of communism by intellectuals of the West." Part III consists of a Letter to a Friend (Christopher Hitchens) and an after word addressed to his late father. Although both are touching and deeply personal in their own way they never really did get to the heart of the question.
The question posed was a decent one. But I left disappointed. I gave the book three stars because, despite my disappointment, it was well-written. I also realize that the book could serve as a valuable introduction to readers new to Russian/Soviet history who might wish to dip their toes into the subject matter. This is not a bad place to start. However, I would not recommend this book to anyone with more than superficial knowledge of the subject matter. At best, this should have been a magazine length article.
The Revolution Was a Lie
The construction of Amis's book on Stalin is extremely unconventional, which, unfortunately seems to be all the grounds some critics need to trash it. His exploration of why its considered acceptable in many circles (particularly the intellectual left) to joke about Stalin, the USSR, and communism (as opposed to Hitler, Nazi Germany, and National Socialism), begins and ends with very personal sections which bookend an overview of Stalin's rule and his use of the police state bequeathed to him by Lenin to cause the death of some 20 million of his subjects. Amis comes at this in reflection of his recently deceased father, who was himself a communist for some 15 years. The first part of the book is a sort of dialogue with not only his father as he was, but also his good friend Christopher Hitchens, who in Amis's view, is a the embodiment of the problem—a smart public intellectual who refuses to totally denounce the former USSR.
Next, the heart of the book provides a primer on Stalinist terror, cribbed from a number of sources. Here, the critics once again open up, curiously accosting Amis on roughly three points (A) Amis isn't telling us anything we didn't already know, (B) Amis is simply cribbing from other books, (C) Amis's sources are weak. The response to A is that Amis never claims that he's providing new information, quite the contrary. His point is that how could we (Western lefties) know all this and not totally distance themselves from it? Furthermore, I suggest that the argument that people already know is only valid up to a certain age. As a thirty-year-old with an honors degree in international relations, I knew the gist of Stalinist times, but certainly not the level of detail Amis provides. And if you took a survey of people on my phone list, almost all of whom have some kind of Master's degree and are engaged in the world at large, I would bet good money that 90% could tell you who Eichmann was and that maybe 5% could tell you who Dzerhinsky was. As to B, Amis tells you all the way through where his citations are from and never pretends otherwise. C is the sort of specialist sniping that's hard to dispute but seems kind of pointless when you consider that much of Amis's quoting is from first-person accounts.
Finally, the book ends with a rather strange letter to his dead father in which Amis digresses into family talk, including the death of his sister. It's not history and politics, and thus is appears to upset those for whom these topics dare not be contaminated with anything personal. That, in way seems to be the subtext of some of criticism of the book, why is it so personal, and why does Amis write about it all with such a naive wonder and anger. Of course, to criticize it thusly is to utterly miss the book's point.
In any event, the book is filled with keen insight and deadly venom, especially when it comes to the posthumous lionization of Trotsky and Lenin (p 250, "An admiration for Lenin or Trotsky is meaningless without an admiration for terror."). It's the rare piece of writing from the left that refuses to separate the ideological ideal of communism with it's real world totalitarian application and utter dehumanization of those under its rule. Amis's conclusions, such as they are, can best be summarized by the following passage from page 258, "The enemy of the people was the regime. The dictatorship of the proletariat was a lie; Union was a lie, and Soviet was a lit, and Republics was a lie. Comrade was a lie. The Revolution was a lie." This is an important work—not without its flaws and rough edges—that does the valuable service of reacquainting us with the horror of Stalinist rule.
Interesting and Informative
The above criticisms of the book above make the fair point that this is an example of a novelist playing at historian. But it's still immensely readable and engrossing, and manages to be a concentrated form of lots of other writer's thoughts on the 'russian holocaust'. Amis is best, I think, when exmining the 'laughter' part of the subtitle of the book - ie, how communism is often thought of as being in some way more 'benign' than Nazism, despite the evidence against this view. If someone says Trotsky and Lenin are heroes they are laughed at for being 'lefties'; if someone says that about Hitler or Mussolini they are (quite rightly), thought of as desperately sick and in some way inhuman.
I read this book in a day. Apart from the slightly irrelevant and unconvincing bits towards the end where Amis tries to connect it all to his baby crying and his sister dying, it is a thought provoking read.




