Product Description

We spend most of our waking lives at work — in occupations often chosen by our unthinking sixteen-year-old selves. And yet we rarely ask ourselves how we got there or what it might mean for us. Equally intrigued by work's pleasures and its pains, Alain de Botton here heads out into the under-charted worlds of the office, the factory, the fishing fleet and the logistics centre, ears and eyes open to the beauty, interest and sheer strangeness of the modern workplace. Along the way he tries to answer some of the most urgent questions we can ask about work: Why do we do it? What makes it pleasurable? What is its meaning? And why do we daily exhaust not only ourselves but also the planet? Characteristically lucid, witty and inventive, Alain de Botton's 'song for occupations' is a celebration and exploration of an aspect of life which is all too often ignored and yet as central to us as our love lives.

Product Details

• Amazon Sales Rank: #15336 in Books
• Published on: 2009-04-02
• Original language: English
• Binding: Hardcover
• 336 pages

Amazon.co.uk Review
To some degree, what the reader takes way from Alain de Botton's The Pleasures and Sorrows of Work will be influenced by what that particular reader brings to it. If you are looking for a serious and exhaustive analysis of work and how it affects both our psychological equilibrium and general sense of well-being, you may be disappointed; although de Botton draws on a variety of examples (some straightforward and illuminating, others eccentric and whimsical), his strategy here is more subtle and allusive, not something which can be demonstrated by adducing a carefully marshalled tranche of facts. Secondly, of course, anyone familiar with the author's approach will hardly be expecting a linear demonstration of a thesis, as might be gathered from his delightful How Proust Can Change Your Life. Alain de Botton is offering something at once insightful and idiosyncratic: a practical guide to a better quality of life through an off-kilter approach to the subject of work. In the earlier book, we were offered a (not entirely serious) method of extrapolating from the brilliant (and famously difficult) French writer a host of unconventional insights into dealing with our own personal emotional and intellectual fulfilment. Here, the notion of work is addressed with a similarly light/serious touch, following a variety of processes (such as the trajectory of a fish from the ocean to its final destination on the shelves of a supermarket) to examine the multiplicity of possible approaches to work.

The real insights here, however, relate to the way in which work (as de Botton sees it) is both a validation of the true purpose of our existence – and the most assertive way to 'rage against the dying of the light' – in other words, to keep at bay the daunting realisation of what a brief flicker of existence we have. It's a book that is both affirmative and (in its eccentric fashion) quietly persuasive. --Barry Forshaw

Review
Clever, provocative and fresh as a daisy (Literary Review on The Architecture of Happiness )

Full of splendid ideas, often happily and beautifully expressed . . . an engaging and intelligent book (Independent on The Architecture of Happiness )

About the Author
Alain de Botton was born in 1969 and is the author of non-fiction essays on themes ranging from love and travel to architecture and philosophy. His bestselling books include The Consolations of Philosophy, The Art of Travel, Status Anxiety and The Architecture of Happiness.

Customer Reviews

The Meaning of our Labour
Something about Alain de Botton's writing captivates me. Though great chunky paragraphs of this photo essay are taken up with things which are banal on the surface like detailed descriptions of how biscuits are manufactured or the workings of electricity lines, the author's pithy observations about the individuals involved and his asides about the nature of being are engrossing. This author investigates an eclectic range of professions such as tuna fishing, career counselling, painting and accountancy. He begins the book by pondering the complex network of work involved which delivers to us goods in our everyday lives and how we are largely blithely unaware of these goods' origins. He then investigates a series of professions as a base point, engaging with the professionals involved in order to try to understand how this labour relates to their place in the world. The result is a sort of travelogue, each section containing a large amount of photographs to accompany the text, created with the help of photographer Richard Baker. Many of these pictures are beautiful and poignant in themselves, adding an even greater depth and understanding to the text which runs alongside them.

Many of the people the author encounters are treated with a good deal of sympathy and one feels his observations to be largely accurate based on his personal impressions of them. I grew to feel admiration, respect and envy for people who are emphatically engaged in their professions and passionate about the importance of their labour. However, at some points de Botton's prose lapse almost too far into a novelistic approach so that individuals he meets are fitted into the author's schematic understanding of certain workers' reality. Thus he might make presumptions about real people by speculating about their consciousness and how they feel about their position in the world. For instance, he summarizes the end of the day for an employee from an accountancy's advisory services and concludes how this man contemplates what has been "difficult, unnecessary and regrettable" about the effort of his labour for that day. The author doesn't specify whether he gleaned this understanding of this individual's inner-existence from a revealing interview or following him home to unobtrusively observe his private life. But one can't help but feel some liberties were taken. This makes me wonder why this author who is so brilliant at investigating the liminal spaces of our existence and the most crucial issues of our lives doesn't write more novels like his first published works.

The author also touchingly interjects elements of himself in the book. This might include finding a likeness of his father in a portrait of the president of the Maldives or a melancholic mood he falls into following the launch of a satellite into space. However, though always taking himself and his enquiries seriously, one can feel a great deal of humour laden in his emphatic pondering especially when he relates this to people he encounters. At one point he desperately asks a girl working on a document about brand performance why "in our society the greatest sums of money so often tend to accrue from the sale of the least meaningful things" and at another point in the Majove desert implores the groundskeeper of an airfield populated by dilapidated airplanes to grant him closer access out of his "preoccupation with the remnants of collapsing civilisations." What is so engaging about de Botton's style is how evidently immediate and crucial the concerns he writes about are to the author himself. Yet, at the same time, he understands that life shouldn't be taken too seriously. This makes the book very personal and enjoyable as well as including profound thoughts about the nature of being. Life is full of questions and, even if no satisfactory answers can be found, Alain de Botton is bravely determined to at least explore the meaning of it all with great eloquence and wit.

Superb and sublime
Another excellent book by Alain De Botton. I just finished it yesterday, having eagerly consumed it over the past few days. It has left me in a calm, positive and thoughtful state of mind, thinking well of my fellow commuters and colleagues.

What I love about Alain De Botton's approach is that his books posit themselves in the style of light self-help books, when in fact they are studious and crackling with intelligent observation and insight. They are still self-help books in a way, but in a subtler and rather sublime manner, appealing perhaps to our hearts rather than our rationale.

Here, Botton shows us the small, unnoticed, everyday events that unfold in an individual's working day. He does this with a broad range of people; office workers, salesmen, managers, artists. In doing so he is rather like a curator in an art gallery who shows and explains the overlooked details that make up the portrait of modern British working life, we can truly appreciate both our own and other peoples individual contribution.

While the title may claim to be addressing Work, the theme is simply a backdrop to discuss other matters, usually those of the human heart. This book is not a practical how-to / self-help book to improve your lot in the workplace, it is, I believe, much more useful and profound.

Simon Armstrong
Head of Retail
Design Museum
London

More of the Same
With all due respect to Alain I have found that if you read one book by him then you have basically read them all. I thoroughly enjoyed Art of Travel, I then read Status Anxiety and felt the style of writing was very much the same through breaking up the issue into component parts, analysing these parts with or without real life examples which allows the reader to then draw upon his/her own experiences to conclude.

I really wanted something more from this book to demonstrate that Alain is not a 'one trick pony' but it failed to deliver quite comprehensively and I really wish Alain, as an intelligent writer, would address this.

If this is your first purchase by Alain then go for it, if not then I feel you may be disappointed.