Product Description

Set against a background of political turbulence in Kerala, this novel tells the story of twins Esthappen and Rahel. Amongst the vats of banana jam and heaps of peppercorns in their grandmother's factory they try to craft a childhood for themselves amidst what constitutes their family.

Product Details

• Amazon Sales Rank: #13572 in Books
• Published on: 1997-10-06
• Original language: English
• Binding: Paperback
• 368 pages

Amazon.co.uk Review
In her first novel, award-winning Indian screenwriter Arundhati Roy conjures a whoosh of wordplay that rises from the pages like a brilliant jazz improvisation. The God of Small Things is nominally the story of young twins Rahel and Estha and the rest of their family, but the book feels like a million stories spinning out indefinitely; it is the product of a genius child-mind that takes everything in and transforms it in an alchemy of poetry. The God of Small Things is at once exotic and familiar to the Western reader, written in an English that's completely new and invigorated by the Asian Indian influences of culture and language.

Review
'In part a perfectly paced mystery story, in part an Indian Wuthering Heights: a gorgeous and seductive fever dream of a novel, and a truly spectacular debut.' Kirkus 'The God of Small Things genuinely is a masterpiece, utterly exceptional in every way, and there can be little doubt that posterity will place it very near the top of any shortlist of Indian novels published this century.' William Dalyrmple, Harpers and Queen. 'The quality of Ms. Roy's narration is so extraordinary - at once so morally strenuous and so imaginatively supple - that the reader remains enthralled all the way through to its agonizing finish... it evokes in the reader a feeling of gratitude and wonderment.' New York Times

From the Publisher
Winner of the Booker Prize, 1997 – the first debut book ever to win; only the second debut novel to win.

Customer Reviews

a stunning, poetic first novel of tragic love.
This is a haunting, poetic novel, utterly gripping in its inexorable description of the approaching tragedy that awaits its two main characters.

You know what is coming, and grieve for the passionate woman at the centre of the book, for her two children, for the lover, for the country that could allow this to happen, for the passionate at heart everywhere.

The language is lyrical and ringingly poetic: some of the images will stay with me for a long time. I was particularly taken by the writer's ability to take a child-like perspective at moments of intense emotion, to see from a child's eyes, yet to describe feelings which are simultaneously adult.

A stunning first novel; rich, intense, powerfully moving.

Well worth persevering with!
Having read and heard lots of fairly negative reviews, I began this book rather apprehensively. And, seemingly like many other people, found it quite difficult to get into, and very nearly gave up after the first few chapters. I'm really not a fan of flowery language just for the sake of it, especially when it makes it difficult to understand what's going on properly! And I thought it was going to be one of those types of books. But then about halfway through, I started really getting into it.

The story jumps about a lot, with twins Estha and Rahel as children in parts and adults in other parts. But each chapter gives you a little clue at the beginning as to which era it is talking about. The twins as children have all sorts of little childish phrases, songs and thoughts that not only portray their playful innocence but also lend the reader a hint as to which period the chapter is currently in. Some reviewers have said that the jumping about in time made the story unnecessarily difficult to follow, and was done just for artistic prize-winning purposes, but I have to disagree. Had the story been told chronologically, it wouldn't have been anywhere near as atmospheric. There were parts of the book where the most important point to get across was the sheer sadness and melancholy. To have had a full prior knowledge of why the sadness was there would have jaded the scene with the reader's own reaction or interpretation of the preceding events. In real life when you meet people with a story or a history behind them, you meet the person and get to know their character first, and then the full story unfolds later on in bits and bobs, just like in this book. Also, that is the way it was for the twins - they didn't really understand the full horror and meaning of what had happened until they grew up. It was a way of showing how the events shaped the twins' lives gradually as they grew to see the significance of each event, without the writer having to spell it out.

It is true that a good story makes a great read, and there are times when over-descriptiveness and too many metaphors can spoil a book and make it boring. But in this case, for me at least, the metaphors combined with the repetitiveness of silly childish chants and phrases made the atmosphere and ambience of the book just right. It also succeeded in bringing me right into the feeling of childhood, with Bar Nowls and Lay Ter (dum dum).

I have to agree with the more positive critics, that this book IS beautifully written. It definitely left me thinking about it for ages afterwards, with each little scene left swimming about in my head for me to daydream away to! I thoroughly enjoyed it, and am now feeling a bit lost until I get stuck into another good book.

Enchanting Prose - The best book I have ever read
Having read the reviews of others - I simply had to write to protest to comments like 'dull' and 'boring', 'couldn't finish it', 'maybe if I'd travelled in India' bla blah blah. Come on! I love nothing more than a good book - and this, I have to say folks, is one of the most beautifully executed books I have ever read. So much so that I can't think of anyone I know I haven't bought it for or lent it to. I think this author deserves full credit for her efforts and every writing prize there is going. I couldn't even begin thinking about how to write like that. She has a unique talent which I think so many others lack. If I were a writer - I would have wanted to be Roy and written this very book. Don't be put off by the negative reviews on this book - give it a chance. I stumbled on this book by chance - no-one had recommended it to me and I really am glad I picked it up. I don't think that this book is 'hyped' at all. It doesn't get its due credit - I've never read a book that has made me feel so strongly before. In terms of writing talent, it surpasses another of my favourite books - Memoirs of a Geisha - and thats saying something.