Product Description

On the hottest day of the summer of 1934, thirteen-year-old Briony Tallis sees her sister Cecilia strip off her clothes and plunge into the fountain in the garden of their country house. Watching her is Robbie Turner, her childhood friend who, like Cecilia, has recently come down from Cambridge. By the end of that day, the lives of all three will have been changed for ever. Robbie and Cecilia will have crossed a boundary they had not even imagined at its start, and will have become victims of the younger girl's imagination. Briony will have witnessed mysteries, and committed a crime for which she will spend the rest of her life trying to atone.

Product Details

• Amazon Sales Rank: #19170 in Books
• Published on: 2007-08-09
• Original language: English
• Binding: Paperback
• 384 pages

Observer
`Impressive'

Eve Magazine
'One of the great unrequited love stories.'

The Times
"Atonement is a masterpiece...it is also an elegy to a time which, however volatile, still had certainties."

Customer Reviews

Ian McEwan's masterpiece
I bought my copy of Atonement around five years ago and I never seemed to get around to reading it, even though I am a big fan of Ian McEwan's work. I knew that the release of the film version is imminent, so I decided to take it with me on holiday, so that I could set myself the goal of reading it before the film comes out. When I started it I could not understand why it had taken me the best part of five years to get around to reading it. I was totally engrossed by every aspect of the book; it is very atmospheric, it has a strong narrative drive, the characters are brilliantly drawn and you care what happens to the main protagonist.

In the hot summer of 1935 thirteen year old Briony Tallis is trying to stage a play to welcome her older brother home, but her cousins are proving not to be up to the task. As she sulks in her room she notices that her sister Cecilia has stripped her clothes off and jumped into a fountain, apparently at the behest of the cleaning lady's son Robbie. Her vivid imagination transforms this scene into something very different, and when that night something truly terrible does happen, she completely misconstrues it, with consequences that will dramatically change the lives of Cecilia, Robbie and herself. McEwan brilliantly captures how a child's mind works and the ways in which a naive young girl can totally misunderstand adult passions.

The second part of the book is set during World War 2 and Robbie is desperately trying to get to Dunkirk. Cecilia and Briony have both become nurses and are dealing with the casualties of the conflict. McEwan's writing is consistently superb throughout this book, but the war scenes are incredible, being totally pervaded by a sense of danger. You have a real sense of the terror and confusion that the British forces must have experienced as they retreated from France. There is an intense immediacy to the writing in the war scenes and it is hard to believe that McEwan has no direct personal experience of being in a war zone. The horrors of war are graphically brought home, as well as the capacity of the soldiers to exhibit compassion or violence.

All of the characters are still living with the repercussions of Briony's actions from that sultry day of 1945. How will Briony atone for her crime and the promising lives that she has destroyed? She is desperate to re-establish conflict with her estranged sister and make amends to both her and Robbie. We see her character grow, develop and mature and the manner in which she attempts to redeem her earlier actions is revealed in an extraordinary twist. The whole novel is a testimony to the power of writing and the effect it can have upon our lives. If you haven't already read it, read it now because it is one of the best books written in the past decade, and is easily the best novel to come from the pen of England's finest living writer.

atonement - disapponting to the end
It was hugely disappointing. It is NOT "smouldering with slow-burning menace". It rambles on and on, prattling endlessly, and trying to save the whole thing at the end, as being the manuscript of that annoying little brat now doddering old fool.

The basic story is simple enough, and this story could have been effectively told in a hundred pages. 372 is a major waste of paper, space and my patience.

The figures are flat and two-dimentional, the language pretentious and the aim way over the authors' abillities, it seems.
There is a real possibillity that the film will be ok, simply because the book was awful.

A thrilling read
We are first introduced to the story through the eyes of a naïve, yet intelligent 13-year-old, Briony, the main character of Atonement and owner of an overly fruitful imagination. It is because of this and her sense of determination to act on her imagination that the story unravels, thus causing such pain and such great tension between members of her family. Having created such a disaster, the central part of the novel sees her returning to the midst of the anguish to atone for the mistakes she made in childhood. By the end of the novel, I had warmed to her; a conclusion I didn't think I would result in at the beginning, where she is portrayed as an unlikable brat.
Atonement is a sensational read, set over three time periods; this novel captures the lifestyle of an upper middle class family pre Second World War, whilst also managing to show the true hardness experienced during the war, in such a graphic, realistic way, it really pays tribute to those who fought in the war in such a way I have never experienced in War films nor books.
A great book is made phenomenal by the excellent writing and use of words so typical of McEwan, the theme of romance throughout the novel is portrayed in a more subtle way than most, although it is still obvious that it is a tale of love. . It has been argued that McEwan goes into too much detail where it isn't necessary. However, I believe that this novel would be enjoyed by anyone who is passionate about literature, of any age. This is a truly worthwhile read and possibly the peak of McEwan's work.