Dark and hard science fiction thriller/horror. You have never read anything like it before.

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Product Description

Two months have past since a myriad of alien objects clenched about the Earth, screaming as they burned. The heavens have been silent since until a derelict space probe hears whispers from a distant comet. Something talks out there: but not to us.Who should we send to meet the alien, when the alien doesn't want to meet?Send a linguist with multiple - personality disorder and a biologist so spliced with machinery that he can't feel his own flesh. Send a pacifist warrior and a vampire recalled from the grave by the voodoo of paleogenetics. Send a man with half his mind gone since childhood. Send them to edge of the solar system, praying you can trust such freaks and monsters with the fate of a world. You fear they may be more alien than the thing they've been sent to find - but you'd give anything for that to be true, if you knew what was waiting for them...

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Product Details

• Amazon Sales Rank: #23473 in Books
• Published on: 2008-04-25
• Original language: English
• Number of items: 1
• Binding: Paperback
• 384 pages

Review
"* "This stimulating hard science fiction novel." - Publishers Weekly."

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Customer Reviews

Really impressive, cutting-edge science fiction
If you like your science fiction hard, deep, and philosophically compelling, you're going to like Peter Watts. Self-awareness, consciousness, communication, ethics, intelligence, and the nature of life and reality are just some of the high-brow subjects Watts wraps into the plot of Blindsight. Eschewing the age-old question of what consciousness is, Watts probes deeper to try and get at what consciousness is actually good for. Obviously, this isn't light-weight science fiction, so I suspect the complete science fiction novice might have a little trouble getting into this book. Sure, there is some great action taking place in a deep-space environment, but Watts' philosophical questions are truly at the heart of this novel.

If you want to get Earth's attention, sending sixty-five thousand objects (dubbed "fireflies") careening into the planetary atmosphere is a pretty darn effective way to do it. All of the objects burn up in flight so no physical damage is done, but this shocking event serves as quite a wake-up call for a now-nervous human race. When, two months later, a distant space probe picks up whispers (in English) from the edge of the solar system, no time is wasted on trying to figure out who is out there and, perhaps more importantly, what its intentions are. An extraordinary crew is assembled to fly out there and investigate: a linguist with multiple, surgically-induced personalities allowing her to process information in four different ways, a biologist almost Borg-like with his machinery-enhanced senses, a pacifist warrior who may or may not be able to accomplish anything if the aliens prove hostile, a synthesist to serve as a conduit of information back to Earth, and a genetically reborn vampire to call the shots. We view all of the action through the eyes of Siri Keeton, who, as a child, basically had half of his brain removed in order to cure him of epilepsy. The operation could be said to have removed the truly human part of his personality, leaving him an analytical being who lives and makes decisions based on algorithms and logic rather than human emotions. In other words, he is the perfect objective observer, and his role as synthesist on this space mission is to observe everything and everybody on the mission and update Earth with information on what is really going on out there - with the aliens as well as the human crew.

The novel quickly becomes a story of first contact with a completely alien race. Initially, the human crew struggles to figure out if the communications they receive from a most alien of vessels identifying itself as Rorschach are coming from actual aliens - or if the ship is empty and the communications computer-generated. Surprisingly, that question doesn't get all that easier when they first encounter the creatures they call scramblers inside the alien ship. These creatures are somehow able to affect the human brain, conjuring up unseen shadows and unbidden emotional reactions, as well as hiding things (such as themselves) in plain sight. And even if the creatures are alive, are they intelligent? Are they even self-aware? The more the crewmen learn, the less they seem to know about these absolutely alien beings. These questions of intelligence and self-awareness eventually come back to attach themselves to Siri and his crewmates, culminating in a pretty shocking series of events and revelations. It goes without saying that this is cutting-edge material.

