Product Details

• Amazon Sales Rank: #2063 in DVD
• Released on: 2005-07-01
• Rating: Suitable for 18 years and over
• Formats: PAL, Subtitled
• Original language: English
• Number of discs: 1
• Running time: 131 minutes

Amazon.co.uk Review
The controversy that surrounded Stanley Kubrick's adaptation of Anthony Burgess's dystopian novel A Clockwork Orange while the film was out of circulation suggested that it was like Romper Stomper: a glamorisation of the violent, virile lifestyle of its teenage protagonist, with a hypocritical gloss of condemnation to mask delight in rape and ultra-violence. Actually, it is as fable-like and abstract as The Pilgrim's Progress, with characters deliberately played as goonish sitcom creations. The anarchic rampage of Alex (Malcolm McDowell), a bowler-hatted juvenile delinquent of the future, is all over at the end of the first act. Apprehended by equally brutal authorities, he changes from defiant thug to cringing bootlicker, volunteering for a behaviourist experiment that removes his capacity to do evil.

It's all stylised: from Burgess' invented pidgin Russian (snarled unforgettably by McDowell) to 2001-style slow tracks through sculpturally perfect sets (as with many Kubrick movies, the story could be told through decor alone) and exaggerated, grotesque performances on a par with those of Dr Strangelove (especially from Patrick Magee and Aubrey Morris). Made in 1971, based on a novel from 1962, A Clockwork Orange resonates across the years. Its future is now quaint, with Magee pecking out "subversive literature" on a giant IBM typewriter and "lovely, lovely Ludwig Van" on mini-cassette tapes. However, the world of "Municipal Flat Block 18A, Linear North" is very much with us: a housing estate where classical murals are obscenely vandalised, passers-by are rare and yobs loll about with nothing better to do than hurt people.

On the DVD: The extras are skimpy, with just an impressionist trailer in the style of the film used to brainwash Alex and a list of awards for which Clockwork Orange was nominated and awarded. The box promises soundtracks in English, French and Italian and subtitles in ten languages, but the disc just has two English soundtracks (mono and Dolby Surround 5.1) and two sets of English subtitles. The terrific-looking "digitally restored and remastered" print is letterboxed at 1.66:1 and on a widescreen TV plays best at 14:9. The film looks as good as it ever has, with rich stable colours (especially and appropriately the orangey-red of the credits and the blood) and a clarity that highlights previously unnoticed details such as Alex's gouged eyeball cufflinks and enables you to read the newspaper articles which flash by. The 5.1 soundtrack option is amazingly rich, benefiting the nuances of performance as much as the classical/electronic music score and the subtly unsettling sound effects. --Kim Newman

Special Features
DVD Technical Information:

• Languages: English, French, Italian
  
• Sub-titles: English, French, Italian, Dutch, Arabic, Spanish, Portuguese, German, Romanian, Bulgarian; English and Italian for the hearing impaired

Synopsis
From its opening shot of Malcolm McDowell staring with evil intent directly into the camera (which pulls back to reveal him drinking a glass of milk), Stanley Kubrick's brilliant CLOCKWORK ORANGE announces itself as a completely new kind of viewing experience. Banned in Britain for decades, the film, set in an unidentified future, overwhelms the senses with its almost comic depictions of rape and violence set to an upbeat classical and pop music score; its magnificent, colorful, futuristic set designs; and its utter determination to shock, frighten, and thoroughly entertain its audience. Kubrick based his chilling masterpiece on Anthony Burgess's culture-shaking novel about a young man, growing into adulthood, who has a bit of a problem with authority figures. (Interestingly, Burgess's stunning piece of fiction contains 21 chapters, but Kubrick ends his film after chapter 20.) When Alex (a career-defining performance by McDowell) and his droogs go out for a little bit of the old ultraviolence, he is caught and forced to undergo controversial treatment that will make it impossible for him to commit violent acts--but has severe side effects. Kubrick's film purposely confuses crime and punishment, cause and effect, hero and villain, irony and satire, filled with oxymoron and paradox, taking on science, politics, societal mores, education, sexual awakening, and parental responsibility all in a new language (both verbal and visual) that would change the cinema forever. No one who has seen it has ever been able to hear "Singin' in the Rain" or Ludwig van again in quite the same way.