Product Description

One of the greatest military feats during the Second World War was the transformation of the German force's activities in the weeks following the battles in Holland and the German border, where the Allies had finally inflicted the greatest catastrophes of modern war on them.

Somehow the Germans found the strength to halt the Allied advance in its tracks and to prolong the war to 1945. This book is the epic story of those last eight months of the war in northern Europe.

'As a military historian Max Hastings has few equals' Times Literary Supplement

'Max Hastings now stands in the first rank of writers on modern war' Financial Times

Product Details

• Amazon Sales Rank: #12572 in Books
• Published on: 2005-04-15
• Original language: English
• Binding: Paperback
• 500 pages

Review
"'As a military historian Max Hastings has few equals' Times Literary Supplement 'Max Hastings now stands in the first rank of writers on modern war' Financial Times"

About the Author

MAX HASTINGS, author of eighteen books, was editor of the Daily Telegraph for almost a decade, then for six years edited the Evening Standard. In his youth he was a foreign correspondent for newspapers and BBC television. He has won many awards for his journalism, particularly his work in the South Atlantic in 1982. He was knighted in 2002.

Customer Reviews

A story very well told
I had previously read 'Overlord' by Max Hastings and found that he told that story (the battle of Normandy) very well. I read this book in hardback and found that it is similarly well told. As well as the pure facts of the allied & Russian advances and German counter-attacks, Max Hastings adds colour and interest from the personal accounts of many people he has interviewed (I contrast this with Berlin The Downfall - Beevor - which I found too dry in this respect). It also deals well with the problems faced by the allied leaders between themselves.

The book covers the western and eastern fronts and the concentration camps. It does not cover the war through Italy.

One thing I think could be much improved is the maps - there are a few, but not enough (e.g. one per chapter), they are very basic and don't tie in well with the text. There could be many more, illustrating the text, and use colour.

Armageddon...
...is a very appropriate title for a book about the battle for Germany if ever there was one. Especially at the Eastern Front. Hastings achieves a good balance between the wider picture - embracing the politics and military strategy of the campaign as a whole - with the experience of individuals who were in the thick of the action, whether they are soldiers, civilians, POWs or Hitler's concentration camp victims. This really is a very good book and I recommend it highly. I think this book is complemented particularly well by Norman Davies's "Rising '44: the Battle for Warsaw" and Anthony Beevor's "Berlin: The Downfall", both of which, incidentally, Hastings praises in his acknowledgements at the end of the book.

A compelling and sometimes preachy overview
An impressive panoramic narrative of the battle for Germany, "Armageddon" combines a wide range of sources (including many veterans) with Hastings's sharp, often iconoclastic judgement. His criticism of the military folly of Operation Market Garden, the Ardennes offensive, and Zhukov's Oder crossing is hard-hitting, but frequently deserved. Hastings is no apologist for military failings, although he frequently gets moralistic: discussions of the justice of the allied cause or the tyranny of Stalin, which is perceived in downright Manichean terms, should not be part of a work of history. This is not to deny the reality of good and evil, or to say that tales of atrocity should not be included: of course they should, especially in a book that intends to provide a comprehensive narrative. It's just that anti-communist and anti-Nazi polemic should not be part of a work of history; it should be left to philosophers and politicians.

Apart from that criticism, Hastings provides a compellingly readable and frequently heart-wrenching account of the final months of the war, paying almost equal attention to the topics usually ignored in the west, such as the sheer magnitude and ferocity of the war on the eastern front. In "Armageddon", the catastrophic climax of the Second World War comes to life, and although we probably can't imagine accurately that awful time, Hastings comes pretty close.

Two minor criticisms. The first is that Hastings argues that the allied carpet bombing of German civilian homes is justified on the grounds that the workers who got bombed were supporting the German war effort through their labour. This is of course correct, but it's a very slippery slope. Taken to an extreme, this argument completely removes the distinction between civilian and military targets: after all, enemy women are also working and supporting their working husbands, thus contributing to the war effort, and children will grow to become enemy soldiers.

Secondly, the maps Hastings includes (e.g. pp.4-5) are extremely strange, inasmuch as they show Europe in the borders of 1937 (except for Luxemburg, which Hastings for some reason considers a part of Germany). As a consequence, Hastings's maps feature a number of countries which did not in fact exist in 1944-5, such as Austria, Czechoslovakia, or Estonia, and simply do not show several countries which did exist, such as Slovakia and Croatia. Of course, the borders of 1937 are broadly those accepted by the Western allies, but they have nothing to do with the political realities of 1944-5; Austria, for instance, was not an independent country, as "Armageddon" suggests, but an integral part of Germany. The problem is sometimes compounded in the text. What is the reader to imagine when told that a certain regiment was moved "to the Czech border"? What Czech border? The pre-1938 Czech border did not exist in 1944-5 either politically or ethnographically. Thus Hastings causes considerable confusion, as there is no clear sense where exactly the "frontiers of Germany" are, or anything else for that matter.