Basically, Peter Watts' Blindsight is hard science fiction at its best - a little daunting to the sci-fi novice but immensely thought-provoking and intellectually stimulating to the reader seeking something far and beyond a good action-packed story. If there's a weakness in the novel, it's the separation the reader feels between himself and the characters. It is difficult to relate to the crew members (let alone the mysterious aliens who may or may not be sentient). It's even difficult to truly understand Siri, despite the fact we see and learn everything that happens from his perspective. As such, however, the novel is basically about us, human beings, and the way we perceive reality and ourselves. Watts provides us with some remarkable insights in that regard, and that is what makes Blindsight such an extraordinary science fiction novel.

Great read!
If you've been frequenting popular SFF message boards lately, you are aware that a lot has been said about Peter Watts and his latest hard scifi novel, Blindsight. The more so since the author has made the book available for free on his website www.rifters.com. Many critics and readers opine that Blindsight should be a sure contender for a number of awards, and few people disagree. In addition, my recent interview with Watts leaves no one indifferent, at least judged by the responses I've been receiving. All of which, in the end, is for the best, for I believe that the more people get to know Peter Watts, the more will give Blindsight a shot. Those who do won't be disappointed, let me tell you!

Whenever I hear the appellation "hard-SF" I'm a bit concerned, because such works habitually require a Science degree or Ph. D. in order to understand what the concepts contained within the novel are all about. Neophytes never know if they'll "get it." Not so with Blindsight, though at times things are not that easy to follow.

The notes and refrences found at the end of the book show what sort of extensive research the writing of Blindsight required. Many claim that Peter Watts is on the cutting edge of science fiction. Be that as it may, although Blindsight is based on science and contains loads of scientific facts and jargon, the book also tackles enough philosophical issues to make it truly stand out from the other scifi works out there. As such, that makes Blindsight a demanding but utterly satisfying read.

The permise is traditional: First Contact with an alien race. Typical, you say? Not so, at least beyond that premise. Watts has many surprises up his sleeves, have no fear. The presence of vampires alone should pique your cusiosity.

I found Watts' cast of characters rather unique. When I originally read the blurb, I wondered what the hell it was all about. A linguist with multiple personalities, her brain surgically partitioned into four separate, sentient cores. A biologist so interfaced with machinery that he's barely human anymore. A pacifist warrior. A Synthesist with half his brain gone, there to act as a conduit between the mission and Earth. And a vampire to command them all. I found the story to be well-crafted and interesting, but it's the characterizations that really make Blindsight such a good reading experience.

Some readers have complained that the book is too "talky." I beg to differ in that regard. There is a panoply of facts and information that needs to be conveyed to the readers through the dialogues between the different characters. Otherwise, had this simply been part of the narrative, it would have been info dumping in industrial quantity, which in turn would have turned Blindsight into a sluggish and uneven read.

Kudos to the author for maintaining the omnipresent "don't know what will happen next" feeling throughout the novel. Flashback scenes similar to the ones found in Lynch's The Lies of Locke Lamora help flesh out events and characters. Again, that prevents the "real time" narrative from being filled with too much info.

All in all, if you are looking for a fascinating and thought-provoking book, Blindsight is definitely for you! And with a second printing on the way, you should have no problem getting your hands on a copy. Some say that Blindsight should capture the Hugo Award next year. Well, I wouldn't be surprised if it does. . .

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A bit rushed

Lots of Stuff here: a crew of five almost-human specialists is sent out to investigate a vast alien artifact which has appeared in the vicinity of the Solar System, with shades of Hyperion, Rendezvous with Rama, and lots and lots of ideas about the physical nature of consciousness and perception, tied up with a damaged and therefore probably unreliable narrator. There's enough here to keep specialists or enthusiasts in that field very happy. Myself, I found the beginning too rushed; I could have done with a decent expository chapter, or even some good old-fashioned info-dumping, to get me on track earlier. Also the author has a scholarly afterword written with welcome flashes of wit and humour, which sadly did not leak into the pages of the novel itself. Not bad, though.