Track Listing

1. Two Receivers
2. Atlantis To Interzone
3. Golden Skans
4. Totem On The Timeline
5. As Above So Below
6. Isle Of Her
7. Gravity's Rainbow
8. Forgotten Works
9. Magick
10. It's Not Over Yet
11. Four Horsemen Of 2012 / (untitled)

Product Details

• Amazon Sales Rank: #1621 in Music
• Released on: 2007-01-29
• Number of discs: 1
• Dimensions: .22 pounds
• Running time: 54 minutes

Amazon.co.uk Review
Flagbearers for the "nu rave" movement they helped found, London's The Klaxons make their full-length debut with Myths Of The Near Future. Fans of the old rave, initially, will be forgiven for not knowing what all the fuss is about - beyond a dramatically punked-up cover of "Not Over Yet" by '90s chart star Grace, The Klaxons owe precious little to the synthetic rush of UK clubland past or present. Persist, though, because once beyond this realisation, it's possible to appreciate this band on their own merits. "Isle Of Her" and "From Atlantis To Interzone" comes on like brooding US punks Liars, all thrumming, distorted bassline and a vocal delivery that veers between desolate and manic (although the latter's whirling air-raid siren is very much The Klaxons' own addition), while on the other side of the coin, "Golden Skans" betrays an impressive ability for anthemic, harmony-laden pop. Lyrically, too, it's a confusing and fascinating document, fragments of "peacock's tails" and "madcap Medusa" emerging from the maelstrom. What at first sounds unfocused gradually makes a weird kind of sense; indeed, you suspect The Klaxons planned it that way from the beginning. --Louis Pattison.

CD Description
'Myths Of The Near Future' is the debut album from South London Nu Rave instigators The Klaxons. Produced by James Ford, the album sees the trio bring together melodic art-rock with the sirens, glo-sticks and smiley acid faces of the rave scene. The singles 'Golden Skans' and 'Gravity's Rainbow' are included as well as a cover of Grace's mid-nineties house classic 'It's Not Over Yet'.

Customer Reviews

Wasn't sure what to expect...
After only hearing a small handful of their songs, this buy was a bit of a risk! On first listen to be honest I wasn't too impressed, and skipped most of the songs. However, upon second listen (and without skipping any songs) I really liked it! The songs are all unique and although not catchy in an obvious way, I found myself singing along in no time and humming away for most of the day! This has to be one of my favourite albums at the moment, and despite listening to it most days- I still pick up on new things I missed the previous times. Whether you like crashing synths, smooth vocals, memorable melodies, or even dancing around whilst getting ready- then this album is sure to be a winner with you!

the next big thing
the album is great! magick is a top single, and golden skans will be too. atlantis to interzone, gravity's rainbow, 4 horsemen of 2012 and it's not over yet are also great songs on the album.

i strongly urge people to by their xan valleys EP as well. there are 2 quality remixes on it, and another song from the klaxons, called The Bouncer.

these boys deserve to be huge.

Serious Album Of The Year Contender...Already!
I think the best thing to do is ignore the so-called `new rave' controversy and give a track by track review.

1. Two Receivers - This is a startlingly atmospheric opener, which builds up tremendously. A much slower number than most of the tracks on here, but retains an epic feel to it. A great start to the album.

2. Atlantis To Interzone - You've heard it and, therefore, surely loved it. Fast, irresistibly danceable and utterly insane. It probably is my favourite track on the album. It's about time somebody put the keyboard's `DJ!' button to use in a song! Awesome, in a word.

3. Golden Skans - A pure pop chart hit, which contrasts with much of the album, yet still retains the trademark Klaxons sound. A combination of a catchy chorus and gorgeously polished production make it a winner. The background vocals are actually, for lack of a better term, beautiful.

4. Totem On The Timeline - I was appalled to see one review call this `filler.' This is another track to have you on your feet, and is also catchy enough for you to know every word after two listens. This has a much more typical indie sound to it than most of the tracks, as it is all about guitars rather than distortion and sound effects.

5. As Above, So Below - This sounds excellent on the record. Yet another easily accessible chorus. It is difficult to compare this to anyone else. The track has a very unique sound. A surprise highlight for me.

6. Isle Of Her - The band's attempts at a massive sing-along anthem work wonders here. There is a lot going on in this one, but it remains organised rather than disjointed. Not really danceable, but the catchiness continues. Notice a trend?

7. Gravity's Rainbow - Another track you must know, and it hasn't suffered as a result of being re-recorded. This is more traditional indie once again, and is fairly short, but very sweet. I challenge anyone to be able to get the hook of `Come with me, come with me/We'll travel to infinity' out of their head. It simply sounds like a huge hit.

8. Forgotten Works - Probably the weakest track, though it is OK. The bass line on this is delicious, but there isn't much else happening on this track. The hook is pretty simple, as are the verses, and less isn't more in this case. Worth a listen, but not one of my personal favourites.

9. Magick - This one took an age to grow on me, but it did. The background vocals are great on here, as on Golden Skans. Few other similarities can be found between the tracks. When you contrast the two singles, this is a raw, moody and dark tune completely removed from Golden Skans' pop appeal. Magick is sinister and menacing, but it works nevertheless.

10. It's Not Over Yet - A cover of the rave classic. I remember little about the original, but this isn't bad by any means. It's not one of the strongest on here, but is danceable and provides yet another sing-along chorus. A solid cover.

11. Four Horsemen Of 2012 - Wow. This is brilliant. To the casual listener this is surely the least accessible track, and is closely followed by Magick as the most dark, disturbing track on here. Dual vocals are utilised with an anxious squeal running in juxtaposition with worrying, almost inaudible murmurs throughout. The drumming here is fantastically frantic, giving the track an apocalyptic sound. A perfect way to end an album really; with an absolutely explosive climax. The instrumental 15 minutes after this song is not really worth waiting for, as it is merely a bunch of sound effects thrown together.

All in all, I think it is safe to believe the hype. This is an album of the year contender already. Clocking in at only 35 minutes approximately, excluding the hidden `track,' this is a quick, catchy listen from one of the country's most exciting new bands. They're not `new rave,' even they have admitted that, but they are a unique brand of indie waiting to take over. I would recommend this to anyone, and I am actually shocked when people don't like this. It's brilliant.