Track Listing

1. Candy Store
2. 4 Minutes
3. Give It 2 Me
4. Heartbeat
5. Miles Away
6. She's Not Me
7. Incredible
8. Beat Goes On
9. Dance Tonight
10. Spanish Lesson
11. Devil
12. Voices

Product Details

• Amazon Sales Rank: #3459 in Music
• Released on: 2008-04-28
• Number of discs: 1
• Dimensions: .22 pounds

CD Description
With a fresh style, a new sound and a hardened attitude, Madonna returns. 'Hard Candy' follows 2005's 'Confessions On ADance Floor' and sees the Queen of Pop make a trademark U-turn, from the polished future-disco of the last record to urban funk with an underlying hip hop influence. Producers include Timbaland, Pharrell and Nate 'Danja' Hills, while a collaboration with Justin Timberlake is also featured on the single '4 Minutes'.

Customer Reviews

Overwhelmingly surprised
To be honest, after hearing that Madonna had teamed up with Timbaland, I was rather apprehensive about the release of "Hard Candy". Admittedly, I am not entirely a hip-hop fan, although I did enjoy the album "Loose" by Nelly Furtado, also produced by Timbaland. "Hard Candy" was released a day earlier in South Africa (Sunday, 27 April) and, after listening to it, I can only say that Madonna has definitely exceeded my expectations. In fact, to be honest, the last album that made me smile this much was an album released almost two decades ago - "Like a Prayer". I could perhaps also throw "Ray of Light" in here too. Although Madonna has scored some major hits since "Like a Prayer", like "Vogue", "Deeper and Deeper", "Frozen", "Ray of Light", "Music" and "Hung Up", she has not since then produced an album as exhilarating as this. I thoroughly enjoyed "Confessions on a Dance Floor", but there were only really three or four potential singles from that album.

"Hard Candy", I can assure you, contains at least six potential singles, and that is no lie. I don't quite think it was accurate to describe "hip-hop" as the main influence on this album. Sure, there are definite hip-hop stimuli, but fans both old and young will find the material far more dance-oriented than it has been made out to be. In fact, there is something for everybody on "Hard Candy". Some tunes have a definite 80's groove, 70's disco and stomping 90's dance. Madonna has certainly proven her staying power with this album.

The album opens with the tune "Candy Shop". With no disrespect at all towards Madonna, this sounds very much like a track from Nelly Furtado, from her album "Loose". The song is definitely not the strongest on the album, but is indeed catchy with repeated lyrics declaring 'Sticky and sweet, sticky and sweet'.

"4 Minutes" was for me personally, a bit disappointing. I suppose I expected a bit more for a first single release. However, it has proven popular on the world charts, reaching the top 3 in more than 30 countries, including the US, UK, Canada, Japan, Australia, South Africa and France.

The third album track, "Give it to me", really put a smile on my face and will put a smile on the world charts too. It is undeniably catchy - a stomping dance track with a beguiling chorus that sticks permanently in your head. This is a definite third or fourth single release and will likely be a huge hit.

"Heartbeat" mixes hip-hop with both 80's synth and early 90's trip beats. Not a possible single, but the track is honest, in your face and hummable. Madonna also tests the upper realms of her pitch potential, and succeeds with ease.

"Miles Away" - oh wow! Beautiful guitar, deep grooves, alluring lyrics and oh so captivating. This is Madonna at her poetic best! 'You always love me more...miles away' is clearly an ode to her sometimes long-distance relationship with Guy Ritchie. This begs to be released as a single.

"She's Not Me" is a dig at some floozy who has clearly upset Madonna enough to proclaim that 'she doesn't have money; she'll never have what I have'. However, this description in no way illustrates what a breathtaking track this is - single number three or four without a doubt. This track sounds like something that could belong on a 'teen movie' soundtrack, especially towards the middle when we are greeted by a bubblegum, up-tempo surprise. It has incredibly catchy lyrics and the bassist deserves a gold medal. This is yet another stomping club track and fans of European singer, Mika, will also be very impressed. However, Madonna makes this 'single' her own.

"Incredible" is a synth-based, hip-hop-mixed, fresh tune. Definitely not a single but, again, could likely become catchy with time.

"Beat goes on" is, for sure, single release number two. What a fantastic job Madonna and Kayne West have done on this track. I'm apt to say that this is my favourite track on the album, and my favourite in many years. The chorus is so captivating, I have no doubt in my mind that this will be Madonna's biggest number one for many years. It's a beautiful dance groove that can simply be described as "mesmerising". If I do dare criticise this track, it would have to be the minute-long "rap" in the middle of the song, which appeared to be out of place.

The remaining four tracks, "Dance 2Night" (reminds me of Wham's "Young Guns (Go for it)", "Spanish Lesson" (the weakest track), "Devil Wouldn't Recognize You" and "Voices" can mostly be regarded as pleasing. The only possible single release here though would be "Devil Wouldn't Recognise You", a catchy ballad that gets better with each listen.

Well done, Madonna. She will indeed surprise many, many people with this album. This album might not be regarded as Madonna's best, but it certainly beats "Bedtime Stories", "Music" and "American Life". It has come at the right time, and is polished, immaculate and enthralling.

Very disapointing
This album is no where near one of her best. The tunes are weak, the songs meander, Timbaland is old news. Madonna used to innovate, here she's just copying the crowd. If you want Timbaland go for Nelly Furtado's last album or the last Duran Duran album. This is her worst album for over 10 years, Madge , please bring back William Orbit or Stuart Price ( Jacques le cont ) This album is bland.

just horrible
If I'd like "hip hop" or "urban" or "r&b" I'd maybe buy this album. But I don't like those kinds of music (well, actually I don't even consider those sounds music), so I'll forget that Madonna ever made this piece of crap.

I just cannot understand that people who loved the beautiful Confessions album also like this uninspired drivel.

Please Madonna, go back to your pop / disco roots and leave hip hop / urban / r&b to the kids who don't know any better!

(For the record: I rated this album 1 star because it is not possible to give it minus 5 stars.)