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The Writer's Handbook 2006 (Writer's Handbooks (MacMillan))

The Writer's Handbook 2006 (Writer's Handbooks (MacMillan))
By Barry Turner

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Product Description

Completely revised and updated with newly commissioned articles, The Writer's Handbook 2006 is an indispensible companion for everyone in the writing profession. Packed full of provocative articles, useful advice, key contacts, hints and discussion, this practical, straightforward guide provides full details on the key markets. All you need to know about book publishing in the UK and US, agents, newspapers and magazines, screenwriting, TV and radio, film and video, theatre and poetry, writers' courses and circles, festivals, grants and prizes, alongside comprehensive, up-to-date information on taxation, copyright, contracts and much more. This is rounded off with two helpful indexes.

New topics include: pitching and selling your ideas; the thriving market in non-fiction; the boom in comics and illustrated fiction; and a year in the life of a TV sitcom writer.

‘This is the book no writer should be without’ The Times

'A wise and witty book, packed with useful information’ The Society of Authors


Product Details

  • Amazon Sales Rank: #226269 in Books
  • Published on: 2005-08-05
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 864 pages

Editorial Reviews

Review
"'This is the book no writer should be without' The Times 'A wise and witty book, packed with useful information' The Society of Authors"

About the Author

Barry Turner has worked on both sides of publishing, as an editor and marketing director and as an author. His recent work includes a radio play, travel articles, serializing books for The Times, and his book Countdown to Victory. As well as editing The Screenwriter's Handbook he has been editor of The Writer's Handbook for twenty years. He lives in north London.


Customer Reviews

Essential reference work for writers5
The Writer's Handbook provides the comprehensive listings writers need, including publishers, literary agents, writers' courses and prizes. These are interspersed with useful essays, eg about tax and the writer. Much of this information is invaluable; a couple of hours' research on, for example, literary agents or publishers may save you months of wasted effort submitting work to unsuitable recipients. If you're serious about getting published, you need either this or the "Writers' and Artists' Yearbook".

Which is better? Personally, I prefer the Writer's Handbook . But in terms of content, there's not a great deal between them. If you're unsure, check out both in a bookstore and see which layout and style you prefer.

Essential if you're serious about writing5
If you're in any way serious about writing and live in the British Isles, there are two books you need to buy every year - "Writers' and Artists' Yearbook" and "The Writer's Handbook". Why? and what do I mean by 'serious about writing'?

People start writing for a variety of reasons - fun, love, therapy. It's a progressive illness. At some stage, you decide you'd like to improve your skills ... or come to the conclusion that other people might benefit from hearing your words! You join a writers' group, take classes, or start sending your poems, short stories, manuscripts, or articles to publishers. It's before this stage you have to get serious. If you want to improve your writing and have at least the ambition to get published, then I'd suggest you learn a little about marketing before you start sending out material on spec.

If you were to compare the two, "Writers' and Artists' Yearbook" is probably the better value. Both contain page after page of addresses - UK newspapers and magazines, publishers, agents, competitions, etc., etc., etc., complete with pen portraits of these. Both books offer a number of articles on the subject of writing and publication. The "Yearbook" is slightly better - it provides a broader range of information.

"The Handbook", however, scores in its listings information. When it comes to listings of publications and publishers, the two books do not entirely overlap - they have a number of different listings, they offer a different perspective, and it's worth having both on your bookshelf - and if you want to break in to American markets, you should also consider "Writer's Market". In some respects, you may find the listings in "The Handbook" more informative, and editor Barry Turner offers some excellent analyses of the types of material favoured by various editors and publishers.

Well laid out, comprehensive, easily comprehensible, "The Handbook" has been going for years and provides a trustworthy package for beginner and professional alike. The material is concise, easily digested, and in the last nine years I've failed to find a mistake in any of the copies I've bought. For an annual publication, its information is accurate, timely, and accessible. (The same is true of its rival.) If you're serious about writing, it will become a good friend, to be cherished and handled with due care ... though it will inevitably end up a bit dog-eared and threadbare, like a beloved teddybear.

If you're serious enough to believe that you'd like to push your writing to the ultimate conclusion and try to earn money (if not a living) from it, then you will need both books, and you should get into the annual habit of buying them.

Essential if you're serious about writing5
If you're in any way serious about writing and live in the British Isles, there are two books you need to buy every year - "Writers' and Artists' Yearbook" and "The Writer's Handbook". Why? and what do I mean by 'serious about writing'?

People start writing for a variety of reasons - fun, love, therapy. It's a progressive illness. At some stage, you decide you'd like to improve your skills ... or come to the conclusion that other people might benefit from hearing your words! You join a writers' group, take classes, or start sending your poems, short stories, manuscripts, or articles to publishers. It's before this stage you have to get serious. If you want to improve your writing and have at least the ambition to get published, then I'd suggest you learn a little about marketing before you start sending out material on spec.

If you were to compare the two, "Writers' and Artists' Yearbook" is probably the better value. Both contain page after page of addresses - UK newspapers and magazines, publishers, agents, competitions, etc., etc., etc., complete with pen portraits of these. Both books offer a number of articles on the subject of writing and publication. The "Yearbook" is slightly better - it provides a broader range of information.

"The Handbook", however, scores in its listings information. When it comes to listings of publications and publishers, the two books do not entirely overlap - they have a number of different listings, they offer a different perspective, and it's worth having both on your bookshelf - and if you want to break in to American markets, you should also consider "Writer's Market". In some respects, you may find the listings in "The Handbook" more informative, and editor Barry Turner offers some excellent analyses of the types of material favoured by various editors and publishers.

Well laid out, comprehensive, easily comprehensible, "The Handbook" has been going for years and provides a trustworthy package for beginner and professional alike. The material is concise, easily digested, and in the last nine years I've failed to find a mistake in any of the copies I've bought. For an annual publication, its information is accurate, timely, and accessible. (The same is true of its rival.) If you're serious about writing, it will become a good friend, to be cherished and handled with due care ... though it will inevitably end up a bit dog-eared and threadbare, like a beloved teddybear.

If you're serious enough to believe that you'd like to push your writing to the ultimate conclusion and try to earn money (if not a living) from it, then you will need both books, and you should get into the annual habit of buying them.